Writing–NaNoWriMo 2011 Thoughts

This year’s Nano was interesting.

As you may remember, I went into the month with only half of my outline done. Despite this, I still managed to hit 50,000 words in 16 days, making this my 5th NaNo win in eight years.

It was when I was doing the last half of my outline that I realized that I was just going in circles. I wasn’t getting anywhere with the story for the sake of a word count. I figured that so long as I hit 50K, I was good.  60K was my goal, but if I fell short while wrapping up with story in a satisfactory way, it was worth it. I figured I’d hit about 55 or 56K.

I finished the first draft of American Vampires on November 20th at 62,000 words.

Yeah, I’m a real good judge of my story. Oops.

The story itself is okay. I can’t say that I’m in love with it, but that could also be that I’m kind of bored with Stanley. Remember, I wrote about him last year and I’ve done a few short stories with him. So it’s possible that my burnout is clouding the quality of draft I have to work with.

There’s also the possibility that pushing myself to finish as early as possible fried my brain.

The point is that I’m done, I have yet another novel-length draft to work with, and I can forget about it for a month.

Or more.

Ah, bless NaNoWriMo.

Writing–Writing Novels and Raking Leaves

My friend DaLette got hold of me at the end of October to offer me some work. She needed help clearing a massive amount of leaves from a massive yard. It was just going to be the two of us working. Two women, two rakes, and a leaf blower. And we only had two days to do it. It was all her schedule would allow.

The goal for the first day was to clear half of the front yard, the biggest chunk of the whole project. The second day, we’d do the rest of the front yard, the backyard, and the side yard.

Starting out, it looked overwhelming. DaLette started on one side of the half of the front yard with the leaf blower and I took the other side with a rake. DaLette had already been by the week before and cleared out the gardens (which were full again when we started) and I started moving those piles down to the street. I’d pile the leaves on a piece of plastic sheeting and then drag them down to the street and dump them for the city to pick up.

I cleared out the bulk of the leaves in the gardens again and raked up many of my own piles to drag down to the street while DaLette made her own piles with the leaf blower. When her piles got big enough, we switched places. She made piles on my side and I moved her piles to the street. It took six and a half hours, but we got that half of the front yard done.

The next day, we started in the backyard, piling up the leaves and moving them out of the little fenced-in area and into the front yard. From there, it was all piling it up and moving it to the street. By the time we got to the sparsely covered side yard, we were both tired and hurting, but it was the easiest part of the yard and it felt the sweetest.

It was during this epic raking exercise that I gave a lot of thought to Nanowrimo, specifically the process of it. Going in on November 1st, it looks like that yard did at the very beginning of the first day. 50,000 words is a huge task and in the beginning, it looks overwhelming.

When I was raking, I kept looking back at what I’d done to remind myself that I was getting somewhere. Word count updates are like that. It reminds me how much I’ve accomplished just in case I forget. Looking ahead, at the rest of the yard that needed to be raked and at the words that need to be written, sometimes it’s hard to remember that I am moving in the right direction.

Like climbing up a hill, eventually it gets to a point where there’s more leaf-free yard than leaf-covered yard. There are more words written than words needing to be written. And that’s when the second wind really kicks in. Sure you’re tired. You’re sore. You outright hurt.  The ideas are drying up. Your brain begs for mercy. Your fingers scream for a break. But you can see the end! It’s just right there! And you’re not going to stop until you cross that line. You’re not going to leave one leaf on the grass and you’re not leaving one word unwritten, not stopping short of that 50,000.

At the end of those two days, I’d made enough money to pay my cell bill for the month. At the end of Nanowrimo, I’ll have another manuscript first draft I might be able to revise and rewrite into something that could pay off in the future.

But, it’s not about the money (actually, the raking IS about the money, but I’m trying not to spoil a point here). It’s about the thrill of victory. It’s about the sense of accomplishment.

It’s about standing at the finishing line, looking back at the beginning, and say, “Yeah. I did that.”

Try not to feel invincible after that.

Writing–NaNoWriMo 2011 Project

This year for Nanowrimo, I’m once again journeying into The Outskirts and once again writing about Stanley Ivanov, ugly shirt wearing vampire.

The novel is called American Vampires and it revolves around the possible existence of three, well, American vampires and what should be done with them. Stanley, his girlfriend Neda Kovar, and arch rival Nathan Vacek are sent to Mesa, Arizona by elder vampire Andrei Carp to track them down and deal with them. Unfortunately, two “hunters”, brothers Zeb and Zeke Heller, have been sent to Mesa to deal with the vampires, too.

Hilarity, bickering, violence, and blood-drinking ensue.

My goal for this novel remains the same as in previous Nanos. I aim for at least 2,000 words a day, 2,000 words to a chapter, with a target of a 60,000 word finished product with 30 chapters (it makes the math so easy). I’ve already got about a 4,000 word cushion in just this first week. I’m hoping that by doing an extra chapter or two on the weekends, I’ll be done before Thanksgiving again this year.

One thing I’ve deviated from this year is my outline. In previous years, I’ve had the outline done and ready to go for Nano. This year, I only had it about half done. So at some point, I’m going to have to outline the last half of my novel. I’m thinking that since I tend to leave the outline a little bit during the actual writing of the story, it might help in later drafts if the second half of the novel goes off of what was written.

It was planned this way, it just kind of happened due to laziness and apathy. I spent plenty of days in October in “I don’t feel like it” mode and ended up working on other things instead. I hope it doesn’t end up costing me.

Some days have been easier than others. I think yesterday stands as an accurate prediction of what this novel is going to be like. My plan was to do at least 3,000 words to add on to my little cushion. It took me over three hours to milk 2,000 words out. It was like trying to get juice from a turnip, just painful and pointless. I went out to dinner with some friends, came home, made some hot chocolate, and then managed another 2,000 words in an hour with no pain at all.

I’m just hoping for more of the latter than the former.

Writing–The Nightmare of “At 3:36”

Last week I wrote about how some stories seem to come to me as if by magic. That first draft comes so easily and requires very little revision to create a final project.

And then there are stories that are the bane of my very existence, the ones that I struggle with and can never seem to get them right no matter how much I mess with them.

All of my stories get revised. Whenever one of my short stories gets rejected, I always review it to see if there’s anything I can do to make it better. I admit that some stories get more than a little tweak after a rejection. Both “Erin Go Bragh” and “Elevator” (both published in my Rejection book) ended up getting significant rewrites more than once after being rejected. “Such a Pretty Face” required some serious work to get right.

But “At 3:36” is a story of a different beast.

It started off simply enough. I got an image of a scene in my  head, a woman looking out the window, watching as the world stops spinning for forty-five minutes at the same time over several days. I wrote it out, explored that scene, and came up with the first draft. The sticking point was that I didn’t want to explain why the world was stopping. It was just happening and the point of the story wasn’t that the world kept stopping and needed to be fixed (this isn’t a SyFy movie, after all), but how my main character reacted and dealt with this event.

But I couldn’t get it right.

No matter how I cut the story or rewrote it or change it (keeping two basic things intact: the world stopping its spin and the main character’s reaction to it), I couldn’t get the story to work. I couldn’t get it to feel right.

I go a lot by how a story feels. If I feel like I’ve told the story I want to tell and created the effect I wanted to create, then I’m satisfied and I can work on polishing and revising that story to make it the best it can be. I never got to that point with “At 3:36” and it was pretty disappointing.

The other day I was in the shower, letting my mind wonder over things I needed to work on, stories that needed to be told, money that needed to be made, the typical things that run rampant in my brain during my morning showers. It was during these mental gymnastics that the possible solution to my “At 3:36” story woes came to me. I think I’ve finally figured out how to fix this story once and for all.

I won’t know for sure until I actually do it, which won’t be until December due to Nanowrimo, but for the first time, I’m excited about this story.

Considering that I hated it as soon as I was done with the first draft, that’s a big improvement.

Writing–Feeling That Magic

I always say that I’m a better rewriter than a writer, and for the most part that’s true. I’ve written about my love/hate relationship with first drafts and I try to get them done as quickly as possible so I can get on to the revision process, which I like and feel I’m better at.

However, I sometimes get it right the first time.

Hard to believe, I know, but it happens.

There are times when I get an idea for a short story, the idea comes so perfectly formed in my head that all I have to do is write it down. The only revising that happens are little tweaks and some polishing of grammar, word choice, and spelling and that’s it. Those are scary moments for me because I keep thinking I should be changing more, but I’m not seeing the problems. Eventually, after some worrying and mind-boggling, I give up and call the story done. I end up submitting it, thinking it’s a sure rejection.

Three stories that this has happened with have been accepted for publication.

“Land of the Voting Dead”, about a very unique polling place, came out in a rush and was in great shape when I finished it. It really did only need a few tweaks when I was done. Then I found an anthology I thought would be a perfect fit for it. Unfortunately, I was more than a few words short of the minimum word count. Surprisingly enough, after a few days thought, the scene I added to expand the work count came to me the same way the story did. It fit in perfectly with the rest of the story and the whole shebang got accepted.

“Sentries”, about plants used to deter unwanted visitors, was written with a specific anthology in mind. With the theme of the anthology in mind, I thought about what kind of story I could come up with that would fit it. There was no pressure; if I didn’t come up with a good idea, then I didn’t try to write anything for it. No big deal. Less than a week before the deadline, the idea came to me. I wrote it with the word count in mind, adding in a couple of scenes that weren’t in the original vision. Honestly, I didn’t know where I was going with them and thought for sure by the time I’d written the last word the whole thing was crap. I gave it a day and then read it again. Upon review, with a few small revisions, I found that it all worked and it ended up getting accepted to the anthology.

I almost got “Playing Chicken” right the first time. For the most part, the bulk of the story about a group of kids playing chicken with a ghost train and how it affected their lives, was right on. But there was one scene I just couldn’t get right. I knew how what I wanted it to, but I just wasn’t getting the job done. In the end, it took a couple of rewrites of that particular scene to get the clarity and effect I was going for. It paid off in the end, as the story got accepted to an anthology.

This phenomenon happened again last week. I got an idea for a flash-fiction story called “Someone To Hold” based on a superstition that if you leave a corpse’s eyes open, they’ll look for someone to take with them to the grave. I wrote the first draft of the story in a rush that I recognized. This story is mostly done. The revisions I’ll make will be superficial ones, polishing and tweaking to make it as perfect as I can get it. My hope is that I’ll be able to scrape up the entry fee money to submit it to a contest that I think it will do well in.

Then we’ll see if I really was feeling that first draft magic.

Writing–The Other Projects

The World (Saving) Series isn’t my only novel project I’ve got in existence. Due to some successful go rounds at NaNoWriMo as well as a pretty productive period during a six month period one year, I’ve actually got a few in various stages.

When I wrote the first one, now titled Spirited in Spite, I didn’t realize that I was creating a universe. It wasn’t until I wrote (and then lost in the Great Crash) A Simple Matter of Mind Control that I was on to something. By the time I finished the first draft of A Tale of Two Lady Killers, the concept of this universe solidified itself. It wasn’t until The World (Saving) Series that I gave this universe a name, The ‘Skirts, and decided all of the pieces fit. All of the main characters are “on the outskirts of normal”, as one of the characters explains. They all have some sort of paranormal attribute. To me it makes sense and I hope I can make it work.

As I mentioned, they’re all in various stages. Spirited in Spite is waiting to be rewritten (I’ve already done a few chapters and made notes on the rest). A Simple Matter of Mind Control, first draft lost to the Great Crash, is outlined and waiting to be written again, the changes I was planning to make already incoporated into the new outline. A Tale of Two Lady Killers has already had one round of revisions/rewrites.

And we all know where The World (Saving) Series is.

I’m hoping…no, intending…to get back to all of these projects and make something readable out of them. I think they all hold the potential to be good stories and I want to see them through to the end.

Not only would I like to get these stories told, but they also provide me with the opportunity to get into the habit of finishing things.

But that’s another blog post for another day.

Writing–First Draft Love/Hate

I have such a love/hate relationship with writing a first draft.

The love comes from the excitement I get from finally getting this idea that’s been drifting around in my head for days/weeks/months down on paper. Breathing life into my characters, letting the story unfold, putting in that little twist or three, filling in the details, giving myself something substantial to work with in revisions that makes the first draft worthwhile for me and makes up for the hate part.

Oh, and there’s so much I hate about writing the first draft.

Rarely does it ever come out right the first time. It’s not supposed to, I know that. That’s the point of a first draft. But, it frustrates me to no end when I can’t get what’s in my head onto the page, when the words I put on the paper don’t do my idea justice. The characters are two-dimensional, the mood isn’t right, the beginning is flat, the ending is awkward, and in my longer works there’s ALWAYS too much telling and not enough showing. The perfectionist in me hates it when I can’t get it rigth the first time. Of course, I know that’s what revisions are for and I’m one hell of a revisor. I actually like revising my first draft more than writing it most of the time. I love making something great out of something lackluster, and in some cases absolutely craptacular.

(Wait, weren’t we talking about hate? Damn love sneaking in there.)

The flip-side of this particular hate is that on the rare occurances that my first draft does go well and does adhere to my vision pretty closely, it worries me. It makes me think that I’m missing something, that I’m overlooking some glaring flaw that won’t be found until the story is rejected three or four times and then I finally see it and end up absolutely ashamed that I sent it out looking like that. Let the agony of self-doubt begin as I stare at that first draft wondering why more doesn’t demand to be rewritten.

First drafts, at least for me, are truly writer’s hell. I’ve yet to find a way to skip over that part and get right down to the revising. And if it wasn’t for the little bits of writing a first draft that I love, I’d be really bitter about that.

Stories By the Numbers

Stories Out: 2
Stories Ready: 3