Those Five Years Made a Difference, I Guess

I’ve been working on next year’s audio project for my Patreon ($3 a month will let you listen!) and I’ve once again decided to do audio recordings of one of my self-published collections. Take a Bite is my last self-publishing venture to date, published about five years ago and just about five years after I published Yearly. I thought it was fitting to follow the audio version of my first self-published short story collection with my last.

While I stand by my good idea because recording twenty-five flash fiction stories has been easy peasy puddin’ ‘n’ pie, I was not prepared to be so struck by the difference in quality between Yearly and Take a Bite. And, friends, I am struck.

Here’s the thing. I’m not someone who typically goes back and reads my old work. Once it’s published, it’s no longer any of my business. It’s not that I don’t like the stories I wrote; it’s just that I’m done with them. Unless I have to revisit them for some reason -like recording audio versions- I let those sleeping dogs lie. So, while I may remember the plots of the stories, I don’t remember exactly what I wrote.

It had probably been a good few years since I last read Yearly before I recorded it. Reading it out loud really highlighted the flaws of those stories. Not just the typos (my laws I caught so many typos I feel like I should offer people a refund), but all the ways the stories could have been improved, everything I would have done differently had I written the stories now. I’m not saying the stories in Yearly are bad; they’re pretty okay, enjoyable reads if I do say so myself (ignore the typos). But I’ve learned a thing or two, developed my craft a little bit since I wrote those stories.

Recording Take a Bite really illuminated my progress. Allowing for the fact that I was writing flash fiction -each story was limited to 1,000 words- the stories are just a little bit better. The sentence structure, the word choice, the descriptions are of much better quality than the stories in Yearly. The improvement is apparent. Visible. Obvious, even. My craft got craftier, as it were.

There’s also fewer typos, which means my editing skills improved right along with my writing, and I think I’m a little more blessed for that.

I think sometimes it’s easy to miss certain kinds of improvement because it is so gradual and takes place over a longer period of time. Even within Yearly, I could see which stories I wrote earlier in my writing career (as much as you can call it that) and which ones I wrote later just within that collection. I can see the same sort of progress happening within Take a Bite even though those stories were written in a shorter period of time. It’s not quite as obvious, but I can still see what I did there.

I think this kind of improvement is also sneaky because I’m not consciously trying to improve. My focus is always trying to write the best story I can and to edit it to be the best story I can and as a result of my dedication to do my best -learning from my mistakes, trying new things, giving myself the time, space, and patience to grow and experiment- I get better as a writer.

It’s the sneakiest of win-wins.

Maybe a Septet Will Help

I’ve been struggling with a poem lately. I keep adding lines, tweaking words, messing with metaphors. It’s not working and all of the tinkering I’ve been doing hasn’t helped elicit a breakthrough. My ah-ha moment remains elusive.

The funny part about this brick wall I’m banging my head against is that this poem is just for me. I have no current intention to publish it anywhere or submit it to a contest. It’s just something that has seized my brain and it brings me joy to work on it. Yes, even as I struggle, I’m enjoying the challenge of it. I’ll enjoy the finished product even more, even if my eyes are the only ones that read it.

You may be asking why I’d put so much effort into something that I have no intention (as of now) of getting published. Why would I spend so much time on something that I’m not going to cash in on?

Well, I’ll tell ya, Mert. I played that game of only working on projects for the purpose of gain. Only writing stories and poems that I could submit to contests or zines or anthologies or self-publish or put on Patreon. There is nothing wrong with wanting to get paid for my work. I like to get paid for my writing. I’d like to get paid more for my words, if I’m going to be honest.

But.

I think a big part of the creative wasteland and writer’s malaise I experienced for several years was because the end goal was purely to get paid. How can I profit off of this pile of syllables? There were a lot of other contributing factors in my life at the time, but that was a pretty large vibe killer. What helped to bring me out of that funk? Writing something that was just for me, something that seized my brain and wouldn’t let go, and the whole point of me writing it was just to write it. That’s it. No goal beyond getting it on the page.

And lo, I felt the chains I’d wrapped myself in fall away and the joy returned.

Now I’m working on three fiction projects, two of which are for myself, with no thoughts beyond just finishing them. The third is for a contest, and it’s the first short story I’ve written specifically for a contest in a long time.

In the past few months, I’ve found a real joy in writing poetry. I’ve always liked doing it (Bad Poetry April is my testament), but this new emotional high has made me want to experiment and invest in the craft of it. I default to free verse when I write poetry. There’s nothing wrong with that. It’s a very cromulent form of poetry. But I need to broaden my play palace. So, I wrote seven poems in seven different forms about seven characters from a movie I love. I had a blast doing it, too. I found a couple of new poetry forms that I enjoy working with and the courage to continue experimenting with new ones.

No one is probably going to read any of these poems, but that doesn’t mean they’re pointless or a waste. First of all, I like them and I like to reread them and I may continue to tinker with a few of them until I get them just right. That’s not time wasted. That’s craft. Craft is important. So is the creative process. Sometimes you need to get a little ridiculous -like writing poems about movie characters- as part of the process. Wonderful things can happen when you have that freedom to be silly without any pressure.

As for the poem I’m working on right now, I think the trouble is that I’m once again defaulting to free verse when what this poem might need is more structure.

Maybe a septet really will help.

Writing Advice From an Unsuccessful Writer

One of my younger coworkers has decided to wade into the world of fiction writing and she asked me for some writing advice as she’s never written fiction before. Caught off-guard by the question as I frequently forget that people I know in the meatspace are aware that I’m a writer, what spewed forth from my mouth was a mess of wisdom that probably just confused the hell out of her. But hopefully, she pulled some useful bits from my rambling.

Upon reflection, here are the most important, coherent bits of writing advice from the big mouth of an unsuccessful writer.

  1. Write for yourself. Telling the story that you want to tell, writing the story that you want to read, that’s the best advice I’ve ever heard. Writing can be lonely, frustrating work, but the joy of it is in the creation of something that’s for yourself. There’s also less disappointment when you find out that you’re the only one who wants to read it.
  2. There’s no right way to write. Word counts, timers, pantsing, outling, revising as you go, revising when the draft is done. The only real requirement is that your butt is in the seat writing the words on a reliable basis. Discipline is the key no matter which way you find is best for you.
  3. Not writing is part of writing. Let your ideas marinate, develop, fester, etc. Living with the characters and scenarios and stories in your head, sometimes for years, is part of writing. Yes, eventually what’s in your head has to make it to the page, but until they’re ready to be birthed, letting them cook is still writing.
  4. Writing is rewriting. No first draft is perfect and the worst shit can always be made better with some effort. I take great comfort in that. You don’t have to be perfect. Not on the first draft. Not even on the fifth. Enjoy the revisions.
  5. Write for the joy of it. Sometimes writing is a slog. Trying to get published (if you want to do that) can be soul crushing. Rejection is going to be frequent. Improving your craft is a lot of dedication and work and sometimes it feels like you’re not getting any better. It’s easy to forget the joy that made you want to put pen to paper in the first place. But it’s there every time you get the spark of a new idea or figure out a plot problem or name a new character or get lost in the act of wordsmithing or finally -finally!- finishing that story. If you’re going to write, write for the joy of it. You’ll never want to quit.

My coworker has such a fun idea for a story and I really hope that my blathering didn’t turn her off from pursuing it. I hope that out of that large, tossed word salad I fed her, she found some morsels that nourished her enthusiasm to put this idea down on the page.

I realize it might be ridiculous for an unsuccessful writer to be giving writing advice, but look at it this way…

Just because I’m no good doesn’t mean the advice is bad.

Poem–“Hips”

We’re in the home stretch of National Poetry Month. You’re almost there, kids. And since you’re already struggling, let’s do a poem that’s sure to make you really uncomfortable.

I admit it. I like to watch you squirm.

***

Hips

There’s something about her hips.
The way they’re spread wide
and far, like the rumor of
good things to come.
The way the curve of them
begs for hands to grip
just at the top, squeeze,
hold on for the ride of your
Life.

Poem–“Where Do You Get Your Ideas From?”

We’re half-way through National Poetry Month. Are you feeling the burn? Don’t worry. You’re doing great. And this poem is a fun one. It answers a question writers get all the time.

I don’t think you’ll like my answer, though.

***

Where Do You Get Your Ideas From?

I want to say my mind is a prism,
that it fractures the light of reality
into a rainbow, creates a palette
I paint with to please the masses.

In actuality, my mind is a kitchen sink drain
that I clean out now and then
and save the best bits of gunk
to make a meal no one eats.

Poem–“Let’s Eat”

National Poetry Month continues, and so does the onslaught of my bad poetry. Let’s have some fun with a poem that would have folks loudly declaring that the shoe doesn’t fit if they read it.

Good thing nobody’s read it.

***

Let’s Eat

Men are vegetarian dogs.
They like to chew on skinny things-
matchsticks, toothpicks,
meatless bones
picked clean by high standards.
A man is finicky about his meal.

Women, though, women like to dine,
feast, indulge in the banquet
laid before them, the tastes,
the textures, the variety, the flavors
washing over their tongues, savoring.
A woman is not a picky eater.

Poem–“This Is a Bad Poem”

It’s National Poetry Month, my yearly excuse to inflict my terrible poetry on your delicate sensibilities, a weekly barrage of cringe-worthy attempts at art.

I hope you like abuse.

***

This Is a Bad Poem

This is a bad poem.
First and foremost it doesn’t rhyme,
except by accident one time.
Secondly, it doesn’t use enough devices.
It lacks metaphors like a drought lacks rain.
It has all the symbolism of an anvil
dropped from a great height
onto a cartoon character
who never saw it coming
despite the music.
Lastly, it took me only ten minutes to write it
and five minutes to edit it.
Fifteen minutes too many because
this is a bad poem.

Holy Shit, I Haven’t Published Anything in Five Years

You may have noticed that the latest release on the site hasn’t changed in a while. A little over five years, actually. I had this realization late one night while my brain was doing its mental gymnastics before it finally shut up and let me sleep.

Holy shit, I haven’t published anything in five years.

It should go without saying that I’m not counting the freebies here or the Patreon projects I’ve done. I’m talking about self-publishing or in the very rare case traditional publishing. Haven’t published a damn thing in five years.

There was a period of time between 2013 and 2019 that I had something published at least once a year, and in many case, multiple things. Those were the boon years, I suppose. I had a ton of ideas, a ton of projects, a ton of time and dedication to getting things written, revised, polished, and published for the masses.

Now, by no means was I successful. I think my best-selling title has sold a little over 500 copies in its entire existence. But I was productive. I always had something going. I felt like as long as I kept churning out stories, something would eventually catch. I’d build that mythological platform that agents and publishers look for and I’d be able to take the next step in my writing career.

Instead, the bottom fell out.

Writing became hard. The ideas dried up. I shifted focus to just getting through Murderville for Patreon because everything was so difficult. I had nothing going. Nothing to publish. It all dried up. I think unconsciously I decided that I was done. Not necessarily writing because I don’t know how to be done writing even when it’s hard. But I was done publishing. I was never going to write anything that anyone would want to read and it was too hard to write anything for myself that I’d want anyone to read for a price. I was just kinda done.

Then by some miracle writing stopped being hard.

But the urge to publish hasn’t exactly returned. At least it’s not exactly like it used to be.

While I am looking to get back into the game and reacquaint myself with the business of submitting short stories while also keeping my eyes open for agents that might be a good fit for me if I ever manage to finish a book that wouldn’t be a waste of their time to read, the drive to be focused on producing and publishing as much as possible hasn’t returned. That frantic urge that pushed me to publish multiple novellas and short story collections in a year is nowhere to be found. And honestly, I’m kind of glad for that.

It’s been nice to write without it feeling like I’m sucking out my own bone marrow with a crazy straw. I want to enjoy it. And I want to take my time reintroducing myself to getting published, be it traditionally or self-done. Why be balls to the wall when I don’t have to be? There’s plenty of time for me to go full-tilt when I’m ready.

So I guess that latest release will just remain unchanged.

For now.

Flash Fiction–“The Children’s Floor”

It’s Leap Day and since February is extended by one day, let’s do another little bit of a flash fiction.

And by little bit of flash fiction, I mean a 100 word story. Until I was inspired by yet another contest, I’d never considered writing a story so short. It proved to be a wonderful challenge.

Of course, I didn’t win the contest, but I did gain a new story skill.

The Children’s Floor

It was the way the library was designed. That was the problem. The way sound ricocheted around the building, showed up in unexpected places. That’s why Alice hated working the second floor, the children’s floor. She only had to cover an occasional hour here and there, but those always seemed to be the dead hours when there were no children or parents or anyone else. Only her.

Alice and the voices.

The ghostly conversations, disembodied voices asking questions, stifled giggles mocking her unease.

That’s what she hated about the children’s floor.

Alice would never know if it was really haunted.