Writing–Writing Novels and Raking Leaves

My friend DaLette got hold of me at the end of October to offer me some work. She needed help clearing a massive amount of leaves from a massive yard. It was just going to be the two of us working. Two women, two rakes, and a leaf blower. And we only had two days to do it. It was all her schedule would allow.

The goal for the first day was to clear half of the front yard, the biggest chunk of the whole project. The second day, we’d do the rest of the front yard, the backyard, and the side yard.

Starting out, it looked overwhelming. DaLette started on one side of the half of the front yard with the leaf blower and I took the other side with a rake. DaLette had already been by the week before and cleared out the gardens (which were full again when we started) and I started moving those piles down to the street. I’d pile the leaves on a piece of plastic sheeting and then drag them down to the street and dump them for the city to pick up.

I cleared out the bulk of the leaves in the gardens again and raked up many of my own piles to drag down to the street while DaLette made her own piles with the leaf blower. When her piles got big enough, we switched places. She made piles on my side and I moved her piles to the street. It took six and a half hours, but we got that half of the front yard done.

The next day, we started in the backyard, piling up the leaves and moving them out of the little fenced-in area and into the front yard. From there, it was all piling it up and moving it to the street. By the time we got to the sparsely covered side yard, we were both tired and hurting, but it was the easiest part of the yard and it felt the sweetest.

It was during this epic raking exercise that I gave a lot of thought to Nanowrimo, specifically the process of it. Going in on November 1st, it looks like that yard did at the very beginning of the first day. 50,000 words is a huge task and in the beginning, it looks overwhelming.

When I was raking, I kept looking back at what I’d done to remind myself that I was getting somewhere. Word count updates are like that. It reminds me how much I’ve accomplished just in case I forget. Looking ahead, at the rest of the yard that needed to be raked and at the words that need to be written, sometimes it’s hard to remember that I am moving in the right direction.

Like climbing up a hill, eventually it gets to a point where there’s more leaf-free yard than leaf-covered yard. There are more words written than words needing to be written. And that’s when the second wind really kicks in. Sure you’re tired. You’re sore. You outright hurt.  The ideas are drying up. Your brain begs for mercy. Your fingers scream for a break. But you can see the end! It’s just right there! And you’re not going to stop until you cross that line. You’re not going to leave one leaf on the grass and you’re not leaving one word unwritten, not stopping short of that 50,000.

At the end of those two days, I’d made enough money to pay my cell bill for the month. At the end of Nanowrimo, I’ll have another manuscript first draft I might be able to revise and rewrite into something that could pay off in the future.

But, it’s not about the money (actually, the raking IS about the money, but I’m trying not to spoil a point here). It’s about the thrill of victory. It’s about the sense of accomplishment.

It’s about standing at the finishing line, looking back at the beginning, and say, “Yeah. I did that.”

Try not to feel invincible after that.

Writing–Getting Published Is Habit Forming

The first week of November, I received a contributer’s copy of an anthology I’ve got a story in (“Land of the Voting Dead” in Zombidays: Festivities of the Flesheaters). I’ve been anxiously awaiting this anthology because it was the first sale I’d made after quite a long spell of “no’s”.

Seeing one of my story in print has a funny effect on me. It makes me anxious to see another one in the same state. Getting paid for it is always nice and something I love, but seeing my story in an anthology is proof…PROOF!…that I’m really a writer and all of the doubters can suck it. Someone bought my story and put it in a book. Take that!

And then it makes me want to see another one of my stories in print.

While working the day job, the short stories fell to the wayside. The urgency behind selling my stories abated in the face of a regular paycheck. Worn down from an 8 hour workday and set in a bullheaded frame of mind that novel revisions had to be done first, I had no brain left for writing and submitting short stories. Piss poor excuses, but it was true.

But holding that anthology in my hands and seeing my name in the table of contents aroused that urge in me again. Working odd jobs to pay the bills instead of a steady one, the urgency is back. The need to have proof of being a writer is strong once again.

I’ve got two more stories that will be coming out in anthologies and while I anticipate a similar rush of euphoria when I get those contributer’s copies, right now it’s not enough. I need more stories out there to be considered. I need more stories to be sold. I need more stories to sell. I need to keep this train rolling.

Because I know when the next contributer’s copy shows up in my mail, that euphoria is only going to last so long before I realize that I’m going to need another fix.

And like any proper junkie, I need to do whatever it takes to feed my habit.

Writing–NaNoWriMo 2011 Project

This year for Nanowrimo, I’m once again journeying into The Outskirts and once again writing about Stanley Ivanov, ugly shirt wearing vampire.

The novel is called American Vampires and it revolves around the possible existence of three, well, American vampires and what should be done with them. Stanley, his girlfriend Neda Kovar, and arch rival Nathan Vacek are sent to Mesa, Arizona by elder vampire Andrei Carp to track them down and deal with them. Unfortunately, two “hunters”, brothers Zeb and Zeke Heller, have been sent to Mesa to deal with the vampires, too.

Hilarity, bickering, violence, and blood-drinking ensue.

My goal for this novel remains the same as in previous Nanos. I aim for at least 2,000 words a day, 2,000 words to a chapter, with a target of a 60,000 word finished product with 30 chapters (it makes the math so easy). I’ve already got about a 4,000 word cushion in just this first week. I’m hoping that by doing an extra chapter or two on the weekends, I’ll be done before Thanksgiving again this year.

One thing I’ve deviated from this year is my outline. In previous years, I’ve had the outline done and ready to go for Nano. This year, I only had it about half done. So at some point, I’m going to have to outline the last half of my novel. I’m thinking that since I tend to leave the outline a little bit during the actual writing of the story, it might help in later drafts if the second half of the novel goes off of what was written.

It was planned this way, it just kind of happened due to laziness and apathy. I spent plenty of days in October in “I don’t feel like it” mode and ended up working on other things instead. I hope it doesn’t end up costing me.

Some days have been easier than others. I think yesterday stands as an accurate prediction of what this novel is going to be like. My plan was to do at least 3,000 words to add on to my little cushion. It took me over three hours to milk 2,000 words out. It was like trying to get juice from a turnip, just painful and pointless. I went out to dinner with some friends, came home, made some hot chocolate, and then managed another 2,000 words in an hour with no pain at all.

I’m just hoping for more of the latter than the former.

Writing–November Projects

I know what you’re thinking. It’s November. Why don’t you just call this post Nanowrimo 2011? Because while Nano will be a huge part of my existence for this month, I do have a few little things that I’d like to be doing on the side.

There are two contests I want to enter (should I scrape up the entry fees). One is a short-short contest and I’ve already got a story finished and ready to revise that I’d like to submit. The other is a memoir/personal essay contest. I’ve never done anything like it before, but I’ve got a few ideas that I think will work and I’d like to give it a shot. I’ve been thinking about doing memoir stuff for a while now and I think this might be a good leaping off point.

Even if I’m not able to enter the contests, I’ll still have some valuable material at the ready for when another opportunity presents itself.

Of course, this is all dependent on how well Nano goes. I’ve done 2,000 words a day with a goal of 60,000 words total for the past couple of years. Let’s hope the trend continues.

And at the end of the day, I have a few words to spare.

Writing–The Nightmare of “At 3:36”

Last week I wrote about how some stories seem to come to me as if by magic. That first draft comes so easily and requires very little revision to create a final project.

And then there are stories that are the bane of my very existence, the ones that I struggle with and can never seem to get them right no matter how much I mess with them.

All of my stories get revised. Whenever one of my short stories gets rejected, I always review it to see if there’s anything I can do to make it better. I admit that some stories get more than a little tweak after a rejection. Both “Erin Go Bragh” and “Elevator” (both published in my Rejection book) ended up getting significant rewrites more than once after being rejected. “Such a Pretty Face” required some serious work to get right.

But “At 3:36” is a story of a different beast.

It started off simply enough. I got an image of a scene in my  head, a woman looking out the window, watching as the world stops spinning for forty-five minutes at the same time over several days. I wrote it out, explored that scene, and came up with the first draft. The sticking point was that I didn’t want to explain why the world was stopping. It was just happening and the point of the story wasn’t that the world kept stopping and needed to be fixed (this isn’t a SyFy movie, after all), but how my main character reacted and dealt with this event.

But I couldn’t get it right.

No matter how I cut the story or rewrote it or change it (keeping two basic things intact: the world stopping its spin and the main character’s reaction to it), I couldn’t get the story to work. I couldn’t get it to feel right.

I go a lot by how a story feels. If I feel like I’ve told the story I want to tell and created the effect I wanted to create, then I’m satisfied and I can work on polishing and revising that story to make it the best it can be. I never got to that point with “At 3:36” and it was pretty disappointing.

The other day I was in the shower, letting my mind wonder over things I needed to work on, stories that needed to be told, money that needed to be made, the typical things that run rampant in my brain during my morning showers. It was during these mental gymnastics that the possible solution to my “At 3:36” story woes came to me. I think I’ve finally figured out how to fix this story once and for all.

I won’t know for sure until I actually do it, which won’t be until December due to Nanowrimo, but for the first time, I’m excited about this story.

Considering that I hated it as soon as I was done with the first draft, that’s a big improvement.

Writing–Feeling That Magic

I always say that I’m a better rewriter than a writer, and for the most part that’s true. I’ve written about my love/hate relationship with first drafts and I try to get them done as quickly as possible so I can get on to the revision process, which I like and feel I’m better at.

However, I sometimes get it right the first time.

Hard to believe, I know, but it happens.

There are times when I get an idea for a short story, the idea comes so perfectly formed in my head that all I have to do is write it down. The only revising that happens are little tweaks and some polishing of grammar, word choice, and spelling and that’s it. Those are scary moments for me because I keep thinking I should be changing more, but I’m not seeing the problems. Eventually, after some worrying and mind-boggling, I give up and call the story done. I end up submitting it, thinking it’s a sure rejection.

Three stories that this has happened with have been accepted for publication.

“Land of the Voting Dead”, about a very unique polling place, came out in a rush and was in great shape when I finished it. It really did only need a few tweaks when I was done. Then I found an anthology I thought would be a perfect fit for it. Unfortunately, I was more than a few words short of the minimum word count. Surprisingly enough, after a few days thought, the scene I added to expand the work count came to me the same way the story did. It fit in perfectly with the rest of the story and the whole shebang got accepted.

“Sentries”, about plants used to deter unwanted visitors, was written with a specific anthology in mind. With the theme of the anthology in mind, I thought about what kind of story I could come up with that would fit it. There was no pressure; if I didn’t come up with a good idea, then I didn’t try to write anything for it. No big deal. Less than a week before the deadline, the idea came to me. I wrote it with the word count in mind, adding in a couple of scenes that weren’t in the original vision. Honestly, I didn’t know where I was going with them and thought for sure by the time I’d written the last word the whole thing was crap. I gave it a day and then read it again. Upon review, with a few small revisions, I found that it all worked and it ended up getting accepted to the anthology.

I almost got “Playing Chicken” right the first time. For the most part, the bulk of the story about a group of kids playing chicken with a ghost train and how it affected their lives, was right on. But there was one scene I just couldn’t get right. I knew how what I wanted it to, but I just wasn’t getting the job done. In the end, it took a couple of rewrites of that particular scene to get the clarity and effect I was going for. It paid off in the end, as the story got accepted to an anthology.

This phenomenon happened again last week. I got an idea for a flash-fiction story called “Someone To Hold” based on a superstition that if you leave a corpse’s eyes open, they’ll look for someone to take with them to the grave. I wrote the first draft of the story in a rush that I recognized. This story is mostly done. The revisions I’ll make will be superficial ones, polishing and tweaking to make it as perfect as I can get it. My hope is that I’ll be able to scrape up the entry fee money to submit it to a contest that I think it will do well in.

Then we’ll see if I really was feeling that first draft magic.

Writing–Why I Write Horror

If people show any interest in my career as a writer, the one question they always ask is why I write horror.

For the record, I don’t only write horror. Yes, a majority of my short stories do fall in the horror category, but I’ve written a few that weren’t horror. And my longer works, though I’ve tried to write straight horror, I can’t do it. In my eyes, they end up more dull than anything else. I joke that it’s because I can’t keep a straight face for that long. I mixed comedy and fantasy with my horror and that’s how I got The Outskirts.

But, yeah, the short stories I’ve had published, the short stories I self-published, the stories that are going to be published, are all horror fiction. So the question about why I write horror is valid.

The answer? I don’t know.

Horror has always been a genre I’ve been drawn to, whether it be movies or books. I can remember looking at the covers of the horror movie videos at the video store, fascinated by them, knowing that they would give me nightmares if I watched them. But that fear didn’t keep me from looking at Fangoria magazine in Radio Shack or watching Creepshow through my fingers in my best friend’s basement or picking Jaws to my the first adult book to read. I’ve had nightmares about Michael Myers since I was six, long before I’d ever seen Halloween, which is now my favorite horror film.

I can’t really explain it. I’ve always been drawn to the terrible and horrible.

I didn’t always write horror. I wrote my first letters and words at three. I wrote my first story at six. I’d literally been writing nearly twenty years before I tried my hand at horror. Something in me clicked. Answering a “what if” question with a horror answer just seemed to come more naturally to me. Since then, I’ve played to that as my strength.

I’m sure this doesn’t satisfy everyone’s curiosity. I’m sure they were hoping for some buried trauma that warped my brain. When you write warped things, it makes people question why you would want to, particularly if they don’t care for or haven’t really explored the genre. I can understand that.

I feel the same way about romance novels.

Writing–October Projects

It’s getting into my writing busy season.

NaNoWriMo is coming up, which means I’ve got to start planning for it. The loose idea I’m kicking around right now is another Stanley novel called American Vampires. It would involve Stanley, Neda, and Nathan hunting down a trio of, well, American vampires that may or may not exist and may or may not be living by the unwritten vampire code (it’s all hearsay and Nathan’s the one doing most of the hearing and saying and since Stanley doesn’t trust Nathan, well…).

I’m also going to continue revising The World (Saving) Series. I finally got chapter one done after starting over. It’s still not great, but it’s a lot closer to what it needs to be and it’s good enough that I can move on.

Also on tap is more work on The Outskirts site. I need to, at the very least, get some bios up on some of the characters that inhabit the universe and try scratching out some ideas on some of their stories. I’m not expecting miracles when it comes to getting anything accomplished, but I need to get something done. It can’t just sit there.

And lastly (told you it was my busy season), I’ve got an idea for a memoir and I’m going to start jotting down some ideas for it. I have no idea if I’ll even write it, but it’s not going to hurt anything if I do some brainstorming on it. Who knows? If I decide not to do it, I’ll at least have something to come back to if I change my mind.

So, those are the writing projects on tap for October. I’ve got to get my butt out of low gear and into high.

Writing–Not Quite Ready For Primetime

Earlier this month I invited people to pay some money to purchase a book of my rejected short stories and then give me their honest feedback about why they thought I couldn’t get anyone to publish them. Thankfully, nobody took me up on the invitation.

Why am I thankful for that?

Because despite trying to make this self-published venture look as professional as possible, I still made a boneheaded mistake that would make me look like anything but professional.

In reviewing my file to prepare it to be acceptible to distribute on Amazon, I realized that I had messed up the numbers on the table of contents. Okay, maybe it’s not an earth shattering mistake, but it’s still a stupid one and one I’m really embarrassed about and thankful that I caught.

But I should have caught it sooner.

The mistake happened because I’d originally set-up the book with a different template. I decided to go with a different one and switched everything over, neglecting to change the page numbers on the table of contents.

Even better is that I actually have a physical copy of the book and have looked at several times, but never caught the mistake.

It’s possible no one would catch the mistake, but that’s not the point. The point is that it never should have gone out that way and the fault is all mine.

I was in too much of a hurry. There’s a ticking clock in my brain that’s always telling me how behind I am and that I need to hurry. The sooner I get this book out, the sooner I can promote it, the sooner I can get the word of mouth going, the sooner I can build a fanbase, the sooner I can…the sooner I can…

I got ahead of myself. I rushed and I paid the price. Thankfully, not a heavy one. I’m embarrassed, but not nearly as embarrassed as I would have been if more people had bought the book before I caught the mistake.

This incident once again reminds me that nothing good comes of me rushing through something and I’m at my most dangerous when I think I know what I’m doing.

Writing–My First (Self) Published Book!

Considering anyone can self-publish a book these days, this isn’t exactly something to crow about. But considering the issues I have that I outlined a few Wednesdays ago, I think it’s quite the step forward for me.

I decided to go through Lulu, as several of my friends have used their services with great satisfaction. After getting over the hurdle of signing up (it was a day long battle as I couldn’t get the cookie settings right on my laptop to get the registration to work; it was all solved after a frustrated tempertantrum, switching computers, and feeling like an idiot), I read through all of the instructions, learning how to properly format my document and all of that. My paranoia of getting things right and knowing what I was doing led me to watch the how-to tutorial five or six times just to reassure me.

I downloaded the template I wanted to use (actually, I downloaded two different ones because I wasn’t sure which would work better) and did some copy pasta to put my short story book together. It was actually pretty easy.

Naturally, I couldn’t resist editing everything one more time. All of the stories have been edited several times before, but the last thing I want to do is put out a sloppy product. I imagine, in inviting people to critique my work as I did, I’m going to get slammed over any grammar or spelling mistakes that managed to slip through. But for the most part, I wanted it to look as clean and professional as possible.

I think I’ve achieved that.

Content is another story and one of the big reasons I published this book of short stories. I want feedback from readers on why they think these stories didn’t get published. I’m opening myself up to some harsh criticism and, I’m sure, some down right bashing. But they’ll have to buy the book (or download) to achieve that. And at least I’ll know that someone is reading it.

If you want to be one of the readers, you can purchase Rejected: Nine Stories I Couldn’t Get Published here or check out the Rejected page for more information.

Any kind words of feedback would be appreciated. Any mean words, too. I can take it.

Bring it on.