New Release! Come to the Rocks

Linnea’s only safe place is a spot on the rocky shoreline where the water can be rather vicious. It’s here where she meets, and falls in love with, a mermaid named Mren. As the romance blossoms, the escalating harassment from Linnea’s ex-boyfriend Mikey threatens the secret relationship. Mren has vowed to protect Linnea, but she’s confined to the water and Mikey is a land monster. Meanwhile, Linnea will do anything to keep Mren safe from him.

Anything.

 

Come to the Rocks, my little bisexual woman/mermaid horror-ish romance story is coming soon!

Now available from NineStar Press.

This little novelette ebook is only $2.99. Too good to pass up.

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Murderville: The End Of- Episode 6

Upstairs, Downstairs

Detective Josh Carpenter sat across the table from Calvin and Audrey Connolly and the three of them tried to look inconspicuous.  The only time that Josh could interview the couple together was during their lunch breaks.  Audrey Connolly, of course, worked at the coroner’s office.  Calvin Connolly was a high school math teacher and since the beginning of a new school year was looming, he was busy prepping.  Josh had considered interviewing them separately, but decided to interview them as a couple first.  He wanted to gauge how they interacted during questioning knowing what he knew.  So, the meeting at the McDonald’s during the lunch rush on Monday was the best way to go.  Well, not the best, but the option Josh decided was best out of the limited, not-so-great options.  Thankfully, most of the folks in Munsterville that bothered to get out of their cars to come inside the fast food joint were just grabbing their lunch to-go.

“I did have a date with Starla,” Calvin Connolly said and practically flinched at the sound of the woman’s name coming out of his mouth.  Next to him, Audrey Connolly sat stone-faced, a good gap of physical distance between them in the booth.  “’For the night she was…was murdered.”  He added quickly, emphatically, “But I cancelled it.  Days before.  I cancelled it.”

“Why did you cancel it?” Josh asked, making a note in his notebook.  He’d already known that Calvin Connolly was the cancelled date thanks to Merry Miller’s code key.  It was the why that currently eluded him.  Starla James made no note of that.

“Because…” Mr. Connolly sighed heavily, “because Audrey found out about it.”

“And how long had you been seeing Miss James?” Josh asked, watching the husband squirm and the wife imitate a statue.

“Only a few months,” he said.  “We’d only had sex a couple of times.  Honest.”

“I see,” Josh said, making a note of the duration of the affair, but not of the number of times Mr. Connolly claimed to have had sex with the victim.  That was clearly meant for his wife to hear.  “And when did Mrs. Connolly find out about the affair?”

Now, Audrey Connolly did move, a slight flinch at her name and the word “affair” in the same sentence.

“Last week.  Monday or Tuesday, I think.  Days before I was supposed to see Starla.  She found a text from her on my phone and confronted me.  I cancelled my date with Starla right then.,” Mr. Connolly said, sounding sullen and remorseful.  Josh wondered if it was because he’d hurt his wife by having an affair or because she found out.  “That’s why we were out of town this past weekend.  We were trying to work on our marriage.”

Mrs. Connolly made a little noise as if to suggest that the weekend hadn’t been all that successful.

“And when did you leave for this weekend retreat of yours?” Josh asked.

“Friday evening,” Mr. Connolly said hurriedly.  He looked at his wife for confirmation of that.  “Right?  Right after you got off of work.  You had to work late so we left late.  Right?”

“Yes,” Mrs. Connolly said, sounding reluctant to speak at all.  “We left Friday after I got off of work.  It was around seven-thirty.”

“And you work at the coroner’s office, correct?” Josh asked.

“I work for the coroner’s administration,” Audrey Connolly corrected.  “Yes.  I work upstairs.  I’m their public relations consultant.”

“I see,” Josh said and he made a show of flipping through his notebook as though he were looking for a piece of information that wasn’t already cued up in his head.  “So, you would have been at work when Starla James was discovered and brought in for examination and autopsy.”

Audrey Connolly shifted her weight in the booth a little.

“Yes.  Like I said.  I work upstairs.”

“Why were you working overtime that day?”

“What does that have to do with anything?” Mrs. Connolly snapped.

Josh stared at her hard.  She managed to stare back with equal intensity for a few seconds before she shifted in her seat again, nervous.  That might work on her husband, but Josh was immune to it.  Except from his own husband.

“Mrs. Connolly, I’m investigating a homicide,” Josh said, business-like and professional with just a touch of no-nonsense.  “I would appreciate your cooperation in answering my questions.  Why were you working overtime that day?”

Mrs. Connolly glanced at her husband.  “I had to stay late due to a late-breaking development that needed to be addressed.”

Josh nodded at her.  “From my understanding, it was due to the results of Miss James’s autopsy.”

Mr. Connolly looked at his wife with wide eyes.  She never took her eyes from Josh, her look hardening.

###

Time is running out for Lu and Josh to solve the case. Check out Murderville and Patreon to keep up with their ticking clock!

Writing with a Day Job…Again

When I set my writing projects for June, I didn’t have a day job.

By the time it posted, I did.

Life comes at you fast.

I’m back in retail, working at one of the local dollar stores. Every store does things somewhat differently, but a lot of the basics are the same. It’s like riding a bike. I haven’t forgotten.

Now I have to hope that I haven’t forgotten what it’s like to write with a day job. It’s been a while since I’ve been working out of the house for 15-20 hours a week. It’s been a while since I’ve had to write around that kind of schedule (as well as the other life things I have to write around, too). Right now everything is crazy because this day job happened very suddenly during an already busy time, both for writing and for real life. No doubt it’ll settle down and find a groove, but for now, I’m a little stressed and very tired.

I plan on keeping my June writing plan. The Coop Run is on a deadline, so it will get first priority, but I’m fairly sure I’ll be able to get a good chunk, if not all of season 3 of Murderville written. Hopefully, my productivity will be as high as my hopes.

Though the day job will alleviate an immediate need for financial support, like all of my day jobs, I view it as temporary. My goal is to make a (decent) living by writing.

I still intend to do that.

June Writing Projects

Last month was all about the Patreon. I wrote the outline for season 3 of Murderville and wrote the first draft of the season 3 preview story. I also came up with an idea to be a little more active on my Patreon, but I’m still working out those kinks. I’m hoping to have something going before the end of season 2.

This month it’s going to be all novellas all the time.

I’m going to write the first draft of season 3 of Murderville.

I’m also going to be doing a little writer thrill seeking again.

I’m going to try to rewrite The Coop Run as a novella for submission in July. Yeah, not a lot of time to get it in order, but I have already started by reading over the original first draft, chopping it up, and making notes on what I need to write fresh. In the end, even if nothing comes of the submission in terms of actually getting published, I think the story will be better off. This first draft is a mess. There are many story elements that I like, but they do not work together as is. What I’ll take out, I’ll save. I happen to like the crew of the Nina Kitt and I wouldn’t mind exploring their world in other stories.

Speaking of that, even if nothing comes of the submission in terms of actually getting published, I will at least be able to say that I wrote an honest to goodness sci-fi novella. It’s not going to be the hardest of sci-fi, but dammit, it will be set in space on a spaceship and that’s a huge step into a new genre for me.

That counts for something.

There’s only 3 episodes left of Murdeville: The End Of. Episode 6 goes live on June 12th. $1 an episode lets you read;  $2 an episode lets you read AND you get some really nifty fun bonuses every other month, like the one that’s dropping June 26th. It’s never too late to become a patron!

Rerun Junkie–Hawaii Five-O Favorites Seasons 9-12

Here we are. The end of our journey through some of my favorite episodes from each season. You can read the previous entries here and here.

The episode selection for these last four seasons was difficult, as were the previous seasons, but maybe for slightly different reasons. I haven’t watched these seasons as much and for me, there aren’t as many standout episodes. After season 10, there’s no Chin Ho. After season 11, there’s no Danno. So, yeah. The subjectivity is high here, kids. Consider yourselves warned.

“Heads, Your Dead” Season 9, Episode 7. Air date: November 11, 1976. Directed by Bruce Bilson. Written by Herman Groves.

Based on a real-life case, hijackers get themselves hired to be the crew of luxury yachts, then murder the owners and steal the boats to sell elsewhere. Danno and Officer Sandi Welles are sent undercover to investigate. Sandi, along with a group of people, is taken hostage by the hijackers and their fate rests on a flip of a coin.

A big part of the reason why I like this episode is because I like Officer Sandi Welles (Amanda McBroom) in it. I also like bad guys. They’re pretty ruthless. There’s a certain amount of psychological terror involved in telling your already terrified hostages that you’re going to throw them overboard and whether or not they get a life raft depends on a coin flip. But that’s what makes it so compelling.

“The Descent of the Torches” Season 10, Episode 5. Air date: October 20, 1977. Directed by Charles S. Dubin. Written by Alvin Sapinsley

An archaeological dig reveals tunnels that could lead to the grave of King Kamehameha I. And someone is so convinced of it that they dress up in a royal robe and mask to frighten off and eventually kill members of the dig.

I very nearly picked “A Death in the Family”, but honestly, it’s not really a favorite in the sense that I enjoy it, but more in the sense that it ripped out my heart and dumped it on the steps of Iolani Palace. Anyway. The reason why I picked “The Descent of the Torches” instead is because of the Hawaiian culture. This episode gets into that and I really like it. Let’s face it. For the majority of the run, it’s a pretty white show. There are some Hawaiian faces and there’s the presentation of life on the islands, but not too much on the Hawaiian culture. Yes, there are better episodes in this season, but this one scratches an itch for me.

“Stringer” Season 11, Episode 17. Air date: February 22, 1979. Directed by Ray Austin. Story by Paul Williams and Robert Janes. Teleplay by Robert Janes.

Members of Tony Alika’s Hawaiian kumu mob shoot out a tire on a police car that’s trailing their out-on-bail boss, causing an accident that kills one officer and nearly kills my much-adored Duke. The whole thing is caught on film by a “stringer” (free-lance photographer) named Tim Powers, who decides to try to blackmail Tony Alika and the political boss he was making a deal with.

I really need to do a whole post on Tony Alika, as he was a recurring villain during the 11th and 12th season and I’m always looking for a reason to write about my beloved Ross Martin. But I went ahead and picked this episode for my season 11 favorite because of the Paul Williams aspect. Not only does he get the story by credit, but he also plays the stringer of the title. A man who’s probably known more for his songwriting, I always love it when he shows up in things. He’s small and interesting and hard to ignore.

“Woe to Wo Fat” Season 12, Episode 19. Air date: April 5, 1980. Directed by Barry Crane. Written by Frank Telford.

The final episode. Three scientists who all attended a space-based, laser defense symposium have been abducted. McGarrett impersonates the fourth in order to be abducted and find out what’s going on. Of course, it’s Wo Fat going on.

Wo Fat is another character that deserves his own post. Khigh Dhiegh portrayed Steve McGarrett’s arch nemesis throughout the show’s 12 year run. But, when it comes to favorites, I have to give my pick to the last episode of the series. Not one of the best episodes maybe, but endings are always hard. And it’s only fitting that the last episode feature the final battle between McGarrett and Wo Fat.

I hope you enjoyed some of my favorite episodes and I hope these posts tide you over until I actually get around to doing my Book ’em, Danno podcast.

Until then, relax…

Writer Thrill Seeking

If you asked me to go bungee jumping or skydiving, I’d probably chuckle and politely tell you that if I wanted to see the ground rushing up at my face, I’d get drunk and fall over. Though I’ve had my thrills and sometimes I go looking for a certain kind, nobody would rush to call me a thrillseeker. I don’t know if I’d get on a roller coaster that goes upside down anymore.

But when it comes to writing, I’m far more game for a thrill.

The first week of May I decided to spend money I didn’t have to enter a script that I hadn’t written into a contest that’s deadline was the next day.

Okay, now this only looks like a last minute decision. To be fair, I thought the deadline was actually the next week. I did think I had a little more time. And I wasn’t sure I wanted to commit to doing the contest because, like I mentioned, really didn’t have the entry fee to spare.

But when I saw that I was wrong about the deadline, I sort of…well…went thrill seeking. The first time I entered a script in this contest, I spent a couple of months working on an entry that got me an honorable mention. When I entered last year, I spent about a week on a entry I thought would ultimately be a throwaway, and I ended up with 5th place.

I could not pass up the challenge of writing fifteen pages of script in two days and see if I couldn’t beat 5th place.

The idea is one I’ve had kicking around in my head and I even wrote a short story/first chapter for it. I already had an outline. I was actually going in pretty well stacked in terms of knowing what I was doing. It was just a matter of finding the time to get it all written.

Yeah, about that.

During the same two days I was writing these fifteen pages I was also prepping for my next Green Hornet chat with Dan, outlining season 3 of Murderville, writing my page a day, studying my four languages, and doing my daily life stuff.

No sweat.

This is how I get my high. By driving myself crazy. I honestly think that I’m not happy unless I’m committing some sort of busy-ness that pushes me to the brink of insanity. For the last few months, I’ve been taking it pretty easy on the writing schedule. I was struggling with my mental and physical health. I really didn’t have the energy to push it. Or at least it didn’t feel like I did.

I’m feeling a bit more energized now, though.

Maybe I just needed a little thrill to get going.

Murderville: The End Of- Episode 5

The Mistress’s Men

Lu really wanted to spend her entire shift tagging along with Josh, watching him be a detective, getting elbowed in the ribs for not keeping her word about not asking any questions or saying anything sarcastic, but unfortunately, she did have work to do.

A whole pile of it was waiting on her desk.

“You work weekends now?” Melanie asked as she strolled into the office.

The death investigator’s office was situated down the hall from the autopsy room.  It had two desks, two phones, several filing cabinets, a couple of chairs, a police scanner, a coffee pot, and a television.  The official break room was on the second floor, but most everyone just hung out in the death investigator’s office because it was closer.

Melanie poured herself a cup of coffee.

“Jerome is off and someone had to cover,” Lu said, sitting down at her desk, looking at the stack of files in the center of it not unlike she might look at pile of dog shit on her lawn.  And Lu didn’t own a dog.  She gestured at them, careful not to touch them.  “Is this my pain?”

“Yep,” Melanie said, reading her look.  “Those are the files that upstairs,” Melanie looked up, “wants reviewed.  Dr. Pascal was ranting about it last night.  I thought his head was going to pop off.”

“He’s got about as much skin in this audit as I do.”

“Neither one of you have anything to worry about,” Melanie said, giving Lu a pat on the shoulder.  “You two are the best at your jobs.  Upstairs is crazy to think otherwise.”

Melanie sat down at the other desk, turning on the TV, but keeping the volume low.

Lu wanted to believe that Melanie was right, but just the fact that she was working for Jerome on a weekend because the city was too cheap to hire as many death investigators as they needed didn’t boost her confidence any.  Lu knew all too well that being good at your job didn’t meant that you weren’t expendable.

With a heavy sigh, Lu pulled the first file from the top of the pile and opened it up, looking for a mistake she knew that she hadn’t made.

###

Simon Sidney lived in a large house on the lakefront, only a few miles down the road from End Of, on Lake Shore Drive.  The house was practically a wall of windows on the side that faced the lake, which was no doubt picturesque most of the time, if you didn’t think about how many cars were probably at the bottom of Lake Munster.

Josh sat on the white couch in the white living room wondering why so many people with money insisted on white living rooms.

Simon Sidney was a handsome man in his sixties, his hair long gone silver, his age starting to show in his golfer’s physique.  His wife, Carlotta, was easily twenty years younger than he was and held up to a much different standard.  Her hair was bleached an unnatural blonde and it was clear by the lack of movement in her forehead that she’d had a round or twelve of Botox.  Her lips looked overly filled and her clothes were a size too small.

They sat on the couch opposite Josh, a low glass coffee table between the detective and the couple.  Simon Sidney sat on the couch, looking relaxed in his dress shirt and slacks.  Carlotta Sidney was perched next to her husband, right on the edge of the sofa.  Josh didn’t think she could relax in the dress she was wearing.

“Mr. Sidney,” Josh began, sparing a glance at his wife, “I need to know about your relationship with Starla James.”

“She was my mistress,” Simon Sidney said so bluntly that if the words had been an anvil, a cartoon coyote would have been flattened instantly in a comical way.

“One of your mistresses,” his wife patiently corrected and a second anvil dropped on that poor coyote’s head.

Josh nodded and quickly jotted down the unnecessary information into his notebook to hide his wide-eyed shock from the couple.

###

Keep up with Lu and Josh’s investigation! Check out Murderville or Patreon!

Writing for Tips

In my continued attempts to support myself by writing (not only because it’s my ultimate goal in life, but also because I’m still struggling to find a day job), I’ve come up with a new way for folks to support me and my work.

Specifically, I call it Writing for Tips.

Right now, it’s a collection of the formerly-freebie stories and the stories I had in the Storytime Jukebox and I also plan to add a few more stories as we go along. Yes, the Jukebox is no more. It was a nice idea, a pay-what-you-want endeavor, but ultimately, it was just a little to prohibitive. Also, I’m just too clumsy to be expected to do that sort of thing well. Writing for Tips is better because it’s not only a pay-what-you want endeavor, but it’s also a pay-if-you-want endeavor. Meaning the stories are essentially free, but you can throw some cash my way via PayPal or buy me a coffee via Ko-Fi if you like my work.

Think of it as busking, but for writing.

Will people read and not throw any money in my open typewriter case? Yeah, probably. Hopefully, though, they will enjoy what they read. They’ll tell friends. They’ll look for my other work. They’ll buy it. They’ll read it. They’ll enjoy it. They’ll tell friends. I’m creating a cycle here. Also, there will be some who do toss me a buck or two when they can in addition to doing everything else. Both are very much appreciated.

It’s possible I might expand this to include some non-fiction/essay-type writing as well, but we’ll see.

In the meantime, if you like the tune, don’t be afraid to tip the player.

May Writing Projects

You know, I said last month that April was my oyster. Apparently, I forgot that I don’t care for oysters. I did my page-a-day and my poem-a-day. I submitted a short story twice (same story, two different markets, a rejection was involved) and I submitted (Vampires) Made in America to a new agent.

And that’s about it.

I thought I’d be able to find a project to work on, but the best I did was rearranging my To Do List of Doom so it made more sense. I’ve still got a massive list of projects in various states and none of them made any progress in April.

I have my speculations about the reasons for this, but I’m not going to get into them here.

Instead, I’m going to move on. New month…well, same me, but actual stuff to work on.

I’ve decided to dedicate May to my Patreon. I’m going to outline season 3 of Murderville and write the first draft of the season 3 preview story. I’m also going to brainstorm ways I can be more involved on Patreon. Right now, it’s very much set it and forget it. I feel like I need to provide a little more content in order to entice new patrons and keep the ones I have. Can’t get by on my looks here.

Or anywhere, really.

Speaking of Murderville, episode 5 of The End Of is live May 8th. We’re over the half-way point here. Become a patron and enjoy the ride. $1 an episode lets you read; $2 an episode lets you read AND you get some really sweet bonus material in the form of other stuff I’m working on. It’s never too late to head to Murderville!

Releasing the Mermaid

“Releasing the Mermaid” would be a great title for a book or a movie, but instead it’s the title of this blog post and the mermaid in question is Come to the Rocks.

As you know, Come to the Rocks, my little, twisted mermaid/human queer romance story came out on the 16th from NineStar Press. This is the longest story I’ve ever had published by someone who is not me. It’s also the first thing I’ve had published by someone who is not me in a very long while.

After years of being in complete control over the publishing end of the writing life, I sort of forgot what it was like to not have to worry about that so much.

Now, obviously having a novelette published on its own isn’t quite the same as having a short story published in an anthology. Longer, solo stories require more work. I mean that’s just logic. And so I was expecting that. I was not expecting the first round of edits to come during an incredibly busy time in my schedule, but it did and I managed it, with the help and patience of my wonderful editor Jason.

The subsequent edits and proofreading were much easier and I appreciate the talents of those who worked on my little book. They made my manuscript sparkle.

I also had the talents of the wonderful Natasha Snow for my cover, and I will never get over the magnificent job she did. She captured the story perfectly, I think.

These are two things that I like doing in regards to my self-publishing, though after this experience I realize that I really need to improve my skills.

NineStar Press also handled all of the stuff that I am truly terrible at. They did the pre-order and orchestrated the release blitz. They provided advanced reader copies for reviews, which is something I never even thought about doing on my own. I am positively tragic when it comes to self-promotion so it was nice to have that help and that boost. There is no doubt in my mind that this little book reached more people than it would have if I’d self-published it. I am endlessly grateful for that.

As much as I like the total control of self-publishing, I cannot deny the benefits of traditional publishing. It’s a little less stressful because there’s a team and tasks are delegated and not everything falls on me to do. My main role was as a writer and it’s been a long time since I’ve gotten to do just that. I said earlier this year that I wanted to get back into the traditional publishing game and this has reminded me of the perks of it. I’ll probably still self-publish, but I’m hoping that this will begin the trend of balancing the two more equally.

The release of this mermaid was a definite group effort, but still very much a personal accomplishment.

A truly sweet swim.

Rerun Junkie–Hawaii Five-O Favorites Seasons 5-8

It was only after I put this post together that I realized the episodes I picked featured three written by Jerome Coopersmith and two directed by Charles S. Dubin. I suppose this could be used as evidence of me liking their work.

Anyway.

Reminder that the process of picking one favorite episode from each season was difficult. If you’re curious as to how I couldn’t have possibly picked “Hookman” for season 6, it’s because I sort of wrote about it already. And you can read about my favorite episodes from seasons 1-4 here.

“I’m a Family Crook–Don’t Shoot!” Season 5, Episode 13. Air date: December 19, 1972. Written by Jerome Coopersmith. Directed by Bob Sweeney.

The Lovejoys are a family of grifters who come to Hawaii to work their magic. They end up stealing the briefcase of a collector for a mob protection racket which contains the collected protection money and his ledger. Naturally, the mob wants this briefcase back. And Five-O would like it, too. Shenanigans ensue.

This episode got the nod for this blog post because it didn’t seem right to pick the “V for Vashon” trilogy. That deserves it’s own post. But that’s not to say that “I’m a Family Crook–Don’t Shoot” didn’t earn it’s place as a fave. It’s Andy Griffith and Joyce Van Patten as con artists. How can you not love that? What’s more is that even though they’re “bad guys” in the sense that they’re criminals, you still really like them. You definitely don’t want to see the mobsters get them, but you also don’t want Five-O to throw them in jail. It’s a fun episode that provides some real tension once the mobsters go after the Lovejoys’ daughter.

“Draw Me a Killer” Season 6, Episode 2. Air date: September 18, 1973. Written by Walter Black. Directed by Charles S. Dubin.

A mentally ill young man fixated on the Judy Moon comic strip believes that he must repeatedly save the heroine and ends up murdering the comic villains’ real life look-a-likes. When the young man spots (and begins to stalk) a woman who resembles Judy Moon, things get intense. In order to flush out the killer, Danno allows himself to be drawn as the next villain.

Mental illness wasn’t necessarily handled with the deftest hand back in the day. Hey, it still isn’t now in the present. But this episode was an interesting take on someone whose grasp on reality wasn’t the best. There’s no doubt that our killer (played excellently by Elliot Street, who was also played the mentally challenged son of baseball player Pernell Roberts in a season 3 two-parter) is dangerous. But the character is also sympathetic. After all, he’s only moved to murder in order to save someone. Unfortunately, he’s mixing up fiction with reality through no fault of his own. His boss, played by Audrey Totter (The Postman Always Rings Twice), helps provide a little more dimension to a character that could easily just be a run-of-the-mill “skitzo”.

“Welcome to Our Branch Office” Season 7, Episode 11. Air date: December 3, 1974. Written by Jerome Coopersmith. Directed by Charles S. Dubin.

A pair of con men break into Five-O headquarters and take pictures of the offices. They replicate them in an abandoned building and then hire and train men to act like the real Five-O. It’s an elaborate scheme meant to extort money from wealthy businessmen. Naturally, McGarrett isn’t thrilled to find himself and his men accused of strong arming folks.

This is another fun episode I enjoy purely because it is fun. First of all, the masterminds behind this fake Five-O scheme are Cameron Mitchell (Swiss Family Robinson TV show, The Toolbox Murders) and Frank Gorshin (The Riddler himself). Talk about a fun couple. A good part of the episode shows the two of them getting together the fake gang and setting up the fake office. And the one victim who ends up reporting the fake Five-O has a wife who wears a magnificently loud dress. He also says that it was definitely McGarrett he saw. Which is hilarious because, with the exception of Danno, NONE of the look-a-likes look that much like their counterparts. Danno is the exception because James MacArthur took on a dual role to play his double, parting his hair on the wrong side to emphasize the difference. It’s an entertaining episode that provides a nice break from some of the more serious ones.

“Retire in Sunny Hawaii…Forever” Season 8, Episode 9. Air date November 7, 1975. Written by Jerome Coopersmith. Directed by Bruce Bilson.

Danno’s Aunt Clara comes out for a visit. When a man she became friendly with on the flight over is attacked by two men and ends up dead, Five-O is on the case. Aunt Clara’s quality time with her nephew now involves being used by Five-O in a ploy to catch the killers and unravel the whole illegal scheme.

Again, subjectivity plays a huge role in my choices of favorites, and this is definitely one of those episodes. Danno’s Aunt Clara is played by James MacArthur’s real-life mother Helen Hayes. I’m a sucker for things like that. Seeing mother and son work together onscreen is a true delight.  Throw in TV guest star journeyman Ian Wolfe as the unfortunate Mr. Miller and Charles During as Havens, and the episode comes together so well that you wish Aunt Clara would have visited more often.

You can read the final installment of favorite Hawaii Five-O episode posts, seasons 9-12, here.