Writing–November Projects aka NaNoWriMo 2014

nanowrimoNovember means NaNoWriMo and NaNoWriMo means that I write like a madwoman.

My NaNo this year is similar to last year’s in that I’m going to do two 25,000 word novellas instead of one 50,000 word novel. I am once again breaking rules, baby. But I couldn’t think of a good novel idea and decided NaNo would work just fine to clear two more items off of the To Do List.

This year’s NaNoWriMo project is The Odd Section of Town and Firebugs and Other Insects, the next two Ivy Russell novellas. Possibly the last two, I don’t know. I don’t have any ideas for this character beyond these last two novellas, so I suppose we’ll see. You know me. I’m not good with commitment.

The Odd Section of Town involves our intrepid private investigator Ivy dealing with several cases in  the Odd Section of Buddington, an area of own that seems to be plagued by a rash of bad luck that seemed to start around the same time an old friend came for a visit.

Firebugs and Other Insects finds Ivy looking for a mentally ill man during a rash of fires that are certainly the work of one weird arsonist.

I felt like it was a good idea to get these two written since I already had the ideas and the only thing holding me back was The Timeless Man wasn’t fixed yet. But with that scratched off the To Do List, I actually switched two different novellas out to write these two and finish up the Ivy series, at least for the time being.

I’m already off to a good start and anticipate being done by no later than the 16th (yes, I realize I’ve probably just jinxed the hell out of myself). Which poses an interesting question.

What am I going to do with the rest of the month?

The answer: I don’t know, but nothing heavy. Between Thanksgiving, working Black Friday, and going to my first con in about six years, the end of the month will be no time to start anything serious. I’ll probably end up doing some revisions on projects that will only take me a day or two to accomplish. I’ll figure it out when the time comes.

My brain is kind of crowded right now.

Writing–Let’s See Where This Goes

Rainbow paperI’ve been working  on “Nadie Has a Dog” for the better part of the month and I’m finally getting to the point where it’s wrapping up.

I’ll be honest with you; I’m only now sure how it will end. I wasn’t sure before. In fact, the ending is nowhere near where I thought it’d be.

That’s probably because when I started the story, I only had a couple of scenes in mind.

-The beginning, in which we establish who Nadie is and how she got her name.

-The scene in which she acquires her dog.

-The first scene illustrating what she and her dog do.

After that, I figured I’d wing it. More than likely, writing those scenes, stringing together those parts of the story would lead me to the end. Actually, I thought the last scene was the climax and Nadie and her dog would ride off into the sunset.

Only they didn’t.

And I had to see where the story decided to go.

That happens occasionally with my short stories. I try to be a little more planned out with my longer works, like novellas and novels, just because there’s so much going on that I need to keep track of all of my threads. I let myself have some room to play, of course, but it’s more like dallying between set pit stops on a road trip rather than full on wandering in the woods.

With short stories, I can wander more, though I don’t usually. When I sit down to write, I know what the story is. I still manage to surprise myself, but the overall story is usually written with a solid beginning and ending.

With Nadie, I thought I knew the ending, but I didn’t. There was more story there than I’d originally thought. That’s both scary and neat. The potential to go so far off the rails that the story meanders into nothingness is there and that worries me. I don’t like it when my stories end up as bupkiss. But it is kind of a thrill to just write as it comes and see what happens and see where things go.

Nadie has turned out to be longer and not as overtly shocking as I thought it’d be. Instead there’s a touch of sweetness and a even a little humor to the story. And I like that! It feels right.

Sometimes it’s good to wander.

Writing–October Projects

pumpkinsJust because I’m experiencing a writing crisis of sorts doesn’t mean the party stops. While I’m  seeking validation by submitting to agents, I also have a different plan on the board that I’m executing, one that is sort of independent of that whole writer-validation thing that I talked about doing last week. Basically, it’s Operation: Get Some of This Shit Off Your To Do List, Woman!

So, last month involved me doing a round of revisions on the Zak novella (no, it still doesn’t have a title), writing a couple of short stories (“The Seaweed Man” is a lot longer than I thought it’d be and I’ll need another week or so to finish it; I also ended up writing another short story called “People Are Terrible”), and getting the pre-order of Spirited in Spite set up. All of the was done even while I was having my “Why am I here?” troubles.

This month, since it is of course October, I will have NaNo prep, which will basically just be me going over my outlines for the next two Ivy Russell novellas to make sure I know what I’m doing. Yes, I’m doing two novellas again for this NaNo and I will talk more about them in another post.

Speaking of Ivy Russell, to help me get in tune with that world, I’m going to finish the rewrites on The Timeless Man, which means finally figuring out and writing the new ending. It will be smooth sailing on further revisions once that is done.

I also need to do another revision of Hatchets and Hearts. I’m changing the time period. I think that will be the final big change that will really tie the whole thing together. It seems like everything I wrote during a certain few months of last year/this year was nothing but a struggle. It will be a victory when I get that all sorted.

And so there won’t be any dull moments, I’ve got a couple of new short stories I could write if I need to: “The House Down the Road” and “Nadie Has a Dog”.

Slowly, but surely, I’m going to get this To Do List whipped.

Writing–The Writing Crisis

Rainbow paperI am no stranger to writer’s doubt. I’ve often worried about whether or not I’m good enough, whether or not I’m smart enough, whether or not I know enough about the business as well as the writing, whether or not I’ll ever be able to figure out how to network and sell and all of that jazz. Those sorts of things have been on my mind since I first made the decision to try to make a writing career.

But certain things have come together at just the right time to make me really question whether or not I want to keep plugging away to make this writing thing a life. Over the summer I was feeling pretty good. I thought I had a handle on this self-publishing thing. But really, it was just an illusion built on the brief popularity of Yearly.

September hit and the sales disappeared. Yearly has been bought as much as it’s going to be. Nobody was really interesting in A Tale of Two Lady Killers nor do they seem to be interested in pre-ordering Spirited in Spite. My faith in my ability to be a self-published author is basically non-existent at this point.

In a way, this has confirmed my belief that I write stories that folks have no interest in reading.

But!

There’s still one more test I need to take before I can conclusively hang up my professional pen for good (I mean I’ll still write and probably self-publish it for my own enjoyment and the enjoyment of a few others, just another way to make some change when I can, but I won’t be calling it my career). I need to confirm with people in the know that I don’t write marketable stuff, that I’m no good at telling a story.

I need to try to find an agent.

The way I look at it, it’s sort of a win-win situation. If I can’t find an agent to represent me, that confirms in concrete that I’m wasting my time pursuing this. I’ve already invested seven years. I’d rather not push boulders for another seven if I’m not going to get anywhere. I don’t like not being useful and I don’t like wasting my time. If I can’t make my living doing this, then I need to go find a way that I can.

But, if I manage to find an agent willing to represent me…well, then. That brings up a new set of existential questioning, now doesn’t it?

The bottom line is that I’m not satisfied with the way things are going and my only choice is to shake things up. The result will either be an ending…

…Or a new beginning.

Writing–New Release! Spirited in Spite Available for Pre-Order!

That’s right, kids. I have hit the big time. Well, big time in the sense that I’m going to give this pre-order business whirl.

Spirited in Spite

Gret Brown is a paranormal skeptic. She and her sister Heidi are investigating the Jayne House on Halloween, a project months in the making. And then plans change.

Much to her displeasure, Gret finds herself joined by ghost hunters, one of whom is Scott Spence, her old school rival, and two psychics of dubious abilities. Gret either has to try to investigate the Jayne House with everyone else or forfeit a night that she desperately needs in order to write her book on the place. However, choosing to investigate the house with the group endangers the secret to her success, a secret Scott Spence would delight in using against her.

Because the house is haunted.

And that’s a bad thing.

Spirited in Spite, my latest novella isn’t coming out until October 7th, but you can order it now and have it show up on her preferred reading device the day it’s released. It’s like magic!

You can pre-order on Amazon, Barnes and Noble, and Smashwords.

Writing–September Projects

SeptemberFall is coming and for me that means a busy season. However, since I was (for once) smart enough to spend some time getting my ducks in their rows, I have a good idea of what I’m doing for the next three months, which is going to help tremendously.

This month I’m going to start revising the Zak Novella (yes, it still doesn’t have a title, shut up) that I wrote back in June or July, I can’t remember now and I’m too lazy to look. Point is that it has sat long enough and I’m ready to take a swipe at it.

The other big project for this month is designing the cover for Spirited in Spite and using the novella for a pre-order experiment. Now that Amazon offers it to us lowly self-publishers (Smashwords has for a while) and I’ve got more than a few titles floating around out there, I think this will be a good time for me to give this a try. There’ll be a whole informative post about it later (and probably another angsty post about it after that because I’m all too familiar with past data relating to me selling my work).

And in case I don’t have enough to do, I’m going to review and possibly revise/polish “Devil Temper”. It was a short story I wrote that I thought I might use for Yearly, but it didn’t end up really fitting in well. However, I think it might work out better for a new anthology that I’m working on.

I also want to start writing a new short story (that I’m eyeballing for a different anthology I’ve got in the works) called “The Seaweed Man”. I need more practice writing left-handed and I kind of want to write a little something new right now, so this will work out. It’ll be a nice brain-break from revising.

Because I’m doing more of that next month.

But that’s next month.

Writing–Taking Care of Business (Sort Of)

Yearly special editionI was supposed to spend this month taking care of the business end of my writing. That’s where my energy was supposed to be focused. Organizing all of my projects and my schedule and trying to figure out how to sell more books, most notably, how to sell the Yearly Special Edition.

Well, I managed part of that.

My projects are organized. I have a good idea how the next few months are going to play out schedule-wise.

But I’m really no closer to figuring out a selling plan than I was at the beginning of the month.

Here’s the deal.

I think I have a good enough position in the Internet world to throw out links to my ebooks. It costs me nothing and I don’t do it enough to annoy people or turn them off. If nothing comes from my tweets/posts, then I really didn’t waste anything. It’s easy and comfortable and guaranteed.

However, I have no position in the Real world and not enough position in the Internet world to try to sell a physical book. It’s easy to ask people to spend a buck or two on my words. It’s a lot harder for me to ask people to spend 10 or 12 bucks because I’m nobody. How can I say I’m worth it?

Because of this uncomfortable uncertainty I don’t want to make the monetary investment it would take for me to sell those books in the Real world. It’s available online and I could do the same ol’ link-and-leave-it maneuver, but there’s a bit of ego that really would like to shill this thing in a hands-on way. There’s a bigger bit of ego that would like to actually sign these books and give a few away as part of a contest that drums up readers and such.

There’s a bigger bit of practical sense that says I will lose my ass doing this. This bigger bit of practical sense points out that I’ve never been a good salesman, that I’m not exactly popular, that I’ve got no place to store unsold books, and that my credit card would probably be happier if I didn’t buy books I couldn’t sell.

I really envy people who can do this sort of thing. That can make this kind of investment and then pull it off. I just don’t have the skills for that, which hurts like road rash on your ass in the self-publishing world. Doesn’t look good to agents/publishers either when nowadays getting published means you do most of your own marketing.

I guess I’ll stick to what I know for now until I get a sign that I’m ready to scooch further out on the selling limb.

At least my credit card will appreciate it.

Writing–The Characters in Me (and Vice Versa)

Rainbow paperMy mom is a supportive mom and she reads most everything I write. I either give it to her for a beta (because my mom is not shy about her opinions and won’t be biased in my favor just because I’m her kid; if she doesn’t like it, if she thinks there’s something wrong with it, she’ll let me know) or she buys it. But either way, she reads it and there’s something she’s pointed out to me on more than one occasion.

Sometimes she has trouble with the story because she can see bits and pieces of me in the characters and it distracts her.

Now this is not a huge concern to me. Joe and Jane Average-Reader aren’t going to be able to pick up on whatever characteristics of myself I put into characters, so it’s no big deal. I just find my mom picking up on even the smallest little tidbit amusing. And also accurate.

I do put bits and pieces of myself into my characters. And not just the protagonist either (though, they might have more than the rest). Something of me can probably be found in every single character I put on the page. And not just my good points, either. Many of my characters get saddled with some of my worst traits.

Part of this is probably ego. I find myself to be a great, complex, interesting human being on occasion, so why wouldn’t my characters benefit from a little bit of my awesomeness?

But the bigger part I think comes from a revelation I had when I was in high school.

For a while I courted the idea of being an actor. It didn’t matter to me that I was too fat and not pretty enough and my boobs were too big. It was something I wanted to do, so I gave it a run. I took theater arts my senior year of high school and I think I did a pretty okay job of it (I got an A in the class, for the record), though maybe the stage wasn’t my best venue. However, when it came time for our final project, a play put on for elementary school kids, I got the full-taste of what I could expect for my acting career.

I had to play Mother Goose.

See, the play was about Mother Goose’s children acting out various nursery rhymes to raise money so the bank wouldn’t foreclose on Mother Gooses’s shoe-turned-house. I wanted to be one of the kids because I wanted to play a bunch of the different parts in the nursery rhymes. Instead, because I was 18 and already looked like I’d had eight kids, I had to play Mother Goose.

And that’s when I realized I’d never be an actor. I didn’t want to be Mother Goose for the rest of my life. I wanted to be everybody.

Now, as a writer, I can be everybody. I can be a private investigator and a gigolo and a medium and a vampire and a bartender and a serial killer and a teen in the ’70s and a corrupt sheriff and a man gone missing. My size and my face and my ability to cry on cue don’t hamper me. And just like an actor, I use bits of myself to make the characters I play become more real.

It won’t win me an Emmy, but it’s still pretty useful.

Writing–How Do I Sell Books When I’m Not Popular?

Yearly special editionThis is going to be very messy, slapdash sort of post. I’m brainstorming out loud, looking for advice and help and ideas and partners-in-crime and such.

See, I need all of the help I can get here. This is not the part of the writing business that I excel at (really, when it comes down to it, I’m not really good at any part of the business). Some folks are naturals when it comes to selling their books. They’ve got that charm and charisma and ability to be forward and not worried about coming off like an egotistical hack (that last one is my hang-up; I’m not saying any of those people are egotistical hacks. They might be, who knows, but I’m not saying it) and I do not. I have negative of those values.

Anyway, the point is, I’m looking for ways to sell the Yearly: Special Edition. I mentioned this in my projects post (mostly because I didn’t think it would be available anywhere but Lulu until the end of this month, maybe beginning of September, but surprise! It’s up on both sites, though Amazon doesn’t have a picture of the book cover because why would it? Meh). I know there are things I can do online because I do those in the absolute minimum for my eBooks (seriously, it’s a wonder that I’ve sold any copies of anything at all). But I’m really looking for ways to sell this book in my physical world, too. I have an actual book, not just a digital file. I could actually take it out into the world and talk to people about it and they could actually hold it and flip through the pages and such. Think of it as old school nostalgia.

Now, I’m one of those people that often thinks I can do something, but in the end, I cannot. I tend to fail spectacularly because there are always variables that I don’t factor in or I think I can do something on my own when I really can’t or I think my effort alone is enough when it’s far from it. So that’s why I’m finding this book-selling thing so confounding. I think I can, but I know in reality, I probably can’t.

So here’s what’s been going on in my head and if anyone has any advice or ideas or comments or cute pictures of hammerheads being their adorable selves, please, give me a comment.

(I moderate the comments, so if you’re going to use this as an invitation to be an asshole, let me tell you, I’ll be the only one to see it. The only attention you’ll get is me marking your comment as spam and rolling my eyes at your attempt to troll the BCE troll killer. Shout out to the way back now.)

-I’d like to do a sort of raffle for signed copies of the book, but also use it as a way to get up some interest in the other titles. Like, show me proof of purchase for a copy of Night of the Nothing Man or A Tale of Two Lady Killers and you’re entered in a raffle for the book. Or maybe a straight up Twitter contest, RT to be entered, deal. This is really the only online idea I have outside the realm of the usual.

-I’d like to try to do some in-person selling. I’m trying to think of a place where I could do a cheap sort of event. Maybe book clubs. Maybe an on-my-own do. Maybe I could talk to the local library. I don’t know. The guaranteed horror is that no one would show up. I have past experience with that nightmare.

-Has anyone ever sold books at cons? Expos? Flea Markets? Gatherings? Things of that nature? That might be something for me to try, but not on my own. Like if I could team up with several other indie authors and we all go in for some exhibit space. Yeah, it’d be more money to do, but there’s the added bonus of being in con territory and that’s always a good time. Plus, it’d give me an opportunity to get more author friends. I’m very terrible at being a part of the writing community. I still don’t feel like I quite belong.

That’s not as many ideas as I thought I had. But they are still ideas that exist and can be used and improved upon.

So, won’t you please, lend me your brain? And maybe a hand?

Writing–August Projects

sunI’ve decided to take a slightly different route with my projects this month.

I’m still feeling a bit burnt out on the whole revising thing. I looked at my list of projects that are still on the editing block and went, “I don’t feel like it”. And though I got a great rush from writing the Zak novella, I really don’t feel like it’ll be a good idea to spend another month working on something new, especially when I don’t think I have anything that in my mind is ready to be put down on paper. I don’t feel like spending a month struggling to get a first draft down just because I need something to do.

So I’ve decided to make August the month that I focus on business and organization. There are a couple of little writing things that I’m going to do so it’s not like I’m totally slacking (“She’s Not Here Anymore” needs to be polished and there’s an idea that’s been gnawing away at my brain that I want to get out and into a notebook before I lose any of the fun bits) and there’s nothing that says my revision burn out won’t become a flame before the month is out and I pick a project to work on. But I think my main goal this month needs to be a little bit to the left of writing.

The special edition of Yearly is currently available on Lulu. If it passes all of the distribution muster, it probably won’t hit any other distributor (Amazon, Barnes and Nobles, etc.) until September at least. I feel like I should use this as an opportunity to generate some sales and interest. When I did my first print anthology, I pretty much did nothing outside humble suggestions to buy it (and that got me to a place known as Less Than Nowhere).

But the difference with Yearly is that it is selling as an ebook. I’m wondering if I could get bold and offer the opportunity to get autographed copies (my ego!) or maybe even hold some kind of a contest to win copies. Something. Anything. I really need to work on this part of the business, the drumming up business part of the business. I have something that people are interested in. I should probably capitalize on it.

I’m also feeling a bit disorganized. I’ve got one more project going to the e-presses this year (Spirited in Spite is coming out in October! And it needs a cover still, but whatever) and I feel like I need to start lining up things for next year. I’d like to keep the same sort of publishing schedule, putting out two or three projects. I need to figure out what’s going to go out and when so I know how to really focus my project energy.

It sounds easier than it is considering this year I was so sure two of the projects I was going to publish this year aren’t even ready yet.

I think this month is going to feel weird because I won’t be so focused on working on the individual projects, but it’ll still be productive nonetheless.