Writing–That Walk Away Point

Illustration from the Collier's magazine print...

It really doesn’t matter what kind of writing project it is -novel, novella, short story- it seems that at some point during the revision stage I have to walk away from it. Letting the story settle after a round of revisions, putting a little distance between myself and the words helps me see what needs to be done.

However, for some stories, the walk away isn’t just part of the revision process. It’s because I’ve grown to absolutely detest the story

I mentioned last week hitting that point with the Ivy novella. It’s not a unusual breaking point for me to get to when a project is being difficult.

There comes a point when I don’t want to look at the story anymore. I don’t want to read the words. I don’t want to try to make the story better. Just thinking about the story saps my will to live and makes me question my dedication to being a writer.

The only logical way to deal with this overwhelming feeling of disgust is to walk away. I put away the disagreeable project in question and I leave it alone until I’m done hating it. Sometimes that’s a couple of weeks. Sometimes that’s a couple of months. But the distance eases my hatred and makes my heart grow fonder for the piece.

Okay, not always. Sometimes the distance allows me to just hate the piece less while I gain the important objective view of the story so I can finally finish revising it and make it worth reading.

I don’t like hating any of my stories, but it happens. And I think it might be very easy for me to just abandon the stories I despise and move on to something I love. But, I don’t. I force myself to finish them to completion because just because I don’t like it doesn’t mean that someone else won’t adore it. It’s not fair for me to give up on it just because I don’t like it. If I’ve gotten that far with it, then the story deserves to be told, whether it ever gets published or not.

And I also don’t hate stories for an eternity. Sometimes I hate them at the walk away point, but then rediscover my like/love for the story during our separation. Now, if I abandoned the story just because I didn’t like it when it was being its most difficult, that would be a total injustice.

I’m exaggerating, but only a little bit.

I usually feel guilty when I first walk away a story, but I know in the end it works out for the best.

We all need our space, you know.

Writing–Nothing for The Nothing Man

Night of the Nothing ManPlease let it be understood that I never figured on becoming some best-selling author through self-publishing (although I will not deny how nice that would be). However, I figured it might be a way to make a few sales and a little money and at least have something to refer to when people asked me what I write.

However, something perplexing has happened with my latest self-published novella, Night of the Nothing Man. I thought it would go the same way Gone Missing did, with a few sales from friends and/or family after it was first published and then a surprise sale here and there. Maybe the sales would be a little bit better because it was the latest hit on the parade, but still nothing unrealistic.

It turns out reality couldn’t even measure up to my realistic expectations.

I haven’t sold one copy of it. Not. One. Not even a pity sale from friends/family. It’s both baffling and perplexing.

So now I’m stuck trying to figure out what went wrong and why no one wants to read it.

It could be that it’s because I priced it at $1.99 instead of $.99. That whole dollar might make a big difference. Folks might think it’s not worth that extra buck. I think it is, but I’m not the one looking for something to read on the cheap.

It could be that no one is interested in the story. I guess a stalking/chase yarn set in the 70’s may not be very appealing to today’s high-tech crowd.

It could be that I’m not flogging it as well as I shilled the first one.

It could be that I’m working a bit of reverse psychology on folks and people interested in Nothing Man end up getting Gone Missing instead because it’s a cheaper way to try me out because instead of selling the former, I have had a few more sales of the latter.

Whatever it is, I’d like to figure it out so I can avoid the same mistakes, whatever they are, when it comes time for me to self-publish my next venture. I’d like to see progress, getting more and more readers the more I publish, not fewer.

And, no, this isn’t a cry for folks to buy Night of the Nothing Man. I’m not trying to guilt anyone. If you feel so inclined to read the story, you can get it on Amazon and Smashwords. But, please get it because you WANT to read it.

Because in the end, that’s what I really want, too.

Writing–July Projects

Firework in San Jose

I don’t really have a lot going on this month, if I’m going to be honest.

I’ve finished cutting down and revising the Ivy novel into a novella. I did that at the end of last month after unexpectedly finishing everything I had planned over a week early. I needed to do something productive and that was it. I’m going to let it rest a couple of weeks and then go through another round of revisions on it.

Remember how I said the short story anthology I was working on was subject to change? Well, a change has come. I think one of the stories would work for a short story contest. All I’ve got to do is cut about thirty words from it to hit the word limit. So I’m going to do that. Meanwhile, I’m going to revise the new stories written for the anthology (again) and then start really looking at putting the thing together. I think I’ve got more holes in this plan than I initially thought, even before submitting one of the stories.

And…that’s it. All that’s left are little things, like doing a couple of essays I’ve got ideas for, but keep putting off doing and doing some organizing stuff.

Now watch. I think this month is light and I’ll end up racing to get it all done by the end of the month.

Writing–February Projects

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The revisions on The World (Saving) Series continues. I’m making progress and I’ve been pleasantly surprised at how some chapters are in better shape than others and how many of them are in better shape than I remember. My goal to be able to call this manuscript done by the end of the year is looking promising.

Work on the sooper sekrit project also continues. It’s being upgraded from the morning project that kills time while I’m minding the kid two or three days a week (because I’m off that job for the month while the kid spends the month with his mom while grandma is vacationing in Florida) and I expect to make some significant progress on it by working on it more than a couple of days a week. I’d like to have the barest bones of the whole business done by the end of the month so I can definitely see what I’ve got going for me.

The big project this month, though, will be revising Night of the Nothing Man from a novel to a novella. Considering the strains I made fleshing it out to make sure I hit 50,000 words, cutting won’t be much of a problem. Really getting that story to be what I want it to be might take a little more work, but I’m still hoping to get it done by the end of the month. I’d like to be able to put it out on Smashwords by March.

The month is just a few days shorter, but I’m going to try to pack them as full as I can. I’ve got a lot going on and I’ve got a feeling I’m just going to be adding more to my plate. At the very least, there’s going to be a lot of idea jotting. I’ve been getting hitting hard with that lately, but I’m having trouble penciling all of them in, so they have to wait.

When it rains, it pours, and I’ve been caught in an idea deluge.

I hope my umbrella holds.

Writing–2013 Writing Goals

Writing

Last year I gave myself the goal of getting 50 rejections and ended up falling miserably short. However, I did learn quite a bit when it comes to goal setting my writing like that. First of all, I need to be more realistic. Second of all, not every goal is going to work for me.

The idea of getting 50 rejections seemed like a good one at the time because it would motivate me to submit more of my short stories. The problem with this approach is that I really don’t have the short story inventory to generate that many rejections, particularly when the rejection process is on a completely different time table. I have no control over when I get the rejections. They can take days or months. Combine that with a limited inventory and I found out that I tore my ACL before I even made it out onto the track.

However, had I not given it a go, I wouldn’t have learned that. I’m a sucker for learning things the hard way.

This year, I’m going to take a different approach to my writing goals.

My biggest goal is going to be revising The World (Saving) Series to a point of doneness. Not THE point of doneness, but A point of doneness. That means that I want to get the novel to a point that I’m done messing with the story and the structure and all I’m worried about is consistency, word choice, and descriptions. I want to be satisfied with the big picture of the story, so to speak. Giving myself until the end of the year seems reasonable, I think.

I’ve got seven short stories waiting on my ready list. I want to submit them all at least once. I’ve got three stories still out from last year. If they all get rejected, then I want to submit them all at least once, too. Any new short stories I write, I want to send those out at least once as well. Not exactly a lofty goal, for sure, but sometimes I feel very divided with my writing. This is a way to motivate some progress without being too hard on myself and getting discouraged. It also encourages me to give all of my stories a chance on the market instead of holding them back, afraid to let them be seen by the world.

I haven’t abandoned my idea to edit Night of the Nothing Man into a novella and self-publish it. That will get done sometime this year.

My current sooper-sekrit project is under way. Even though I don’t want  to talk about it, I’m working on it. And even if I don’t like the way it’s going or think it’s a flop, I’m still going to finish it. I need to develop a little faith in myself when it comes to working on non-fiction projects (that’s the only hint you’re going to get!).

I think these goals are good enough to keep me busy for the year. We’ll see how it shakes out.

If you’re taking bets on if I’ll be scrambling to submit stories in December, it’s probably a pretty safe bet to take. I know me.

Writing–Short Story Long

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I started writing a story at the beginning of the month tentatively titled “Gone Missing”. I’d had the idea for a long time for a story that centered around a town where missing people end up, but didn’t really have anything more than that. A few weeks ago the missing piece crashed down from idea-space, smacked in the brain, and I quickly jotted down the whole plot idea before I forgot it. I decided to start writing it as quickly as possible thinking it might be a good project to work on while struggling with my personal essay (that’s another post for another day).

Little did I know what my brain had wrought.

When I get an idea for a short story, it’s typically just that. Short. In fact, it’s been known to happen that what I think will be a decent sized short story turns out to be a piece of flash fiction. I have a tendency toward being short-winded (which sometimes causes me problems making word count during NaNoWriMo, but I digress). It’s been known that I’ve had to go back and add to my short story word count to make the minimum word count for a submission (“Land of the Voting Dead” is a published example of this).

So, I didn’t think anything of it when I started writing “Gone Missing”. I thought it might be on the longer side, like the first few drafts of “At 3:36” that hit between 14 and 20 pages. It was when I passed the 20 page point and realized that I wasn’t even half-way done yet that I knew I had something other than a short story on my hands.

Once it hit forty pages without hitting the climax, I figured that I had something close to a novella on my hands.  It sure as heck wasn’t a short story anymore.

I’ve never written a novella before and really never had the urge to, so it seems fitting that I’d blunder into it on accident. When I begin the revisions of this short story gone long, I’m going to revise it with novella in mind. Just to see what a little intention can do for this long tale.

As it stands, I’m enjoying this pleasant surprise.

I love it when an idea that I think is good (and I think most of mine are) develops into something so much better.