Writing–March Projects

green flowerYou may have noticed the lack of blog posts in the month of February. Or maybe you didn’t. Maybe you didn’t care. Whatever the case, the point is that you can expect random and fewer blog posts to be the norm for a while. My world is in a bit of transition at the moment, sort of like when I had the existential crisis last year, except it’s less crisis, more change.

Anyway, that doesn’t mean that I’m not doing writer stuff. My goal to clear out my backlog of projects remains intact.

Last month I finished making notes on (Vampries) Made in America and it has all been put to the side for the moment. I’m sick of looking at it. I also finished revisions on Odd Section of Town and Firebugs and Other Insects. I’m satisfied with how they turned out for the most part and I think the next step for them is beta and minor tweaks/polish. I also wrote “A Ride in the Country”, which was actually less writing and more taking a chunk that didn’t make it into Night of the Nothing Man and revising it into it’s own little stand alone bit that will go into one of the anthologies.

Speaking of…

This month, I’m going to be working revising short stories that I’m going to use for future anthologies. I’ve already finished a revision on “Nadie Has a Dog” just a few days into the new month (productivity, what?). Also going to be revised this month “People Are Terrible”, “Cover Up” (a rough draft that I found that I think will go nicely in one of the anthologies), “The House Down the Road”, and “The Seaweed Man”. Of these four, it’s “The Seaweed Man” that’s going to take the most work. It’s going to be more of a rewrite than a revision.

Slowly, but slowly, the backlog decreases.

Writing–Let’s See Where This Goes

Rainbow paperI’ve been working  on “Nadie Has a Dog” for the better part of the month and I’m finally getting to the point where it’s wrapping up.

I’ll be honest with you; I’m only now sure how it will end. I wasn’t sure before. In fact, the ending is nowhere near where I thought it’d be.

That’s probably because when I started the story, I only had a couple of scenes in mind.

-The beginning, in which we establish who Nadie is and how she got her name.

-The scene in which she acquires her dog.

-The first scene illustrating what she and her dog do.

After that, I figured I’d wing it. More than likely, writing those scenes, stringing together those parts of the story would lead me to the end. Actually, I thought the last scene was the climax and Nadie and her dog would ride off into the sunset.

Only they didn’t.

And I had to see where the story decided to go.

That happens occasionally with my short stories. I try to be a little more planned out with my longer works, like novellas and novels, just because there’s so much going on that I need to keep track of all of my threads. I let myself have some room to play, of course, but it’s more like dallying between set pit stops on a road trip rather than full on wandering in the woods.

With short stories, I can wander more, though I don’t usually. When I sit down to write, I know what the story is. I still manage to surprise myself, but the overall story is usually written with a solid beginning and ending.

With Nadie, I thought I knew the ending, but I didn’t. There was more story there than I’d originally thought. That’s both scary and neat. The potential to go so far off the rails that the story meanders into nothingness is there and that worries me. I don’t like it when my stories end up as bupkiss. But it is kind of a thrill to just write as it comes and see what happens and see where things go.

Nadie has turned out to be longer and not as overtly shocking as I thought it’d be. Instead there’s a touch of sweetness and a even a little humor to the story. And I like that! It feels right.

Sometimes it’s good to wander.

Writing–October Projects

pumpkinsJust because I’m experiencing a writing crisis of sorts doesn’t mean the party stops. While I’m  seeking validation by submitting to agents, I also have a different plan on the board that I’m executing, one that is sort of independent of that whole writer-validation thing that I talked about doing last week. Basically, it’s Operation: Get Some of This Shit Off Your To Do List, Woman!

So, last month involved me doing a round of revisions on the Zak novella (no, it still doesn’t have a title), writing a couple of short stories (“The Seaweed Man” is a lot longer than I thought it’d be and I’ll need another week or so to finish it; I also ended up writing another short story called “People Are Terrible”), and getting the pre-order of Spirited in Spite set up. All of the was done even while I was having my “Why am I here?” troubles.

This month, since it is of course October, I will have NaNo prep, which will basically just be me going over my outlines for the next two Ivy Russell novellas to make sure I know what I’m doing. Yes, I’m doing two novellas again for this NaNo and I will talk more about them in another post.

Speaking of Ivy Russell, to help me get in tune with that world, I’m going to finish the rewrites on The Timeless Man, which means finally figuring out and writing the new ending. It will be smooth sailing on further revisions once that is done.

I also need to do another revision of Hatchets and Hearts. I’m changing the time period. I think that will be the final big change that will really tie the whole thing together. It seems like everything I wrote during a certain few months of last year/this year was nothing but a struggle. It will be a victory when I get that all sorted.

And so there won’t be any dull moments, I’ve got a couple of new short stories I could write if I need to: “The House Down the Road” and “Nadie Has a Dog”.

Slowly, but surely, I’m going to get this To Do List whipped.