Writing–Adding In

I was initially going to include “taking out” as well, since they seem to be two sides of the same coin with the same basic goals (meeting a word count and improving the story). But in the end I feel like they deserve separate posts.

And it guarantees that I have soemthing to write about next week.

I know the general rule is that it’s better to take out than put in. Most writers by nature seem to put a lot more into a story, particularly in a first draft, than what the story really needs and the extraneous material is later cut. I’m the opposite in the sense that my stories are usually pretty bare bones, particularly my short stories.

So when I come across an anthology or magazine that I thin kmight be a good fit for one of my stories and then I see that the minimum word count exceeds the word count of my story, I end up asking myself whether or not it’s worth it to try to expand the story to make the count.

Obviously, it ends up depending on the story.

A few stories I’ve considered expanding are definite no-go’s. Theyr’e done. There’s nothing more to add. Anything I put in is just going to drag the story down, water it down and weaken it. Definitely not what I want.

However, because I cut to the quick so much, I have found a couple of stories that can benefit from embellishment.

I added about 1,800 words of backstory to “Land of the Voting Dead” to meet the minimum word count for an anthology that looked to be a perfect fit. It was a bit of story that I had considered only in passing while creating the character of Miriam Showalter. I was pleased to discover that the addition worked; the added backstory gave the piece more depth.

And I guess I wasn’t the only one who liked it, since it got accepted for the anthology.

I”m currently in teh process of doing the same thing to “Spillway”. I need to add about 1,800 words in order to make the word count minimum for an anthology. There’s room in the story for some embellishment that I think will end up enhancing the piece. I think it will end up being better for it.

And if I’m lucky, the anthology editors will like it, too.

Stories By The Numbers

-Submitted: 3
-Ready: 7
-Accepted/Rejected: 0

Writing–The Devil’s in the Details

I consider descriptions to be one of my biggest writing weaknesses. It’s not that I don’t like writing descriptions or that I struggle with it. It’s just that I don’t do it.

First drafts are all about getting the story down for me. The main focus is character, action, and dialogue. Sometimes I’ll throw in a detail or two in there if it comes to me or if I think it’s important, but for the most part, aside from setting and seeing, not much gets put in. Which is fine. It’s a first draft. It’s not supposed to be perfect.

The problem is that when I do revise the story, the details don’t always get added in.

That’s the part I struggle with.

Soemties I forget to add in the details because I know what it looks like, I know what’s going on, I know the scene, but I forget that people can’t see my mind. I have to translate it to the page. It’s pretty basic, but I still miss it every once in awhile. It takes someone else pointing out the vague description that makes me realize that my brain has been filling in the details for me, but I haven’t been putting them on the paper.

There is also, of course, my tunnel vision problem. I sometimes forget that I have other senses that can be used. Sight and sound are usually givens. Touch gets used some, too. Smell and taste are often forgotten. Sure, they’re not always appropriate to include in every story, but sometimes they mention of a smell or a taste can really enhance the setting or the scene.

The stories I’m most pleased with are the ones that I’ve used sensory detail well in. To date my favorite line comes from “Such a Pretty Face” about the “scent of stale onions hanging in the wet air”. It’s subtle, a throw away really, but it adds so much to the story and the scene. It’s my go-to line when I need to remind myself of the need to pay attention to detail.

The details make all the difference.

Stories By The Numbers

Submitted: 2
Ready: 8
Accepted/Rejected: 0

Writing–May Projects

April was neither a rousing success or a crashing failure. Adequate would be the best word for it. But getting the job done puts me in a good position for May.

Of course the big project continues. I only got one chapter revised on The World (Saving) Series last month so I have some serious ground I’d like to make up. I’m shooting for two, maybe three. Minimum.

I’ve got two short stories I need to review. “Another Deadly Weapon” and “Soul Sister” are on the agenda.

A new Outskirts story will be going up this Saturday (get “Wait ‘Til Next Year” read while you still can). I’ve got two that need to be revised and one of them will be going up.

It doesn’t sound like a lot of work, but with falling behind on the novel revisions, it will be some serious work to not only catch up, but also get ahead. I’ll be the first to admit that I’ve been slacking on it and I need to change my ways. I need to rededicate myself to this project if only to say that I got through the first round of revisions.

Keep plugging away.

Stories By The Numbers

Submitted: 1 (“Such a Pretty Face” is still out)
Ready: 8
Accepted/Rejected: 0

Writing–April Projects

It’s more of the same old, same old when it comes to writing in April.

I’m going to continue working on The World (Saving) Series revisions. I’m going to try to get a few more chapters done. Slowly, but surely, I’ll win this race.

I’ve got four short stories that need to be reviewed: “At 3:36”, “An Active Sleeper”, “Game Night”, and “Customer Service”. I actually sold “Customer Service” a couple of years ago, but it was never published and the ezine folded, so now it’s back in my pile. I’m looking forward to reading it, since it’s been so long. It’s also been awhile since I’ve laid eyes on “An Active Sleeper” and “Game Night”.

It’ll never be long enough before I read “At 3:36” again.

The goal is to get these four stories onto my ready list. Evenutally, I’m going to be more proactive in submitting my work again and if they’re ready, it makes my life a little easier.

I’m also going to write another short story for the blog. The point of these stories is to drum up some interest in and awareness of The World (Saving) Series and what I’m calling the Outskirts Universe. If people like the short stories and the characters in the short stories (and not just because they’re free), then should I ever get the book published, they may be moved to read that as well. Right now the stories are mostly focusing on Stanley, since the book mostly focuses on Stanley, but I’m looking to give other characters a starring role in their own shorts.

I have no idea if this is going to work, especially since I have no idea if I’ll ever get the book published or not, or if it’ll end up being a waste of time, but I guess it’s worth a try. I don’t think it’ll hurt anything.

Not giving it a shot would probably hurt more.

Stories By The Numbers

Submitted: 2 (“Such a Pretty Face” and “Playing Chicken” are still out.)
Ready: 4 (“Husband and Wife”, “Elevator”, “Bigger Than a Squirrel”, and “Erin Go Bragh” are still waiting in the wings.)
Rejections: 1 (No go for “Another Deadly Weapon”.)

Writing–Rejection Before the Rejection

I knew that when I decided to pursue writing as an actual job that I was going to have to toughen up pretty quickly. Rejection is the name of the game and persistence is the only way to win. To be persistent for the long haul, you have to be able to shake off the NO’s, heal quickly, and move on.

I caught on and adapted quicker than I thought I would, particularly after I realized just how subjective rejections could be (as I rambled on about in a previous post). There’s not much sting to them anymore. I make note of them for my records, jot down and consider any feedback I get (some of it has been helpful, some of it hasn’t), and put the story in my review pile so I can re-read it, tweak it, and send it out once again. A rejection now hardly gets a rise out of my disappointment meter.

In fact, I’ve gotten so good at rejection that I started rejecting my stories before they officially get rejected. If it’s been more than six months (usually it’s longer when I look at my records and realize that the piece is still out), I consider it rejected and move it to the review pile. Yes, I should probably get into the habit of inquiring about submissions because that’s good practice, but I still have to get over my hang up about feeling like I’m bugging people. Instead I just guess rejection and move on.

This has worked out for me so far, but has recently led to some confusion. As in I’ve gotten rejections for stories I already called as rejected. a couple of those official rejections came not too long after my own rejections.

However, the most recent one came several months after I considered it rejected, almost a year after I’d submitted it. The letter (an actual, physical bit of paper) was addreessed to me and was sorry to inform me that they wouldn’t be using my story. Except the story they referred to in the rejection letter was actually the title of an anthology that I had been published in that I offered up as a credit. Oops.

Yeah, I might have been momentarily confused, but that rejection didn’t sting at all.

Writing–Writing With a Day Job 2: The Revenge

My initial enthusiasm for the challenge of writing with a day job, essentially working two jobs, lasted all of a few days.  Everything went downhill pretty quickly after that.

In short, February was a disaster.

I didn’t edit one chapter of The World Saving Series. I had a list of short stories that needed work.  After struggling with rewrites on “The Guinea Pig” for a week in order to meet a deadline, I gave up when I finally realized that story just wasn’t going to do what I needed it to do. It wouldn’t have been so bad if I hadn’t spent the week before that struggling with rewrites on another story that I ended up not rewriting.  Three short stories that I needed to review/revise got pushed into March, therefore really pushing the deadlines on those pieces.

February led me to question whether or not I really was committed to being a writer. With some of the urgency gone now that I have stable income, I was left to wonder if I was just writing for the money and now that I’m getting the money, would I eventually stop writing.

Maybe it’s just me wanting to believe the best in myself (which is pretty unlikely), but I don’t think that’s the case.

After all, I started this crusade in earnest when I was still working at my last job. I wrote for about six months while working part-time in retail with little trouble. The difference was the situation. Then I was working part-time and had only a few short stories that I was writing and revising. Now I’m working full time and I have probably a dozen short stories in the mix and at least three novels in various stages (that haven’t been lost to the two computer crashes that happened a year apart). The motive and goal is still the same: to establish a successful writing career. The situation is the only thing that’s changed.

I think it’s going to take some trial and error to find out what the right work load is now that I’m working full time. I’m also going to have to work smarter. I can’t spend so much time battling one story with no payoff. And I’m going to have to accept that I’m going to be tired sometimes after a long day in the cube and just get my writing done anyway. A little progress is better than no progress and I need all the progress I can get.

But the key is going to be the workload. I can’t keep scheduling my months like I’m not spending forty hours a week doing something else.

I need to meet myself half-way.

Stories By The Numbers

Submitted: 3 (just sent out “Another Deadly Weapon”; “Summer Rot” and “Such a Pretty Face” are still out)
Ready: 4 (“Husband and Wife”, “Elevator”, “Bigger Than a Squirrel”, and now “Erin Go Bragh”)
Rejected: 1 (“Spillway”)

Writing–March Projects

February was a disaster in terms of productivity, but I’ll get to that let down next week. Instead, let’s look at what I can be expected to do (and hopefully, actually get done) this month.

I really need to get back to revising The World (Saving) Series. It needs to go back to being top priority. Bottom line, I’m spending my Ides with Stanley.

I need to review/revise a few stories, two of which are a hold over from last month. I need to review “Another Deadly Weapon” and “Erin Go Bragh”. I keep going back and forth on changing the ending of “Another Deadly Weapon”, but I think I’m going to leave it for one last submission. “Play Chicken” needs to be revised. I think I’ve left it alone long enough to gain some perspective on how to achieve the effect and pacing it needs.

I should also probably start work on another freebie story for the blog, but I’ve got some time so that’s pretty low on the priority list for the month.

Here’s to hoping this workload is more compatible with my day job than the last.

Stories By The Numbers

Submitted: 3(Sent out “Summer Rot”; “Spillway” and “Such a Pretty Face”are still out)
Ready: 3
Rejections: 1 (“Soul Sister”)

Writing–Deadlines: Breaking Them

I don’t like to break deadlines, but I will. In some cases, it’s extenuating circumstances. I’m sick or I have to take my roommate to the emergency room or I suddenly find myself in high demand because if people didn’t respect my writing career as my only job, they sure as hell don’t respect it as my second one.

And then sometimes, it’s just me.

It doesn’t happen much with the first drafts. With first drafts I can just throw crap on the page knowing that I can fix it during revisions.

It happens during revisions more than I’d like. Part of that is because I’d like it to never happen. The other part of that is because sometimes I just don’t like a story. It’s hard to motivate myself if there’s no love. I’m more likely to give up on it all together than try to push myself through it. I don’t intend to write stories that I hate, but sometimes it’s during the revision process that I realize that the original idea wasn’t so great and I’m not sure I want to even bother with it. The deadline comes and I’m not too heartbroken about missing it. It’s a good excuse to put the story away until one day, maybe, I can find my heart for it again.

Sometimes I’m just sick of a story. I’ve seen it so much, put it through so many revisions, that the idea of opening it up one more time makes me want to slam my head in a door. “At 3:36” is one of those stories for me. I’ve revised it and revised it to the point that if I put it on my to do list (it’s up for review in March) that I cringe and put it off until the last because I don’t want to deal with it. I’ve broken a deadline or two for that story.

And then there are stories that I’m just plain stuck on. I have no idea what needs to be done to it to improve it, or I do know what needs to be done, but I just don’t know how to do it. Those are the stories that I sit and stare at and go to bed with and watch helplessly as the deadline creeps up, then looms, then passes me by, grinning as it goes.

Those are the worst. Those are the ones that make me question myself as a writer, question my talent and my dedication.

And then I make my next deadline by three days and I’m really pleased with the result and it totally erases the bitter taste in my mouth.

Thankfully, I make more deadlines than I miss so this sort of internal, self-inflicted drama is minimal. Best to save it for the stories.

Writing–Deadlines: Making Them

I like deadlines. Deadlines keep me motivated and they keep me honest. I don’t like missing them. Self-imposed or someone else’s, they do me good.

I don’t like missing deadlines. Even if they’re important to no one else but me, I don’t like to miss them. I don’t like to make that adjustment on my day planner. If I write it down, it’s set in stone.

I’m also a dedicated procrastinator. I’m excellent at putting off, which conflicts with my need to meet deadlines.

I’ve gotten better at managing my time and making myself get started. With my self-imposed deadlines, I’ve recognized that I’m better off giving myself a little more time than I think I’ll need. If I set a specific goal in mind for a given day, that helps, too. It’s like a mini-deadline. I need to have this done before I go to sleep. A few of those and the overall deadline is met without much effort.

There are times when this doesn’t work out, of course. For whatever reason, the motivation isn’t there. It’s too much effort to open the file, let alone read the words on the screen. I can’t think of how to phrase what I want to say or change what needs to be changed. The “I don’t feel like it” refrain echoes through my brain.

Which means that when the deadline is looming, the fire gets lit under my butt. The focus might not always be there, but the dedication is and I do whatever it takes to get the job done. Sometimes this means struggling late into the night. Other times, it means I find an hour’s worth of focus, get the job done, and feel like a complete moron for not just doing it sooner so I could have had the whole thing accomplished and off of my plate sooner.

I try to seize the real productive moments whenever I have them. There are sometimes when I’m just in a demolishing mood and I try to get as much done as possible. For example, this past weekend I was hitting all cylinders and as such, I knocked out six blog posts in two days. It was nice to be done with them all with hours to spare before bedtime.

Of course, this came after I spent all week struggling to make revisions on “Phobias Are How Rumors Get Started”, having major trouble getting started, only to find that what I really needed to do took me about half an hour.

But I met my deadline.

“Phobias Are How Rumors Get Started” is now posted. It’ll be up for the next six weeks. Enjoy.

Writing–February Projects

New month, new schedule. It’s going to be a hectic one.

Revisions on The World (Saving) Series will be ongoing. I’ll be rewriting “The Guinea Pig” in anticipation of a deadline. I’ll also be revising “Another Deadly Weapon” and “Play Chicken” for deadlines and “Phobias Are How Rumors Get Started” for the blog (only a couple of more weeks to enjoy “An Old Fashioned Vacation”!). And finally, I’ll review “Summer Rot” for possible submission.

I have no idea how I’m going to do all of that with a day job and blogging and all of the other bits and bobs in my life, but I’m going to try. I’ve got to make good on my committment not to slack.

Stories By the Numbers

Sent Out: 3
Ready: 3
Accepted/Rejected: 0