Writing–Taking Out

Last week I wrote about adding in to make a word count; this week I’m going to talk about taking out.

This is something I don’t have to do very often. Like I said before, I’m very bare bones. I usually fall below word count maximums.

Unless it’s flash fiction.

I typically don’t set out to write flash fiction, but my shorter short stories sometimes put me in that ballpark. And if I can find a place that suits the story, I’ll look to start cutting to make the word count.

Since flash fiction doesn’t offer much in the way of extra words and since my story is pretty short to begin with, I’m not usually cutting huge chunks of story; it’s typically just a couple of hundred words. Which doesn’t sound too difficult, but when what you’ve got is what you NEED to tell a story and you can’t lose much of anything or risk losing the integrity of the story, it’s pretty hard.

That’s when creativity and word choice become critical.

Granted, word choice is always important, but it’s a true test when cutting a story that really can’t afford much cutting. I have to say even more with one word because that’s all I’ve got.

This cutting also forces me to get creative with my sentence structure. No time for detours, I have to get right to the point. I have to state the idea as quickly and succinctly as possible without compromising grammar (too much), flow, style, readability, or enjoyment.

I’ve done this to a few stories, however so far the success is only measure by my actually getting it done to my own satisfaction. I’ve yet to get any flash fiction accepted for publication. Not for lack of trying, though.

And it’s nice to know that I have the cutting tools I need to make my stories better.

Stories By The Numbers

 -Submitted: 2
-Ready: 8
-Rejected: 1 (“Such a Pretty Face” once again finds no love)

Writing–Adding In

I was initially going to include “taking out” as well, since they seem to be two sides of the same coin with the same basic goals (meeting a word count and improving the story). But in the end I feel like they deserve separate posts.

And it guarantees that I have soemthing to write about next week.

I know the general rule is that it’s better to take out than put in. Most writers by nature seem to put a lot more into a story, particularly in a first draft, than what the story really needs and the extraneous material is later cut. I’m the opposite in the sense that my stories are usually pretty bare bones, particularly my short stories.

So when I come across an anthology or magazine that I thin kmight be a good fit for one of my stories and then I see that the minimum word count exceeds the word count of my story, I end up asking myself whether or not it’s worth it to try to expand the story to make the count.

Obviously, it ends up depending on the story.

A few stories I’ve considered expanding are definite no-go’s. Theyr’e done. There’s nothing more to add. Anything I put in is just going to drag the story down, water it down and weaken it. Definitely not what I want.

However, because I cut to the quick so much, I have found a couple of stories that can benefit from embellishment.

I added about 1,800 words of backstory to “Land of the Voting Dead” to meet the minimum word count for an anthology that looked to be a perfect fit. It was a bit of story that I had considered only in passing while creating the character of Miriam Showalter. I was pleased to discover that the addition worked; the added backstory gave the piece more depth.

And I guess I wasn’t the only one who liked it, since it got accepted for the anthology.

I”m currently in teh process of doing the same thing to “Spillway”. I need to add about 1,800 words in order to make the word count minimum for an anthology. There’s room in the story for some embellishment that I think will end up enhancing the piece. I think it will end up being better for it.

And if I’m lucky, the anthology editors will like it, too.

Stories By The Numbers

-Submitted: 3
-Ready: 7
-Accepted/Rejected: 0

Writing–June Projects

May was terrible. I got nowhere fast and I feel like I’m just digging myself into a deeper hole that I won’t be able to get out of one day. My priorities are shot. I need a do over.

But enough writer’s doubt and whining. I’ve got June and if I can escape the computer problems that have plagued me the past two years, here is what I’d like to do:

-Keep revising The World (Saving) Series. I have got to gain some ground on it.

-Write/revise/post another Outskirts story.

That’s it. I’m pushing everything else off. Just those two things. I have got to find some focus and I’m taking this month to do it. I’ve either got to recommit myself or I’ve got to resign myself to the day job.

Choice needs to be made.

I’d better choose wisely.

Stories By The Numbers

-Submitted: 3 (Sent out “Customer Service”)
-Ready: 7
-Accepted/Rejected: 0

Writing–The Devil’s in the Details

I consider descriptions to be one of my biggest writing weaknesses. It’s not that I don’t like writing descriptions or that I struggle with it. It’s just that I don’t do it.

First drafts are all about getting the story down for me. The main focus is character, action, and dialogue. Sometimes I’ll throw in a detail or two in there if it comes to me or if I think it’s important, but for the most part, aside from setting and seeing, not much gets put in. Which is fine. It’s a first draft. It’s not supposed to be perfect.

The problem is that when I do revise the story, the details don’t always get added in.

That’s the part I struggle with.

Soemties I forget to add in the details because I know what it looks like, I know what’s going on, I know the scene, but I forget that people can’t see my mind. I have to translate it to the page. It’s pretty basic, but I still miss it every once in awhile. It takes someone else pointing out the vague description that makes me realize that my brain has been filling in the details for me, but I haven’t been putting them on the paper.

There is also, of course, my tunnel vision problem. I sometimes forget that I have other senses that can be used. Sight and sound are usually givens. Touch gets used some, too. Smell and taste are often forgotten. Sure, they’re not always appropriate to include in every story, but sometimes they mention of a smell or a taste can really enhance the setting or the scene.

The stories I’m most pleased with are the ones that I’ve used sensory detail well in. To date my favorite line comes from “Such a Pretty Face” about the “scent of stale onions hanging in the wet air”. It’s subtle, a throw away really, but it adds so much to the story and the scene. It’s my go-to line when I need to remind myself of the need to pay attention to detail.

The details make all the difference.

Stories By The Numbers

Submitted: 2
Ready: 8
Accepted/Rejected: 0

Writing–Writing for First Place

My first foray into the writing world was submitting my work to a local contest. The contest was cancelled due to a lack of interest and I got my story and entry fee back, but that was a pretty big step for me. It was the first time I let someone outside of a very specific group read something I’d written and judge me on it.

That contest didn’t pan out, but it gave me the courage to submit my work to others. My first real success as a writer was winning 10th place in the genre category in the 77th Annual Writer’s Digest Writing Competition. Imagine my surprise to open up my copy of the magazine and see my name listed among the top ten as I hadn’t been notified yet.

My story didn’t get published, but I saw my name in print. Someone thought my story was good enough to beat out at least 90 other people (the top 100 was listed on the site). It was an incredible ego boost and it encouraged me to move beyond contests and start submitting to publications.

Submitting to contests was a good first step for me. It let me ease into things. Not placing in a contest wasn’t the same as getting rejected in my head. Submitting a story and getting it rejected was more personal. My hide wasn’t thick enough to handle that yet. But losing a contest was different. I’d not won lots of things. That was easier to deal with.

Those first few contests and that first win really helped set the tone for me when it came to dealing with rejection. Let’s face it, submitting to a publication is a lot like entering a contest. You hope to win and get the prize, but lots of times you get that letter that lets you know that you’ve lost.

I’ve found so many ways now to deal with rejection that, while I get bummed and frustrated sometimes, I’ve never been devestated and rarely thought about giving up.

And I still have an appreciation for contests. Now that I’ve got that regular income from the day job, I can afford the fees once again. I once again entered the Writer’s Digest Story Competition. I’m hoping for a repeat of last time, if not a straight out win.

But if I lose, no big deal. I’ll just move on to the next contest and try this one again next year.

That’s what winners do.

Story By The Numbers

Submitted: 2 (“Another Deadly Weapon” is my contest entry; “Such a Pretty Face” is still out)
Ready: 9 (“Soul Sister” joins the growing list)
Accepted/Rejected: 0

Writing–Writing in the Blood

I never thought about writing being a family trait. I thought I was the only one who felt the urge to tell fictional stories in the written down form. Don’t get me wrong; my family loves to tell slightly embellished tales of yore, but no one else ever wrote fiction.

Until Papa.

After Grandma died, Papa needed something to do to fill up some of his time. He’d always loved reading (I come from a reading family, truly) and had done a little writing when he was younger. So when after Grandma passed away, he had the time to try his hand at writing again. It became the way he spent his mornings.

He wrote a few short stories, but it didn’t take him long to discover the wondeful world of novel writing. He wrote a couple of them before he decided to try his hand at self-publishing. He didn’t want to be a best-selling author. He wasn’t looking for great success or great millions. He wrote a book and he wanted to see it in print. He wanted tangible evidence of time well-spent.

Papa wrote several other books and stories, but these he published as ebooks. He was always on the cutting edge of technology and liked the idea of ebooks (he bought a Kindle before I even considered one). He made a little money from his writing endeavors, but I think he was happier just knowing that his work was being read.

My cousin Nancy even arranged for him to do book signings of his the first book he self-published. It was a nice way for family to come out and brag on him and tell him how good his stories were.

In turn, Papa has always been my biggest fan when it came to my writing. He was thrilled when I got my first short story published. He posted my few writing victories on the family website and read every story I showed him, whether it was published or not.

Writing became just another way grandfather and granddaughter connected.

Now that he’s gone, I treasure that first self-published book that he wrote. Maybe it’s not that best written book ever put into print, but the story is Papa’s and it’s a tangible reminder of the bond the two of us shared.

A special thanks to my granddaughter, Christin Haws, whose own wonderful writings were the sparks that re-ignited my latent desire.

Writing–May Projects

April was neither a rousing success or a crashing failure. Adequate would be the best word for it. But getting the job done puts me in a good position for May.

Of course the big project continues. I only got one chapter revised on The World (Saving) Series last month so I have some serious ground I’d like to make up. I’m shooting for two, maybe three. Minimum.

I’ve got two short stories I need to review. “Another Deadly Weapon” and “Soul Sister” are on the agenda.

A new Outskirts story will be going up this Saturday (get “Wait ‘Til Next Year” read while you still can). I’ve got two that need to be revised and one of them will be going up.

It doesn’t sound like a lot of work, but with falling behind on the novel revisions, it will be some serious work to not only catch up, but also get ahead. I’ll be the first to admit that I’ve been slacking on it and I need to change my ways. I need to rededicate myself to this project if only to say that I got through the first round of revisions.

Keep plugging away.

Stories By The Numbers

Submitted: 1 (“Such a Pretty Face” is still out)
Ready: 8
Accepted/Rejected: 0

Writing–The Stillness of Writing

Just because I’m looking out the window doesn’t mean I’m not working.

Okay, maybe at the day job it means I’m not working on day job stuff, but it doesn’t mean I’m not working on writing stuff.

It hasn’t been easy for me to be taken seriously as a writer to begin with. It’s that not bringing in a regular paycheck thing that throws people off. There’s this idea that, paid or not, writing isn’t work. And that idea gets a boost when people see you sitting there doing “nothing”.

Well, I’m here to tell you that most of the time I’m not doing nothing. More than likely, I”m thinking about something.

That game of Bejeweled Blitz could be a break between writing jags. Ditto with checking email or checking Twitter. I’m a big fan of writing sprints, ten minutes writing, ten minutes not, particularly when I’m working on longer projects and particularly when I’m struggling. And if I am sprinting, then those ten minutes I’m not writing aren’t going to waste. I may look like I’m doing nothing, but in reality, I’m plotting what I’m going to write for the next ten minutes.

A lot of plotting and idea developing are done while doing “nothing”. Or while doing the mundane. I’ve done a lot of idea development while playing mindless games of Spider Solitaire and Free Cell or while cooking dinner and doing the laundry. Some great ideas have come to me while I was just staring out the window.

Hell, that’s how I got the idea for this blog post.

My point is that appearances can be decieving and writing is more than just typing. Writing is actually work. It’s an involved process. Maybe it doesn’t make me break a sweat, but it does involve some serious effort. It can be frustrating. The idea doesn’t jump to the page from the first second it appears in my brain and it doesn’t make it onto the paper perfectly the first time. Only once have I had an idea hit the paper so smoothly that it only needed a little revision, but the idea still needed a few days to percolate before I could get down the first word.

Believe me. I’m working a lot, even if it doesn’t look that way.

Okay, maybe not as much at the day job.

Stories By The Numbers

Submitted: 2 (“Playing Chicken” and “Such a Pretty Face”)
Ready: 8 (“Customer Service”, “Game Night”, “An Active Sleeper”, and “At 3:36” join “Husband and Wife”, “Elevator”, “Bigger Than a Squirrel”, and “Erin Go Bragh”)
Accepted/Rejected: 0

Writing–Non-Fiction Attraction

I have a real love for non-fiction.

It started when I was a kid. I liked to read biographies. It didn’t matter who was the subject. Sports stars, actors, presidents, muscians, anybody, it didn’t matter; I liked to read about other people’s lives. I read about my obsessions. Sharks, dinosaurs, tornadoes, anything that scared and fascinated me.  I read about all things pop culture. To this day I love useless knowledge.

There came a point, some time in high school I think, that I realized that I read more non-fiction than fiction. I’m still that way. Check out my bookshelf and you’ll see. I’ve got books on dead bodies, morgues, fat girls, baby names, horror movies, writing, astrology, spells, tarot, body language, psychology, genomes, algebra, serial killers, and a few memoirs. I even kept all of the text books from my three stints in college so I could read them at my leisure.

I guess it’s just a draw I have. I like to learn things, all kinds of things. A lot of my books are acquired because of my obsessions and interests. I admit that I’m looking into getting some books on baseball, specifically pitching and stats, to feed my current addiction. But then I’m also looking at a book on Hell and a book on the positive effects of peer pressure because I came across both in the paper and they looked interesting.

One would think that as a fiction writer, I would be reading lots of fiction. And really, I should be. It’s an important part of my job. Don’t get me wrong; I like fiction. I don’t consider reading it an unpleasant part of this gig. But when I’m cruising through Amazon or prowling the shelves of my library, non-fiction has a tendency to catch my attention first. Odd since fiction is considered the flashier of the two.

I’ve thought about writing non-fiction, but I’ve never really gotten up the gumption to take the plunge and give it a shot. I’ve get ideas and I write them down and I try to develop them, but it doesn’t go much farther than that. As marginally qualified to write fiction as I feel I am, I feel totally unqualified to write non-fiction.

That’s not to say that I won’t, eventually, give it a go, of course.

I just need to read a little bit more first.

Stories By The Numbers

-Submitted: 2 (“Such a Pretty Face” and “Playing Chicken”)
-Ready: 5 (“Customer Service” joins “Husband and Wife”, “Elevator”, “Bigger Than a Squirrel”, and “Erin Go Bragh”)
-Accepted/Rejected: 0

Writing–April Projects

It’s more of the same old, same old when it comes to writing in April.

I’m going to continue working on The World (Saving) Series revisions. I’m going to try to get a few more chapters done. Slowly, but surely, I’ll win this race.

I’ve got four short stories that need to be reviewed: “At 3:36”, “An Active Sleeper”, “Game Night”, and “Customer Service”. I actually sold “Customer Service” a couple of years ago, but it was never published and the ezine folded, so now it’s back in my pile. I’m looking forward to reading it, since it’s been so long. It’s also been awhile since I’ve laid eyes on “An Active Sleeper” and “Game Night”.

It’ll never be long enough before I read “At 3:36” again.

The goal is to get these four stories onto my ready list. Evenutally, I’m going to be more proactive in submitting my work again and if they’re ready, it makes my life a little easier.

I’m also going to write another short story for the blog. The point of these stories is to drum up some interest in and awareness of The World (Saving) Series and what I’m calling the Outskirts Universe. If people like the short stories and the characters in the short stories (and not just because they’re free), then should I ever get the book published, they may be moved to read that as well. Right now the stories are mostly focusing on Stanley, since the book mostly focuses on Stanley, but I’m looking to give other characters a starring role in their own shorts.

I have no idea if this is going to work, especially since I have no idea if I’ll ever get the book published or not, or if it’ll end up being a waste of time, but I guess it’s worth a try. I don’t think it’ll hurt anything.

Not giving it a shot would probably hurt more.

Stories By The Numbers

Submitted: 2 (“Such a Pretty Face” and “Playing Chicken” are still out.)
Ready: 4 (“Husband and Wife”, “Elevator”, “Bigger Than a Squirrel”, and “Erin Go Bragh” are still waiting in the wings.)
Rejections: 1 (No go for “Another Deadly Weapon”.)