Writing–The Grand Writing To Do List

Rainbow paperI’ve mentioned before that I’m working on clearing off the bulk of my Writing To Do List. I thought that maybe some of you would like to see this mythological creature, as I’m frequently mentioning it, but not very good about getting too specific about all of the projects I have going on.

It’s not in any sort of special order and all of it is writing related even if it’s not actual writing.

  • Revise Hatchets and Hearts
  • Polish Hatchets and Hearts
  • Revise “She’s Not Here Anymore”
  • Polish “She’s Not Here Anymore”
  • Revise The Timeless Man
  • Revise The Rainmakers 1
  • Revise The Rainmakers 2
  • Revise (Vampires) Made in America
  • Write Fairliza
  • Write Parlor Tricks
  • Publish A Tale of Two Lady Killers
  • Publish Spirited in Spite

Hatchets and Hearts is, obviously, the novella I’m currently revising. “She’s Not Here Anymore” is a novella that I revised down to a short story. The Timeless Man, as you should know by now, is the next novella in the Ivy Russell series. The Rainmakers 1 and 2 are the two novellas I wrote for NaNoWriMo last year. (Vampires) Made in America is a Stanley Ivanov novel I wrote for NaNoWriMo a few years ago. Fairliza (which isn’t a title, but the name of the character) is an idea for either a long short story or a short novella that will more than likely be written this summer. Parlor Tricks is an idea for a what will probably be my NaNo project this year (or one of two projects if it looks like it’ll be a novella).

How the To Do List works: Projects that are/will be getting my attention are on the To Do List. I don’t put polishing any project on the To Do List until it’s had at least one round of revisions/rewrites.

That’s the Writing To Do List.

A living thing.

Writing– The (Self-) Publishing Schedule

Rainbow paperAt the beginning of the year, I established a sort of publishing schedule for myself. I knew that I’d be putting out Yearly in February, but I decided that I should set a couple more dates for the year to keep myself motivated and producing with the end game in mind.

After some thought, I settled on June and October (dates not specified, of course), already having some idea of what would be going out when. I thought the time span was reasonable enough for me to finish what I wanted to publish while publishing often enough to attract potential readers while keeping others interested with the new content.

I have a great way of overestimating myself.

The good news is that, provided I can come up with covers, I will be publishing according to my little schedule. The sort-of-bad-but-not-really news is that I’m not publishing what I thought I’d be publishing.

In January, I thought it’s be The Timeless Man and probably Hatchets and Hearts, even though one wasn’t even written at the time. Now, in May it’ll be A Tale of Two Lady Killers and Spirited in Spite, though I haven’t made the final decision on what will be happening when.

Turns out that Hatchets and Hearts and The Timeless Man have ended up being a lot harder than I anticipated.  Surprise, surprise.

This is why I end up working on so many different projects in different phases. I may think I know what I’m doing, but in reality, I’m a moron in need of plans A-Z.

Thank goodness for my need to always be working on something.

Writing–I Think I Got a Hit

YearlySo, Yearly has been selling pretty well, much to my surprise.

By selling well, I mean that it sold an average of a copy a day last month (the final count was 33). That’s pitiful if you’re someone else, but that’s fantastic if you’re me. Thirty copies of one title in a month is more that I’ve sold of everything else in over a year. I’ve sold over 60 copies of Yearly since its release in February. And things are already looking good for this month, too. If I could hit 100 total by June, that would be like meeting a goal I didn’t think I could even set. Sad, but that’s just how my writing career has gone so far. Slow build.

And by surprising I mean that I didn’t expect Yearly to do much of anything. It’s a short story anthology. I didn’t expect it to really hit on anyone’s radar. And yet, it seems someone finds it nearly every day. I’m not sure if this is the power of word of mouth or keyword searches or what, but I like it.

I think it also automatically sets me up for disappointment.

My own publishing schedule had me putting out something new next month. There’s almost always a surge of interest right after I publish something (except for Night of the Nothing Man, that’s just hated) because it’s new and people want to see if it’s worth the time and money. Inevitably, after that first week, interest disappears.

At least that’s the norm.

Right now, Yearly is a hit, but it’s also an anomaly. I’m not sure that the next thing I do will do so well. I may be a one-hit wonder instead of a chart topper.

I hope I can handle that.

Writing–May Projects

pinkflowerThe final polish of A Tale of Two Lady Killers is done. The contest essay is submitted. The slog to get projects completed continues.

Next up will be the final polish of Spirited in Spite.

And then I will be back to revising.

I probably should get back to The Timeless Man, but I haven’t quite worked out everything that needs to be fixed yet, so I don’t want to start it until I know the solutions to all of the problems. It can sit another month or so while I work the last few kinks out in my head.

Instead, I’m going to take another hack (pun intended!) at Hatchets and Hearts and maybe try to get in another round of revisions done on “She’s Not Here Anymore”. Of course, the latter will depend on how well the revisions of the former go. If they turn out to be a big struggle, then I’m not going to add to my pain. I anticipate the revisions on both of these projects, even though they’ve each been revised/rewritten before, to be rough.

But if by some miracle, they both end up being easier than I anticipated, there’s plenty of things left of my To Do List to fill my time.

Writing–Creating a Series

Rainbow paperAt some point after one of the heavy revisions of Cheaters and Chupacabras (long before it was titled, of course, because that didn’t happen until the last minute), I realized that Ivy and her friends could host a series of novellas. I’d even had an idea at the time for what the next novella would be.

But creating a series is new to me. Sure, I’ve read a few, but I’ve never actually given it a try by my own writing hand.

When I was writing The Timeless Man, my idea for Ivy novella number two, I came up against several difficulties in the first draft, one of which was keeping track of the details from the first novella. There needs to be continuity in a series, otherwise people can be moved to lose their interest and/or shit. This is the sort of thing that plagues TV shows. And now I found it plaguing me.

What was Michelle’s married name? What did Candy look like? What was Ivy’s hometown? Did I even name it? Was Art a bachelor or divorced or a widower? Did I say?

Little things like that. While writing The Timeless Man I saw that I need a way to keep track of all of these things. Character names and places and descriptions and relationships –that whole scene. After all, I’ve got ideas for two more novellas after The Timeless Man. I need to get the established stuff straight because I’m only going to be adding to it.

For now everything is scribbles and scratches while I try to figure out the best way to go about organizing these things. I’m going to need to do the first round of revising/rewriting on The Timeless Man soon. I’d like to have my ducks in a row by then.

Or at least all in the same pond where I can see them.

Writing–Shelving It

Rainbow paperYou remember that untitled novella I was writing at the same time I was writing The Timeless Man? The one that was so insistent on being written that I decided to humor it and write it? Yeah, well, I didn’t finish it. I only wrote about seventeen pages, then made notes on what the rest of the first draft was about, and then shelved it.

I shelved the first draft of a short story I wrote earlier this year, too.

I’ve got plenty of stories on the shelf.

It’s not an easy decision for me to shelve a story. Usually, it’s a finished draft of something that I look at and go “no”. Rarely is the draft unfinished, but that happens on occasion. I don’t like to do it it, but it’s usually for the best.

When stories end up on the shelf, it’s usually because of how I feel about the story. There’s something about it that makes me realize the story isn’t meant to be worked on. It’s not to be done. I don’t hate the story. Worse than that. I don’t feel anything for it. Whatever burning need I had to get it out of my head and down on paper is long gone and I’m left with nothing but a sense of meh. That apathy is pretty much what dooms a story to the shelf. I can get past hating a story to get it done to completion. But if I have no feelings at all then I’m not going to force it. No good story comes from no feeling.

It’s not necessarily the end of the story, though. It’s on the shelf, not in the trash.

There’s always a chance that I might need that story later, that the initial feeling of urgency and NEED to write that story can return. And when it does, it’ll be right where I left it and I’ll be ready. It’s a win.

Sometimes being a pack rat can have its advantages.

Writing–Bestseller, Baby

Rainbow paperI am not what you’d call a bestseller in the strictest sense of the word. You wouldn’t even call me that in the very loosest sense of the word. If you add up all of the copies I’ve sold, it wouldn’t come even close to one hundred. It wouldn’t even break fifty.

I am definitely not a bestseller.

But, I feel like one.

See, I published Yearly at the beginning of February. I sold  twelve copies that month. Twelve! It took me months to see that many copies of Gone Missing. I haven’t even come close to that with anything else (Night of the Nothing Man has sold a grand total of three; Cheaters and Chupacabras has sold 8). So, to me, selling twelve of one thing in one month is huge.

And then last month, Yearly sold nineteen. Nineteen! Amazing!

It’s hard to explain to people familiar with the sales of Stephen King, Stephanie Meyer, Nicholas Sparks, Nora Roberts, and the like how successful selling less than twenty copies of something can feel. But when you’ve gone your career until this point selling mostly nothing, when selling four copies of all total of every thing you’ve published in one month feels huge, selling nineteen of ONE thing in one month feels like some kind of arrival.

Okay, maybe that sounds overly dramatic, but like I said, it’s hard to explain.

I’m not the best self-promoter. I don’t have a very strong word-of-mouth existence. I’m not exactly clamored for. I usually know everyone who buys my stuff. when I hit the point that I don’t know who bought it, when I hit the point that it’s possible that strangers might be buying my work, I can’t help but get excited. It makes me feel like a real writer. It makes me feel validated.

It makes me want to write more.

Writing–April Projects

Yellow flowersRevising. That’s all I’m going to do in April. Just revising. My To Do list is filled with revising.

My essay for a contest is going to be revised and polished this month. The deadline is next month and it needs to be done and ready to go with time to spare. It has top priority.

Also getting revised this month is Spirited in Spite. I actually don’t think it needs much in the way of revisions, but I’m going to comb through it one more time just to be safe.

After that, anything is up for grabs. I’ve got one short story, one novel, and four novellas that need revisions. I guess whatever I feel like working on will get worked on.

It’s going to be a while before I write anything new, I think, which is fine. I’ve found it’s sort of hard for me to think about writing a first draft of a new project when I have all these other drafts of these other projects hanging out patiently on my list.

So starting now, my focus is totally on eliminating what I can from this To Do List. That means revising. Revising, revising, revising. Then polishing.

Now watch me get another brilliant idea that I can’t pass up and I end up writing that instead.

Writing–Do You Ever Feel Like…?

Rainbow paperDo you ever feel like something you wrote three years ago is better than what you’re writing now?

I don’t mean because it’s been revised within an inch of its life within the those three years and this is still fresh and new and hasn’t felt the repeated sting of the red pen. I mean that overall it seems like the story you wrote three years ago is better than the one you’re writing right now.

Okay, maybe it’s just me, but hear me out anyway just in case it happens to you.

I’m doing the final revisions before the final polish of A Tale of Two Lady Killers. In the course of my work, I’m finding moments of brilliance that I don’t seem to remember reading in anything I’ve written in the past year or two. Certain turns of phrase and word choices and descriptions that are more creative and just plain better than anything I’ve put out lately, characters that seem more well-rounded and real.

Now in theory, a writer should get better the more they write, so it sort of disturbs me that I seem to have regressed, at least in my opinion. It bugs me that I’m not seeing those tiny brilliant flashes in anything I’ve written recently. Shouldn’t I be seeing MORE of those flashes?

This could be completely subjective. I admit that. There could be brilliant flashes that I’m blind to. And I know that some of those brilliant flashes I’m seeing now in this almost-final version of the novel weren’t there in the first or second drafts of this manuscript. It took plenty of work to come up with and insert those brilliant flashes.

So why am I not seeing those brilliant flashes now? Am I being lazy? Am I just calling things “good enough” so I can be done with them? Have I run out of brilliant flashes? Are they a finite thing and I already used up all of mine? Is it all in my head and I’m just being my own worst critic once again?

I don’t know.

Part of me thinks that I’m being overly-critical and probably more than a little paranoid because that is my nature. Part of me thinks, though, that it is possible that I’ve been a little lax in my work lately and it might do me some good to put a little more effort into my stories.

A little more effort certainly won’t hurt anything.

Writing–And Then I Changed My Mind

Rainbow paperOne thing that really plagues me and my less-than-successful writing career is my adept ability to change my mind.

I decide to do something and then a few months later I decided that nope, that’s not what I want to do, and I do something else.

For example, I thought I wanted to put the first chapter of my novels in progress up on the blog. Nope! That lasted a few months and then I decided it was dumb and pointless and I took the only one I put up down (because I didn’t have much to show off to begin with).

That’s part of what spurs my change of mind. I come up with an idea that sounds great at the time and I jump on it, which doesn’t sound too bad. Until I go through with the idea and realize that, you know what, this might not be the best idea in the world because it turns out that, hey, I’m not as involved/invested/prepared as I need to be.

This has cropped up again with The World (Saving) Series. At first I thought I wanted to go ahead and self-publish it, which would require numerous changes so I don’t get sued for using trademarks without permission. In considering this, I thought it might actually work out because it could be these specific changes that could set apart my little Outskirts Universe from everything else that I write. It truly did sound like a good idea and I started doing some preliminary brainstorming in regards to the changes.

But then as I went along, I realized just how much needed to be changed and how much work that was going to be and was it going to be worth it in the long run? Would it just be easier to sit on this manuscript or maybe actually try to get it published traditionally so someone else could take care of any possible legal things that needed to be dealt with?

Here I sit at the crossroad of indecision, wondering which path to take.

So I’ve decided not to do anything. I’m not going to make changes and I’m not going to start flogging it about to agents on the off-chance that someone might want to represent it because they think they can sell it (I don’t think anyone is up to that sort of challenge; it’s not what one would call a hot ticket). Instead, it’s going on a shelf, to be referred to in other stories, but not to be seen.

Unless, of course, I change my mind.