Tag: What Happened to the Man in the Cabin

Ruminations on the Accusation of Superficial Stylistic Choices in Storytelling

~ Kiki Writes ~ Leave a comment

At the library I work at we offer two book discussion groups: general fiction/non-fiction led by the director, and sci-fi/fantasy led by the circulation supervisor. The other day I overheard a conversation between the circulation supervisor (who is my direct supervisor, so therefore, I am his biggest pain in the ass) and a member of his book discussion group. I guess the book they’re currently reading shifts back and forth between timelines. My supervisor complained that he didn’t like this timeline shifting. He felt the story could have been told linearly. He said the author just did it for show.

This statement caused a record scratch in my brain.

To put it plainly, I was offended by the dismissive tone of his opinion. I wasn’t particularly fond of the other person’s follow-up that everyone is writing dual timelines now, like it’s a trend. And maybe it is. What do I know? I don’t typically read much fiction with this type of storytelling style.

What I do know is that writing multiple timelines and shifting between them is fucking difficult.

One of my WIPs, What Happened to the Man in the Cabin?, is written with multiple timelines that the story shifts between. Once I stopped biting my tongue, I looked inward and asked myself if part of the reason my hackles raised was because I perceived this as a slight on my own work. And while, yeah, maybe a little of my instant rage was a gut reaction to a glancing ego blow, I think more of it had to do with dismissive attitude toward the craft as a whole.

Full disclaimer: I am not speaking on behalf of every writer. I can’t do that. I can barely speak for myself. I don’t know how every writer acquires, cultivates, and translates their ideas to paper. Speaking for myself, though, I can tell you how I do it and one thing I will screech from the top of my lungs is I don’t do things for show.

What Happened to the Man in the Cabin? is written in multiple timelines that are shifted between because that’s the story. That’s how the story is coming out of my brain. That’s how the story wants to be told. Maybe other authors have a little more say in their structural decisions, but I’ve found that a story is what it is and if I try to change what it is, then it does not is.

Sure, I could pull apart my story and tell it in a linear fashion to suit my supervisor’s taste, and you know what? He probably wouldn’t finish it because he’d find it boring. It would be a very okay story in which a terrible thing happens in this town and that terrible thing greatly impacts the lives of these people thirty years later. The end.

Or I could tell the story the way it’s meant to be told, which creates a whole lot more tension and much more impact when revelations are made. Maybe I’m biased, but I think this version would be a lot more interesting to read. It’s definitely been more interesting to write.

Which is another thing. I have no idea how other people write multiple timelines, but in my case, I had a basic outline of what happened in the past and what was going on in the now (and the near now in one timeline), and I just started writing. I didn’t write each timeline separately. I shifted between them as I wrote. I let my story tell me when to switch the timelines. Is that the best approach for this? I have no idea. This is the first time I’ve done it and I haven’t finished yet.

I haven’t read the book my supervisor was complaining about (for the record it’s The Book Eaters by Sunyi Dean, which I had to go look up because I couldn’t remember what the pick was, which is really kind of bad because I’m the one that makes the fliers for the book discussions, but anyway), so I can’t say whether or not he’s right and that the book would have been better off written linearly. I have no idea whether or not the author chose this story structure “for show” (I bet not). But I’m willing to go out on a limb in my belief that the choices she made -whether anyone agrees with them or not- were in the best interest of the story.

After all, the story is the boss.

2023 NaNo Winner!

~ Kiki Writes ~ Leave a comment

For the 16th year in a row (out of 20 years with 17 total wins), I have crossed the 50,000 word threshold in 30 days officially making NaNo 2023 a winner. I hit the mark on the 28th and I used the last two days to finish up the first draft. Total words written in November will hit right around 53,000 and the total words for this first draft will be around 55,000 because I kept some of the original short story, but not all of it.

When I started working on the expansion of What Happened to the Man in the Cabin?, I thought I knew the story I was writing. By that I mean that I thought I knew what the story was truly about and where the ending was. And then I hit a point in the word accumulation when I realized that the story was actually really about something else and the ending wasn’t the ending. I had something of an outline written, but as I wrote, the story revealed more of itself and I ended up surprising myself, which always thrills me. It makes me feel like I actually know what I’m doing.

It also made the words difficult to come by about half-way through. I went from hitting my daily word count before heading off to my library shift to having to finish the day’s writing after I got home. I ended up gamifying my writing to get my words written in a timely fashion (I play a game that has ad breaks; every ad break, I’d write 500 words before I go back to my game).

It also didn’t help that I didn’t do a very good job of preparing my schedule for NaNo like I’d done in previous years. I failed to get as much podcasting stuff done before November and as a result, I ended up with a bit of a full schedule that made writing more of a chore than it should have been. That is not a mistake I wish to repeat and I endeavor to do better about that next year.

This year, though, is in the books. I have a decent first draft that I can work with to revise into something that could be pretty nifty. It’s so different from anything I’ve written before. Revising it will be interesting.

Meanwhile, my hope to keep up with That’s Punk while also doing NaNo did not work out. I made it about half-way through the month, but ended up failing due to other scheduling commitments. Thems the breaks. Hopefully, I’ll be finished with the first draft of that story by the next NaNo.

As for this NaNo, it was a little more challenging than I would have liked, but I’m not going to argue with the results.

I do love a winner.

NaNo 2023

~ Kiki Writes ~ 1 Comment

Ah, yes. It’s that time of year again. The time when I drive myself to the brink of insanity by writing a 50,000 word novel in a month.

Okay, that’s pretty dramatic considering this will be my 19th NaNo and I long ago mastered the art of writing those 50,000 words in 30 days, though I do admit that sometimes it can be stressful.

Last year, I actually wrote a novel, a real change of pace from some of the NaNo shenanigans I’ve pulled in previous years. This year, I’m back to my shenanigans. Sort of. I’m still working on a novel, it’s just that I’m adding to an existing story rather than writing a novel from scratch.

My goal for this year is to add 50,000 words to the story What Happened to the Man in the Cabin?.

When I initially wrote what turned out to be a longer short story, I thought it had the potential to be a novella or maybe a novel, but I wasn’t sure I wanted to go through with adding words. I also had other projects going, so I didn’t really have the time, focus or energy to really explore that option. But, having thought about it for months and having come up with a reasonable expansion plan, I think NaNo is the time to do it.

This will be something of an adventure for me. The original story dealt with two different timelines -the present, where Newly Lowell is being interrogated by Sheriff Adam Joe about an incident that happened thirty years prior; and the past, the incident that took place when Newly and her brothers Thad and Quint were twelve. The expansion plan intends to shift the viewpoint of the past from Newly’s to a more general one, allowing for the past to be expanded more, and to add in the viewpoint of Sheriff Adam Joe, but from the recent past, starting when he finds the Lowell triplets’ father dead and knows they’ll be headed back to town, which will be his opportunity to get answers.

Ambitious? Absolutely. Am I good enough to pull it off? Probably not. But, I think the doing will be very educational and I might end up with something that I can work with in rewrites.

I will also still be working on That’s Punk while I do NaNo, which should make for a fun warm-up if I stick to doing at least 100 words a day on it like I have been. And I’ll be working on podcasting and other audio projects during the month because I failed to appropriately plan ahead this year, so that should be fun and stressful.

This year I plan to keep my daily word count to about 1,700 words a day, just above minimum, writing every day of the month. I think the lower word count will help to counteract the stress of doing something difficult during a busier schedule.

At least that’s what I’m telling myself.

We’ll see how I feel at the end of the month.