“Stop Working for Free in 2017!”

flame box elder penThe title of this post came from a tweet in my feed. No, it wasn’t spam or some other kind of sponsored content, though it can read that way, I suppose.

To me it reads as the truth.

I have often struggled with the concept of getting paid for my writing. I feel like I’m imposing on people by asking them for money to read my work. “You’re an artist!” a voice in my head yells. “You’re not supposed to be doing it for the money!” And then another voice pipes up and says, “Dude, seriously? You’re writing all of this shit anyway. Get paid, man.”

But still, I struggle.

The second voice is right, though. More right than the first voice. I don’t write for the money. If I did, then I’d be writing to the trends, pumping out thin stories with excellent dressing, capitalizing on whatever looks like it will be selling in the next few months. Publishing trends can be hard to predict, but they’re pretty easy to get in on, especially now with the convenience of self-publishing (not at all putting down self-publishing as that has been my primary means for the majority of my writing career). Writing, revising, and self-publishing a decent novel in a few months that fits in with a going trend is possible.

But I don’t do that.

In fact, when people ask about the nature of my career and why I don’t sell more books and why I don’t have an agent and all of that, I tell them that my biggest hang-up is that I don’t write what other people want to read. I write what I want to write, what I want to read. And my tastes are apparently far from the mainstream. It’s hard to find any traditional success when you write stuff that can only find a small audience, no matter how loyal. Publishing, after all, is a business. They are very motivated by the money.

Still. I should get paid for what I do write. There is no shame in this. I’m not asking for a handout. I’m asking to be paid for my work. It’s no different than when I get paid for child learnin’ or working floorset. Just because the paycheck isn’t as regular doesn’t mean that I don’t deserve it.

This is the mantra I’m carrying into 2017. I’m not working for free. This doesn’t mean I won’t be doing anymore freebie stories on occasion. It doesn’t mean that I’m going to start charging you guys to read these wonderful, informative blog posts.

It means that I’m not going to act like I don’t deserve to ask for money for my work. Because you know what? I do. Because writing IS work. It IS my job. It’s the job I’d like to be living off of instead of my day jobs. How do I do that? By insisting that I get paid.

The Patreon project is a step in that direction. Adjusting the prices for my existing self-published works will be next. Working on something to get traditionally published is on the To Do List.

Come 2017, I will get paid.

Patreon Project! Murderville

MurdervilleAs I’ve mentioned a couple of times in the past couple of months and as I’ve been plotting for the last several, I’m putting my Patreon to better use and that better use starts in January.

Murderville was originally conceived as a short-season TV series. I don’t know why, since I don’t know the first thing about writing TV shows, but that’s how it came into my head and that’s how I outlined it and how I was going to write it. I’m all for learning and practicing different writing mediums. I never got around to writing it as an actual TV show, but the outline remained and the idea of it never really left me. Particularly the characters featured in the first “season”.

You know me. I don’t get rid of anything. Writing hoarder to the end. So, when I decided that I really needed to do something productive with my Patreon instead of just letting it sit there collecting dust and no money, I came back to Murderville.

I wrote the first “season” as a novella called Murderville: The Last Joke and then broke the novella into eight “episodes”. One episode will be posted each month starting in January. At the end of the year, I’ll put out the novella as an ebook.

Nifty, yes?

So….What is Murderville?

“Murderville” is the affectionate (or not-so-affectionate) nickname given to the industrial city of Munsterville. Because even though there’s not a whole lot of violent crime in the city, it seems that people have a tendency to die in really strange ways. Can’t just have a plain old shooting or stabbing, not in Murderville. There’s always a twist.

The Last Joke features Pam and Drew Bendixen, a couple hit hard by the economy and struggling to rebound. To add to their woes, Pam finds a dead man on the doorstep one morning. The one positive about this is that the deceased was a successful business man and there’s now a $25,000 reward for information that leads to his killer. That money could really help Pam and Drew out and since they did find him on their doorstep, surely they could work in a little detective work between their  multiple jobs and family demands. After all, what do they have to lose? Oh, and they could also help a family get closure and obtain justice and all that.

If you sign up to read Murderville through Patreon, you pledge either $1 or $2 per episode and you can read the episodes right there. You also get the novella at the end of the year. $2 patrons also get sneak peeks at the other projects I’m working on. Gotta sweeten that pot somehow.

Don’t want to be a patron? No problem. For the low, low price of $8 (the minimum amount the $1 patrons will pay) paid through PayPal, you get the password that will allow you to read all eight episodes here on the blog.

The episodes will also be readable on Google Docs.

So don’t miss out.

The fun officially starts on January 10th.

December Writing Projects

Milwaukee Christmas treeShit kinda got wacky last month, I will not deny. Cubs World Series parade, the election, the world on fire, NaNoWriMo. Just unforeseen craziness. And so outside of NaNo, my writing really didn’t get a whole lot of attention. I was going to try write, revise, and submit a short-short to a contest, but that didn’t happen. I got it started and it ended up being abandoned in the chaos. The essays I’ve been writing for practice met the same fate. Only NaNo and a rough revision on my Patreon serial idea happened.

And now it’s December and the holiday season is upon us and if this isn’t my well-documented least favorite time of year. I automatically call a mulligan every December because it takes so much of my energy to find and maintain any little dribble of holiday spirit.

But I still got shit to do.

The Patreon serial project is going to be my main focus this month. I’m getting a beta read on it right now, I’ll do another revision on it, and then go from there. The goal is to have this little thing going starting in January.

Which means I will also be pimping this thing. If this sort of self-promotion annoys you, let me remind you that I don’t work one of my jobs for like a month because of Christmas/New Year’s. I don’t work, I don’t get paid. Any little bit of coin I can scrape together helps to ease that pain.

Speaking of, you may or may not (probably not) have noticed an update to the Storytime Jukebox. You can now read the short stories on the blog. You drop in your coins like usual (via PayPal) and I’ll send you a password to use on the story link. Nifty, yes? Sure. The novellas are still only available on Googledocs, though. Or you can buy the short story collections they’re in. That’s good, too.

Though Patreon will definitely be my main gig this month, if I have any spare brain power, it’s going to be spent organizing my plan for next year.

Because I’m going to need some kind of plan for 2017.

That’s Another NaNo Win

NaNo 2016 winNaNoWriMo was in the bag at a little over 50,000 words on November 19th and I got around to validating it on the 26th. I reconciled pretty early on in the story that I wasn’t going to hit 60,000 words like I usually do for my NaNo novels, but I sort of knew that was going to be the case. The story I had was a little thin, to be honest. As I wrote I saw places that will probably be fleshed out whenever revisions happen, but I didn’t bother following any of those tangents. More than any other NaNo, I just wanted to be done.

This was a sort of wild NaNo. For the first time in many years I didn’t make my usual 2,000 word minimum every day. Taking off for the Cubs World Series parade, I settled for only writing 500 words two days in a row, which set me back not only by my standards, but also by the NaNo daily need to stay on target.

I only made 4,000 words a couple of days. I usually hit that mark easily on the weekends, if not a couple of other days during the week. The fallout from the election really kinda consumed my existence for a solid week, week and a half. Most of my time was spent reading articles and being active on Twitter spreading information (I’m sure I was muted/blocked/unfollowed by scores of people because I wasn’t entertaining anymore and I’m sure the few people who know me in my offline existence were the first to go). I didn’t want to write anything, let alone some stupid novel about a conjurer that will probably never be revised and/or see the light of day, even if I do love my conjurer and her friends.

But I wrote it anyway.

Because that’s kinda the point of NaNo. Writing when real life intrudes. Writing when you don’t want to. Forcing yourself to make time for your words. This is my 13th NaNo. You’d think I’d have gotten that drilled into my brain by now. I guess it sort of is because that is what made me push to get my words written. I admit that some days were more of a struggle than others.

My final push saw me hit 6,000 words two days in a row. Like I said, I wanted to be done.

And I am and I’m glad and it’s win number 10.

Hallelujah.

November Writing Projects aka NaNoWriMo

nanowrimoIt’s that time of year again. Oh yes. Time to write 50,000 words (okay, 60,000 for me) in thirty days.

I finally figured out that I should just write another Outskirts novel. This one will feature truther (not THAT kind of truther) Maisie Day, conjurer LittleJessie Witt, and famed hunter Sister Mary Valle. The working title is To Tell the (Conjurer’s) Truth, which isn’t great, but not great titles are my thing. I’m not married to it by any means, so I can easily change it if I ever revise it.

Naturally, I say “if” because (Vampires) Made in America and The End of the (Werewolf) Curse still sit waiting. I’ll get around to them one day, I’m sure.

I’ve only outlined the first ten chapters of To Tell the (Conjurer’s) Truth, the idea being that for every chapter I write, I’ll outline the next. You know. Write chapter one and then outline chapter eleven. I don’t want to get too far ahead with this story because I only have a vague idea of what I’m doing with it.

Reassuring, no?

This could be a potential disaster, but I’m all in as always, baby.

Though my main focus will be on NaNo as my Novembers are usually spent (I think this is number 13 maybe), I did finish the first “season” of my Patreon serial idea. I’m going to attempt to revise at least the first episode or two during the month. Fingers-crossed that it’ll be something worth trying come the new year. As usual, I was feeling way too ambitious to think I’d have it ready to go before then.

I’ve also been writing essays on the side for the last month or two. Just another practice thing. A page a day of learning is good for my brain, I think.

Let’s hope I have some brain left after this month.

New in the Storytime Jukebox–Land of the Voting Dead

Land of the Voting Dead

Miriam Showalter opened the heavy wooden double doors to the unseasonably warm November morning.  Sunlight streamed in, golden so early in the morning and so late in the year.  Miriam lodged the doors open with heavy wooden doorsteps that her husband Gene had carved thirty years ago to replace the ones that the previous twenty years had worn out.  Back then they’d been horses’ heads, like pieces on a chess board, and Gene had spent his days in the fields planting corn and beans.  Now all of the features, the delicate detail that Gene spent hours squinting at and refining, were worn smooth and Gene spent his days as a pile of ash in a brightly polished urn.

Miriam finished pinning the doors open and dabbed the sweat away from her brow with the tissue she kept tucked under her watch.  She could have taken off her cardigan, but she was no fool.  Just because she worked up a sweat, just because the sun was shining, just because they were having a late warm up didn’t mean that it wasn’t November.  Miriam wasn’t catching her death today.

From the front doors, Miriam walked across the dark wood floor, the insolated soles of her shoes barely making a sound in the open room, past the long table and single folding chair (with a many-times patched, pink cushion that she’d made about the same time Gene made the horse head doorstops) that she’d set up when she first got there, and down the back hallway where the sunshine couldn’t reach.  There was a storage room on the left, a bathroom on the right, a door at the end, and not a window in sight.  The light was still on in the storage room.  Miriam walked in, wrinkling her nose at the heavy musty smell and the lingering scent of something that just couldn’t be placed, but Miriam knew what it was.  She’d leave the doors open all day long.  That’d chase most of the smell out.  The place just wasn’t used enough to get rid of it entirely.

Another table and a stack of folding chairs sat against one wall.  There were several miscellaneous cardboard boxes along the wall opposite the door.  It seemed that there were more every year, but Miriam had no idea who brought the boxes or what was in any of them.  Shoved off to the side were two voting pedestals that stood like misshapen patio umbrellas, their dingy little screens separating six little cubicles, their little desks hitting Miriam just under her bust as she wheeled them out one by one into the main room, positioning them on opposite sides of the less than great hall and locking their wheels into place.

Miriam dabbed away the sweat from her face and replaced the tissue under her watchband.  She checked the time.  Russell Sims would be along any minute with the vote box.  That’s what Miriam called it.  It’s where the votes went after people were done filling in the circles with a special black pen.  That wasn’t the proper name for the thing, but Miriam didn’t care.  People gave stupid names to things anyway.  “Vote box” was accurate enough.  It wasn’t like anyone was ever going to quiz her on it.  They probably didn’t know the correct name for it either.

Russell showed up in his old truck that had the most ineffective muffler still attached to a vehicle and left it running as he wheeled in the black vote box and a cardboard box full of ballots on a dolly.

“You gonna be alright on your own, Miriam?” Russell asked as he positioned the box next to the table according to Miriam’s hand gestures.

“Yes, of course.  I’ve been dong this longer than you’ve been alive,” Miriam said.  “Just put the ballots on the table.”

“They’re supposed to be in a secure location.”

“They’ll be fine.”

Russell set the box on the end of the table.

“You got your voter book?” he asked.

“Picked it up this morning.”  Miriam opened the ballot box.

Russell looked around, unable to decide if he should put his hands in his pockets or not.  “Anything else you need while I’m on the get, Miriam?”

“No, no, Russell, I’m fine,” she said without looking up, dismissing him with a flutter of her hand.

“Good.  ‘Cause they’re on the move,” Russell said, hurrying toward the door.

“Of course they are,” Miriam said.  “They don’t like to be late.”

Russell said a hasty goodbye at the door and Miriam gave him another wave.  She listened to his truck roar off into the morning.

Miriam busied herself by testing all of the magic black pens as she placed them at the voting pedestals.  She opened up the voting book, took out a stack of ballots and a roll of “I Voted” stickers from the cardboard box, and retrieved her “voting stick” from the storage room.  Miriam sat down with a sigh, the cushion deflating beneath her, a delicate ache creeping up her legs and along her spine.  She waited.

The first voter of the day shambled in right at eight.  A trail of dirt followed him, falling from the cuffs of his pants and the pockets of his jacket.  Miriam grimaced at the sight.  She forgot to bring the broom out from the storage room.  Sighing, she got to her feet.  Miriam flipped the book to the correct page as he staggered to the table in a less than straight line, his eyes half-open, a faint scent of rot preceding him.  Miriam knew Douglas Kless when she saw him even if he had been dead six years, in part because embalming had improved over the years (Douglas had hardly moldered at all), but mostly because Miriam was always good with names and faces, even decomposed ones.

“Morning, Douglas,” she said, even though she knew he wouldn’t respond and honestly wasn’t sure if he heard her, but that was no different than when he was alive.  She liked to be polite.

With one hand, Miriam held out a pen for dead Douglas Kless, killed by a brain aneurysm on his way home from a movie, and with the other she pointed to the place in the book Douglas was supposed to sign.  Douglas took the pen with clumsy fingers and his hand dropped down to the book.  Somehow he formed something that looked like a “D” on his space.  He dropped the pen.

“Both sides, Douglas.”  Miriam flipped the ballot over and back before handing it to him.  She put a sticker on his lapel.

Douglas Kless stood there for a minute, blank and swaying.  Miriam picked up the “voting stick”, a stubby, faded blue broomstick, and prodded him with it.  Douglas started walking, feet dragging along the hardwood, to the voting pedestal.

The doorway darkened with the arrival of several more voters.

In Chicago, the dead voted in spirit.  Downstate, they voted in body.  At least in this town they did.  They voted until they were so rotted, so decayed that they couldn’t claw themselves out of their graves and shamble to the polling place.  It’s why Miriam’s husband Gene had himself cremated.  He had enough trouble deciding whom to vote for while his brains worked; God only knew the trouble he’d have once they stopped.

Miriam felt the same way.

***

Wanna read the rest? Head on over to the Storytime Jukebox and drop in some change.

It originally appeared in the anthology Zombidays: Festivities of the Flesheaters, which is currently out of print.

October Writing Projects

pumpkinsLet me be straight about something. I have been in a writing fog for the last several months. It’s one of those things in which my head is crammed with ideas, but none of them have any immediate use. I want to execute them all, but none of them really further any of my immediate goals. And that’s been kind of frustrating for me because, obviously, it’s the immediate goals I need to be focusing on.

I have to produce dammit!

My business mind has a tendency to clash with my artist’s heart and it does my hellscape mind no favors.

So, in other words, I haven’t been making a lot in the way of tangible progress on certain things lately.

I have done some things, though.

I finished the first draft of another script called The Hitman’s List. I was emboldened by Open Christmas Eve receiving an honorable mention in the contest I entered it into to finish this one because it was my second choice for an entry. I’m pretty pleased with it, though I have no idea what I’ll do with it.

The victory also encouraged me to enter a couple of poems into a poetry contest. I actually got second place in a state contest back when I was in high school. It was an assignment/entry. I’m still bitter my teacher made me change the last line of that poem, even though I can’t remember what it was about (I can’t remember the theme of the contest). She made me all-caps the last line because she decided I didn’t have enough poetic devices in it. I don’t know if that change won me second place or lost me first. Now I’ll know if I win, it’s all me, baby.

The serial idea for Patreon plods on. I’ve got the first draft of the first two “episodes” done and I’m well on my way to completing the first draft of the third. It’s moving along a lot more slowly than I thought, but I think I might be comfortable enough to have something going by November maybe. Of course, I might be overestimating myself once again. I have a great talent for doing that when it comes to time. The planning fallacy. I has it.

Looming around the corner is NaNoWriMo. I should be planning what I’m doing for it. And I will.

Just as soon as I figure out what that is.

Oh, the scares October has for me.

Representation Matters (My Writing Included)

ghostbusters“I can think of seven good uses for a cadaver today.” -Jillian Holtzmann (Kate McKinnon) in Ghostbusters

Thanks to an empty theater (one of the blessings of living in a cornfield; Thursday matinees are like private showings after about the first week of a new release), my roommate had no worries about disturbing anyone when she looked at me and said, “That’s you.”

And she’s not wrong. I do know seven good uses for a cadaver and probably seven more inappropriate ones. But it was really cool to see that weird aspect of myself verbalized on the screen in a major motion picture. Things like that happen so intermittently for a weirdo like me.

Representation matters. I strongly believe this. I strongly believe that it’s important for people to see themselves or aspects of themselves represented in stories, whether they’re movies, TV shows, or books. So while I left that showing of Ghostbusters feeling pretty empowered by seeing four women I could relate to and who reflected aspects of my existence back at me (please do not debate me on whether or not the movie was good based on your white man “well actually” perspective; I hate-watch Jason Takes Manhattan every time it comes on, so your detailed bullshit analysis is wasted on me), I’ve been thinking about representation in my own work ever since.

I acknowledge that I struggle with it.

I struggle because I’m very mindful about getting it right. I know representation matters, but I don’t want to just throw those characters into a story just so my work appears to be diverse. I want to present an accurate representation. And that’s hard for me. I don’t like to fuck up in this particular arena.

When it comes to fat, white women, I got you covered. That’s something I don’t even think about writing because, well, that’s just writing me. I have no trouble writing white men of any size because that’s the default norm. I believe that I’d have no trouble writing bisexuals of either gender or gay or lesbian characters as I am bisexual and I’ve known and loved enough gay men and lesbian women in my time that I believe that I could accurately represent them. I’ve ventured very tentatively into representing other races and letters of the LGBT+ (both in the same novellas, oddly enough; Art, who’s Puerto Rican, and Riley, who’s transgendered, both appeared in the Ivy Russell novellas). I tried to venture into that territory as carefully and as conscientiously as I could, but I’m still worried that I didn’t do either character justice, that I got something about those representations wrong. They weren’t meant to be plot devices or fill a diversity quota; they were meant to be real, fully developed characters. For that to happen, the representation needs to be accurate.

I admit to cheating a lot when it comes to representation in my short stories. The main character in my short stories rarely gets any physical description so the reader can project whatever they want to on them for a short time. It’s sort of a lazy trick of representation. Here, you do the work and see this character how you want to see them based on the personality traits revealed and the emotions conveyed in the story. While I don’t think being a reader should be a completely passive experience, I do think that there are times that I, the writer, need to put in a little more effort.

Okay, a lot more.

Representation is something that I think I’m always going to struggle with, but I don’t think that’s a bad thing.

Struggle leads to change and growth.

And I’m all about growing into a better writer.

September Writing Projects

Yellow flowersI have a Patreon. I can’t say that I’ve made much use of it because I felt weird and undeserving to have people give me money like that. But with the success of the Storytime Jukebox, I decided that if I have it, then I really should put it to better use.

So, I’m going to spend the month working on a project just for Patreon. I’m taking an old idea for a TV show (I was going to use it to practice script writing, outlined it, and then never went back to it) and turning it into a serial of sorts. Each story, which ideally will be posted once a month, will be one “episode”.  I’m going to work on the first few stories this month and see where it gets me. If everything goes well and it looks like it’s going to come together well, then I’ll redo my Patreon around it and get it all going.

If not, no real loss. I’ll still have the Patreon and I’ll have some stories written that I could use for something else. Remember, I never throw anything away. Hoarding dead stories and marginal ideas has proven quite useful to me.

Speaking of stories, I’ve been working on a trilogy of short stories. I came across a call for submissions for a series of connected anthologies. Though the deadline for the first one has passed and I’m not sure if I’m going to submit for the other two, I at least seized upon an idea that I’ve had for a while, and with a little bit of direction from the submission requirements, got something going.  Again, it’s one of those things that I don’t know what’s going to come of it, but I’m enjoying it and in the end, at some point, it’ll be useful.

I’ve got a bunch of old stuff on the To Do List of Doom, but this month, I’m going with this new flow.