Writing–Revising the Long Ones

Through the power of NaNoWriMo, I’ve written a few novels. First drafts are always the hardest for me and NaNo is a great way for me to get that big idea out of my head and onto paper. However, I’ve only made it through one round of revisions on a couple of them before something else took their place on the priority list.

I keep the first round of revisions simple. I read through the manuscript and make notes on story elements that I want to change. Then I go back and make the changes. Depending on how bad the first draft is (usually pretty bad), I may end up rewriting a big portion of the novel. At the very least, a few chapters are guaranteed to be rewritten. It’s all part of the process.

And it’s a long process, but in the past I’ve been really good at sitting down and getting it done. Sometimes ideas occur to me during the revision process, but unless it immediately pertains to continuity, I rarely go back and change anything. I just note it for the next round (which I’ve never gotten to, but I still intend to get ther at some point).

However, I’ve run into something interesting with revising The World (Saving) Series. Because it’s taking me so long to revise it, the temptation to go back to the beginning with my new ideas and start on the second round of revisions.

I’m resisting this because I think it will work better for me to go through the whole manuscript and make these changes first. I’m sticking with the method that has worked before, basically. I don’t want to start the trend of going back and revising what I’ve already revised before I’m done revising or I’ll never be done revising, you know?

I envy the people that can revise as they go or stick with one chapter until it’s perfect and then move on to the next. If I did that, I’d never be done. Or I’d always be going back. My best bet is to keep chugging through one round after another to ensure that I finish the round.

It’s the slower option, but I think that right now, it’s the one that suits me best.

In this one case, I’ve got to resist temptation.

Writing–July Projects

That should be project as there is just one: revising The World (Saving) Series. I’ve been stalled on it for much too long, doing everything else first. This needs to be my focus.

It’s going to be a challenge even with no other writing projects going on. I’ve currently got a lot of stress going on at the day job and the last thing I want to do is come home and do more work. My goal, though, is to look at this as my way to de-stress after a long day. Come home, make progress on something I want to do and want to spend my life doing, and go to bed less stressed and feeling better.

I know these kinds of things don’t typically work out for me, but it’s worth a shot. What else am I going to do? It’s not going to revise itself.

Not doing Stories By The Numbers this week because nothing’s changed and I’m feeling lazy.

Writing–Writing with a Day Job 3: The Reckoning

I don’t know if that’s accurate, but it’s a catchy title and I’m going to stick with it.

The duties at my day job have changed which means I no longer have the extra time at work to write. Downtime in between duties provided me with time to write blog posts or work on short stories. I couldn’t do a lot, but what I could do gave me time to do other things after the day job shift ended.

But this change means that my downtime is pretty much gone and i’m once again going to have to reconfigure how I do things. And since I’m having so much trouble doing things to begin with, this doesn’t bode well.

I am really struggling trying to achieve any kind of balance. This month I’ve managed to make a little progress on The World (Saving) Series, but I continue to fall further behind, which just depresses me and amplifies my struggling. I’ve put off posting any new story in the Outskirts Universe because I’d like to set-up an archive and use that instead, but I haven’t gotten around to doing that. My short stories sit, ready and waiting and unsent.

I feel like I’m losing hold of my dream in favor of a paycheck.

The emotional toll isn’t helping at all this sort of struggle is taking isn’t helping at all. It’s making me question my dedication to writing.

If I had my choice, I’d make money from writing. Unfortunately, I’m not to even close to that point. The way I’m going, I’m never going to get to that point. It’s very frustrating.

Logically, I’m going to have to change my schedule to meet my new needs (demands?). This may mean blogging less and shelving the Outskirts Universe Project until I can make some serious headway on The World (Saving) Series revisions. I need to get this round done.

If I can find some more hours in the day and some more energy, that could go a long way in helping me, too.

Stories By The Numbers

 -Submitted: 2
-Ready: 9
-Accepted/Rejected: 0

Writing–Rejection Persistence

As of last week, “Such a Pretty Face” has been rejected seven times since it placed 10th in the genre category of the Writer’s Digest Story Competition. Of all of the rejections I’ve received, the rejections for this story have been the most frustrating.

The little bit of success I got with this story, really the first bit of success I had as a writer, was enough to make me think that I had the talent and the skill to be a writer in terms of making a career of it. It gave me the confidence to keep sending out stories, to keep writing and revising, to keep accepting the challenges and rejections with the ultimate goal of acceptance. This story really started the ball rolling for me in terms of my writing career.

So it really knots my panties that I can’t seem to get it published. It was good enough to beat out 90 other people for a spot in the top ten, but not good enough to be seen in print.

The rational side of me knows that’s not necessarily the case and that rejection is subjective. It might not be the story the editor is looking for and that’s okay. It’s a difference of opinion, not a slight on the story.

But the irrational, emotional side of me wants to know what I’m doing wrong. Why is this story suddenly not good enough? Why doesn’t anyone like it? Why can’t I get this thing published? And then I start questioning whether or not I should keep sending it out.

Persistence is a big part of success in the writing business. I know that. Every writer and writing magazine says so and I believe it. It’s logic. But there comes a point when I start questioning the persistence and start to think that maybe the story isn’t meant to published.

I hit that point with “Such a Pretty Face” at about rejection number four. I started questioning the wisdom in sending the story out. I had my bit of success with it and maybe that’s all I was meant to have with this story. It’s kind of an odd, illogical thought, but one that I have when I get back that rejection. I’m prone to those odd thoughts.

I keep sending it out, though, because I keep coming across anthologies that I think might be a good fit for it. And I’m always disappointed more with those rejections than any other story.

I once again received a rejection for “Such a Pretty Face” and I’m once again debating the wisdom of sending it back out again. But, it’s in the ready pile, waiting. Because I know I’ll come across someplace irresistable and I’ll send it out.

And I’ll dread the rejection that may come back.

Stories By The Numbers

 -Submitted: 2
-Ready: 9
-Accepted/Rejected: o

Writing–Taking Out

Last week I wrote about adding in to make a word count; this week I’m going to talk about taking out.

This is something I don’t have to do very often. Like I said before, I’m very bare bones. I usually fall below word count maximums.

Unless it’s flash fiction.

I typically don’t set out to write flash fiction, but my shorter short stories sometimes put me in that ballpark. And if I can find a place that suits the story, I’ll look to start cutting to make the word count.

Since flash fiction doesn’t offer much in the way of extra words and since my story is pretty short to begin with, I’m not usually cutting huge chunks of story; it’s typically just a couple of hundred words. Which doesn’t sound too difficult, but when what you’ve got is what you NEED to tell a story and you can’t lose much of anything or risk losing the integrity of the story, it’s pretty hard.

That’s when creativity and word choice become critical.

Granted, word choice is always important, but it’s a true test when cutting a story that really can’t afford much cutting. I have to say even more with one word because that’s all I’ve got.

This cutting also forces me to get creative with my sentence structure. No time for detours, I have to get right to the point. I have to state the idea as quickly and succinctly as possible without compromising grammar (too much), flow, style, readability, or enjoyment.

I’ve done this to a few stories, however so far the success is only measure by my actually getting it done to my own satisfaction. I’ve yet to get any flash fiction accepted for publication. Not for lack of trying, though.

And it’s nice to know that I have the cutting tools I need to make my stories better.

Stories By The Numbers

 -Submitted: 2
-Ready: 8
-Rejected: 1 (“Such a Pretty Face” once again finds no love)

Writing–Adding In

I was initially going to include “taking out” as well, since they seem to be two sides of the same coin with the same basic goals (meeting a word count and improving the story). But in the end I feel like they deserve separate posts.

And it guarantees that I have soemthing to write about next week.

I know the general rule is that it’s better to take out than put in. Most writers by nature seem to put a lot more into a story, particularly in a first draft, than what the story really needs and the extraneous material is later cut. I’m the opposite in the sense that my stories are usually pretty bare bones, particularly my short stories.

So when I come across an anthology or magazine that I thin kmight be a good fit for one of my stories and then I see that the minimum word count exceeds the word count of my story, I end up asking myself whether or not it’s worth it to try to expand the story to make the count.

Obviously, it ends up depending on the story.

A few stories I’ve considered expanding are definite no-go’s. Theyr’e done. There’s nothing more to add. Anything I put in is just going to drag the story down, water it down and weaken it. Definitely not what I want.

However, because I cut to the quick so much, I have found a couple of stories that can benefit from embellishment.

I added about 1,800 words of backstory to “Land of the Voting Dead” to meet the minimum word count for an anthology that looked to be a perfect fit. It was a bit of story that I had considered only in passing while creating the character of Miriam Showalter. I was pleased to discover that the addition worked; the added backstory gave the piece more depth.

And I guess I wasn’t the only one who liked it, since it got accepted for the anthology.

I”m currently in teh process of doing the same thing to “Spillway”. I need to add about 1,800 words in order to make the word count minimum for an anthology. There’s room in the story for some embellishment that I think will end up enhancing the piece. I think it will end up being better for it.

And if I’m lucky, the anthology editors will like it, too.

Stories By The Numbers

-Submitted: 3
-Ready: 7
-Accepted/Rejected: 0

Writing–June Projects

May was terrible. I got nowhere fast and I feel like I’m just digging myself into a deeper hole that I won’t be able to get out of one day. My priorities are shot. I need a do over.

But enough writer’s doubt and whining. I’ve got June and if I can escape the computer problems that have plagued me the past two years, here is what I’d like to do:

-Keep revising The World (Saving) Series. I have got to gain some ground on it.

-Write/revise/post another Outskirts story.

That’s it. I’m pushing everything else off. Just those two things. I have got to find some focus and I’m taking this month to do it. I’ve either got to recommit myself or I’ve got to resign myself to the day job.

Choice needs to be made.

I’d better choose wisely.

Stories By The Numbers

-Submitted: 3 (Sent out “Customer Service”)
-Ready: 7
-Accepted/Rejected: 0

Writing–The Devil’s in the Details

I consider descriptions to be one of my biggest writing weaknesses. It’s not that I don’t like writing descriptions or that I struggle with it. It’s just that I don’t do it.

First drafts are all about getting the story down for me. The main focus is character, action, and dialogue. Sometimes I’ll throw in a detail or two in there if it comes to me or if I think it’s important, but for the most part, aside from setting and seeing, not much gets put in. Which is fine. It’s a first draft. It’s not supposed to be perfect.

The problem is that when I do revise the story, the details don’t always get added in.

That’s the part I struggle with.

Soemties I forget to add in the details because I know what it looks like, I know what’s going on, I know the scene, but I forget that people can’t see my mind. I have to translate it to the page. It’s pretty basic, but I still miss it every once in awhile. It takes someone else pointing out the vague description that makes me realize that my brain has been filling in the details for me, but I haven’t been putting them on the paper.

There is also, of course, my tunnel vision problem. I sometimes forget that I have other senses that can be used. Sight and sound are usually givens. Touch gets used some, too. Smell and taste are often forgotten. Sure, they’re not always appropriate to include in every story, but sometimes they mention of a smell or a taste can really enhance the setting or the scene.

The stories I’m most pleased with are the ones that I’ve used sensory detail well in. To date my favorite line comes from “Such a Pretty Face” about the “scent of stale onions hanging in the wet air”. It’s subtle, a throw away really, but it adds so much to the story and the scene. It’s my go-to line when I need to remind myself of the need to pay attention to detail.

The details make all the difference.

Stories By The Numbers

Submitted: 2
Ready: 8
Accepted/Rejected: 0

Writing–Writing for First Place

My first foray into the writing world was submitting my work to a local contest. The contest was cancelled due to a lack of interest and I got my story and entry fee back, but that was a pretty big step for me. It was the first time I let someone outside of a very specific group read something I’d written and judge me on it.

That contest didn’t pan out, but it gave me the courage to submit my work to others. My first real success as a writer was winning 10th place in the genre category in the 77th Annual Writer’s Digest Writing Competition. Imagine my surprise to open up my copy of the magazine and see my name listed among the top ten as I hadn’t been notified yet.

My story didn’t get published, but I saw my name in print. Someone thought my story was good enough to beat out at least 90 other people (the top 100 was listed on the site). It was an incredible ego boost and it encouraged me to move beyond contests and start submitting to publications.

Submitting to contests was a good first step for me. It let me ease into things. Not placing in a contest wasn’t the same as getting rejected in my head. Submitting a story and getting it rejected was more personal. My hide wasn’t thick enough to handle that yet. But losing a contest was different. I’d not won lots of things. That was easier to deal with.

Those first few contests and that first win really helped set the tone for me when it came to dealing with rejection. Let’s face it, submitting to a publication is a lot like entering a contest. You hope to win and get the prize, but lots of times you get that letter that lets you know that you’ve lost.

I’ve found so many ways now to deal with rejection that, while I get bummed and frustrated sometimes, I’ve never been devestated and rarely thought about giving up.

And I still have an appreciation for contests. Now that I’ve got that regular income from the day job, I can afford the fees once again. I once again entered the Writer’s Digest Story Competition. I’m hoping for a repeat of last time, if not a straight out win.

But if I lose, no big deal. I’ll just move on to the next contest and try this one again next year.

That’s what winners do.

Story By The Numbers

Submitted: 2 (“Another Deadly Weapon” is my contest entry; “Such a Pretty Face” is still out)
Ready: 9 (“Soul Sister” joins the growing list)
Accepted/Rejected: 0

Writing–Writing in the Blood

I never thought about writing being a family trait. I thought I was the only one who felt the urge to tell fictional stories in the written down form. Don’t get me wrong; my family loves to tell slightly embellished tales of yore, but no one else ever wrote fiction.

Until Papa.

After Grandma died, Papa needed something to do to fill up some of his time. He’d always loved reading (I come from a reading family, truly) and had done a little writing when he was younger. So when after Grandma passed away, he had the time to try his hand at writing again. It became the way he spent his mornings.

He wrote a few short stories, but it didn’t take him long to discover the wondeful world of novel writing. He wrote a couple of them before he decided to try his hand at self-publishing. He didn’t want to be a best-selling author. He wasn’t looking for great success or great millions. He wrote a book and he wanted to see it in print. He wanted tangible evidence of time well-spent.

Papa wrote several other books and stories, but these he published as ebooks. He was always on the cutting edge of technology and liked the idea of ebooks (he bought a Kindle before I even considered one). He made a little money from his writing endeavors, but I think he was happier just knowing that his work was being read.

My cousin Nancy even arranged for him to do book signings of his the first book he self-published. It was a nice way for family to come out and brag on him and tell him how good his stories were.

In turn, Papa has always been my biggest fan when it came to my writing. He was thrilled when I got my first short story published. He posted my few writing victories on the family website and read every story I showed him, whether it was published or not.

Writing became just another way grandfather and granddaughter connected.

Now that he’s gone, I treasure that first self-published book that he wrote. Maybe it’s not that best written book ever put into print, but the story is Papa’s and it’s a tangible reminder of the bond the two of us shared.

A special thanks to my granddaughter, Christin Haws, whose own wonderful writings were the sparks that re-ignited my latent desire.