The Retail Diet

When I worked at Wal-Mart for the last time, some ten years ago now, my diet was pretty terrible. I believe I once compared it to eating like a racoon raiding a dumpster. I drank a lot of soda, ate a lot of fast food, Hot Pockets and microwavable beef stew being the extent of my cooking. By the time I quit that gig, I had cut down on the soda drinking, but that was about it.

After I quit, I made some dietary improvements, mainly by actually cooking meals instead of microwaving whatever I could find and making soda and fast food a rarity. And I managed to continue with this for the next ten years or so, despite the different day jobs, even while holding three day jobs at once, and even while technically working in retail.

But doing floorset isn’t the same as working retail. I wasn’t dealing with customers on top of resetting an entire store; I was just doing a lot of folding, rearranging, and swearing. Working retail means dealing with customers while trying to put up freight, answer the phone, and keep the store in order. It means walking two to six miles during any given shift and never leaving the store. It means having registers crash during busy times, people calling in and leaving you to work a Saturday shift alone for several hours, listening to customers say the same things over and over again thinking they’re the first to be so clever. It means answering the same questions over and over again, listening to the same complaints over and over again, and holding your tongue during both.

In short, retail can be (and currently is for me) a high-stress, low-wage job.

And it kills my eating habits.

In the past few months of my new retail day job, I’ve drunk more soda and eaten more junk food than I have in years. I’ve craved soda and junk food more in the past few months than I have in the past ten years. Working retail triggers in me the need for a garbage diet that I might be able to get away with in my twenties, but not when I’m pushing forty. Yet, here I am, despite all wisdom, going right back to it.

I’m guessing the combination of stress and anxiety is the trigger for me here. I can’t say that I’m much of an emotional eater. However, I think that the stress/anxiety combo wears me out to the point that my willpower is gone and I’m too tired to care about what I’m ingesting. That’s definitely how it feels. It’s not a particularly healthy mindset, but it’s hard to maintain one when all of my energy is focused on getting through another shift. It leaves little energy for the effort of making good choices.

Right now I’m struggling with it. I can only hope that the stress recedes soon (the anxiety, I don’t think, ever will) and gives me a break that doesn’t come in the form of a Kit Kat Bar.

I Shoulda Been…

Do you ever think about what you could been? Or shoulda been?

Being a writer is a natural choice for me in many respects. I wrote my first story at six. I wrote and produced plays for the neighborhood kids in the summer. I wrote a radio play and we recorded it on a blank cassette tape using our old red radio. I’d make up stories for us to act out when we were playing pretend and then I’d try to write them down later. I was always starting stories that never got finished (that discipline came later). I read a lot and enjoyed living in those worlds, marveling at how those stories were created. Writing is something I’ve always done. I’m plagued with stories that demand to get out of my head even if I’m just telling them to myself.

However.

I probably shoulda been something else.

If I’m going to be honest, I shoulda been a bookkeeper or an accountant or a professional budget creator or something. Because I like money. And I like math when it relates to money. Since my mother first paid me to work in her daycare, I’ve tracked my money, estimated my paychecks, created budgets for myself, figured out payment plans for debt, figured out savings plans. I am annoyingly enthusiastic when it comes to finding new ways to manipulate and math my money. I’ll even math other people’s money.

Right now, I keep a monthly spreadsheet to track my income and spending. And I like it.

When people talk about making money by doing things they love, it’s usually said sort of wistfully, like what they love to do couldn’t easily be translated into a steady income. And here my love of crunching numbers is not only an actual job, but you can get a whole college degree in it.

I’m not exactly sure why I never thought about it as a viable career route, especially considering my limited college options at the time. My great-aunt had been a bookkeeper for years as well. It would have been an easy opportunity to explore. And yet…

It never came up. Never even crossed my mind as I budgeted the paychecks I collected from working in retail and worked in a credit union. Never thought much about it while I worked in the cash office of a store, calculating deposits worth thousands. It was right there in front of me and I never saw it.

If I had, maybe I’d be enjoying a day job of crunching numbers to pay my bills while I wrote.

Maybe I still can.

August Writing Projects

Wow, look at that. August already. This year is just rolling by.

And I’m still working on stuff that I swore I’d have done in June.

Yeah.

So, this day job is turning into one of the hardest retail jobs I’ve ever had and what was supposed to be an easy part-time gig to help pay the bills is actually a huge time and energy vortex that I’m getting swallowed up in. My plan was to write at least a page on all of my current projects on the days that I work and then really rack up the words on my days off. The struggle with that, though, is that sometimes I don’t have the time (or energy) to get in my one page on everything, and then on my days off, I can still only manage the absolute minimum because I’m recovering from working.

If there’s going to be anything new, then August will see a shift in priorities. As much as I hate to stop working on a project in the middle, The Coop Run rewrite has to go on the back burner for now. Season 3 of Murderville needs to be my focus until I get it done, and I need to get it done as quickly as possible. Ideally, I’ll have it finished in the first couple of weeks of the month so I can let it rest a bit and then revise it in September. Because here’s the thing. Season 3 needs to be done all the way down to the eBook before NaNo. I’m already way behind my usual schedule. Now I have to play catch up and hope I don’t fuck up.

I also need to make some time to revise and polish next season’s preview story. But that’s a problem for next month me.

Right now, it’s all about finishing Murderville Season 3.

I’ll work out the rest later.

Speaking of Murderville, the very last episode of season 2, The End Of, goes live on August 14th. Don’t worry! It’s easy to catch up. Just become a patron and you’ll get access to every intriguing moment. $1 an episode let’s you read; $2 an episode lets you read AND gets you swell bonuses every other month, like whatever is happening on the 28th. Don’t miss out!

Rerun Junkie–Best Characters to Join a Show After the First Season

One day a question floated across my Twitter timeline: Who’s the best character to join a show after the first season?

And my immediate response was, “I can’t answer this with a tweet. I need a blog post!”

So here I am, months later, finally getting around to answering that highly subjective question. In order to keep from rambling, I only picked characters from shows I’ve written about here. And even then, I restrained myself to keep it down to a dull roar.

Let’s start off with a couple of the more subjective ones and work our way (okay, my way) closer to objective.

Ben Kokua (Al Harrington) and Duke Lukela (Herman Wedemeyer), Hawaii Five-OYeah, you’re going to have to fight me on this one. Ben replaced Kono (Zulu) at the beginning of the fifth season and stayed through the seventh season. I feel he made a nice addition to the team. Solid, native, not flashy, except when he was undercover and had to wear ugly shirts as part of the gig. Al Harrington had already been on the show a few times, playing other (and usually bad) guys, and has since had a recurring role on the new show (playing yet another character). Clearly, every version of this show needs Al Harrington in some form, though I maintain Ben was the best.

Duke is a legend in my mind. Though Herman Wedemeyer was there from the beginning, the character of Duke didn’t actually happen until the fourth season. Of the 155 episodes that Herman Wedemeyer is credited for, only seven were not as Duke Lukela. Better yet, we get to watch as Duke goes from uniformed officer bit role to a detective with a starring credit in the final season. How marvelous is that? And if you still doubt that Duke should be on this list, then let me point out that the current show also has a Duke Lukela and he’s played by Dennis Chun, the son of the original Chin Ho, Kam Fong. Now that’s legend.

Sheriff Mort Metzger (Ron Masak), Murder, She Wrote–When Tom Bosley left the show, Cabot Cove needed a new sheriff. With Amos Tupper retired, the new law in town came in the form of Mort Metzger, a city cop who didn’t understand why the murder rate of a small town was so high and why some old woman was so involved in solving them. It was the fish-out-of-water aspect of Ron Masak’s character that not only separated him from Amos, but from everyone else in town. He spent half of his time bewildered by the goings-on of the locals, his hard line approach not so effective in a town where everybody knows everybody. Considering Ron Masak was in episodes of both The Monkees and Land of the Lost, it’s no wonder he was able to bring a touch of brilliance to this character and even make his never-seen, often-referred to wife Adelle come to life.

Detective Arthur Dietrich (Steve Landesberg) and Officer Carl Levitt (Ron Carey), Barney Miller–Both Steve Landesberg and Ron Carey appeared on the show as different characters prior to becoming the two of the characters on this list. Steve Landesburg first appeared as Father Paul in the first episode of season 2. The 12th episode of that same season, he made his first appearance as Dietrich, a dry-humored, incredibly intelligent detective who came in as Fish was going out. Of course, the two would appear together for over a season until Abe Vigoda’s official departure at the beginning of season 4. Many of his first episodes involved him trying to find a place in the 12th precinct. By the time the show ended, it was hard to imagine what it was like without him.

Ron Carey’s first appearance was as a character called The Mole in the last episode of the second season. It was only the third episode of the third season when he made his first appearance as Carl Levitt, a short, overly-enthusiastic uniform keen on making detective some day and taking every available opportunity to get into plain clothes. Not just a punchline, Levitt got to be the hero by saving some kids, ratted out the squad room with petty grievances to both protect them and to express his displeasure from being put down all the time, and eventually made detective in the final episode. As well he should.

Festus Haggen (Ken Curtis), Gunsmoke–This twenty-year show was on the air nine years before Festus Haggen settled in Dodge City permanently. It’s hard to imagine Gunsmoke without Ken Curtis, especially since most of the syndication packages typically show the later episodes, but Dennis Weaver played Chester Good for 290 episodes (1955-1964). Festus’s first appearance actually came in 1962, but he became a regular in 1964 after Dennis Weaver left and ended up becoming such an iconic character that it’s hard to imagine Ken Curtis as anyone else (he was, though, playing a few different characters on the show before becoming Festus). Dodge City wouldn’t be the same without him.

This list is far from complete, of course. And it’s far from objective, as I warned. I might just answer this question again sometime in the future. New list, new shows, new characters. The answers are endless.

Who do you think the best characters are that joined a show after the first season?

Change the Chant

Anyone who has anxiety will tell you that it’s very real and very dumb. Your brain decides everything is terrible and despite your logical assertions that everything is in fact fine, your brain disagrees. Endlessly.

I have several ways to cope with my anxiety because some days it’s worse than others. With the new day job in retail, learning the specifics of this job (a lot of retail is the same, but every store has their own style), and the drastically increased face-to-face interactions with humans, my anxiety has definitely been worse.

One of the consequences of my anxiety going on a rage is that I don’t sleep and/or don’t sleep well. Sleep is sort of important to my well-being, as it is for most people. Due to my recent health issues, it’s been very important.

One of the ways that I cope with my anxiety is through chanting mantras. It’s a quick and easy way to calm my mind and the anxiety in the moment. It’s also very helpful at slowing down the mental chatter before sleep. The rhythm of the words soothes me and the words themselves plant pleasantness in my brain.

The mantras have been getting a workout due to the new day job and the chaos therein. The Wal-Mart in town is closing, our business has dramatically increased, and it’s been slow going getting more help and more hours to compensate for it. My anxiety has been zinging.

So, it’s no wonder that the mantras I’ve always used have been recently overused and have stopped working.

It’s not ideal, for sure. There is no rest when I come home from a long, hectic shift, go to sleep, and my dreams put me right back at work. I don’t enjoy working the same shift twice.

After a few rough nights, I realized that maybe the solution wasn’t too far from my old tricks.

The old mantras didn’t seem to work anymore. Maybe a new one would? A mantra specifically geared towards releasing the anxiety associated with work. I tried it for a few nights and it…helped? I still dreamed about work, but instead of reliving my shift or fighting not to dream about work, I just let it roll. The dreams weren’t as intense and didn’t last very long before I moved on to my usual dream weirdness (I was involved in a heist that used plastic wrap and wasn’t nearly as clever as everyone thought it was; we all should have been caught). In short, the new mantra has helped me reclaim at least a somewhat more restful night.

Once things with the day job smooth out, it’ll go into the coping toolbox with the rest of the mantras.

But until then, I’ll chant away.

Murderville: The End Of- Episode 7

The Secrets of Sisters

Lu stood on the stoop waiting for Merry Miller to answer the door.

She had no need to be there, no real right to be there, and yet, Lu had questions and she wanted those questions answered.  No doubt Josh wouldn’t be thrilled about her snooping, but if Josh could deal with Nico’s inability to put his underwear in a laundry basket, instead throwing it all over the floor (and the man had the gall to criticize her bathroom habits from twenty years ago), then he could surely deal with his devoted and caring sister-in-law following up on a lead and helping him out on a case that meant a whole hell of a lot to both of their careers.

Merry Miller worked from home and Lu should have called ahead to both make sure that Miss Miller was there and to let her know that she was coming, but Lu didn’t have her number and didn’t have the patience at the moment to track it down in such a way that Josh wouldn’t know about it.

Merry Miller opened the door, looking more than a little surprised to see Lu.  Miss Miller was dressed much like she had been the first time Lu met her: she wore a brightly printed dress and matching lipstick.  Her blonde hair was down today, though, falling in natural waves around her shoulders.  Lu wondered why this super cute, bubbly woman was wasting her time with married men when she could have her pick of the singles.  But then Lu remembered that it had been only one married man and this woman’s relationship status was none of her damn business.

“Hi, Miss Miller,” Lu said, smiling brightly, hoping that the black polo shirt with the coroner’s office logo on the breast wasn’t too alarming.  “I don’t know if you remember me from the other day.  I’m Lu Jones.  I’m a death investigator.  I was here with Detective Carpenter.”

“Oh, yes!  Of course,” Miss Miller said and she gave a little laugh that sounded a bit relieved.  “I saw the shirt and thought something else awful had happened.”

Lu smiled tightly.  “Yeah, I get that a lot.  Do you mind if I come in?  I have a couple of questions I’d like to ask you.”

“About Starla?”  Lu nodded and Miss Miller stepped aside.  “Of course.  Come in, come in.”

She led Lu back into her living room, back to her sofa, and offered her a drink.  This time Lu did accept a glass of iced tea.  She thought maybe this would make them both more relaxed.  It was different without Josh here, leading things.  Now it was Lu’s turn to ask all of the right questions.  The sudden concern that she might ask the wrong thing or say the wrong thing crawled up Lu’s spine and perched on her shoulder like a gargoyle.  If she screwed this up for Josh…

Miss Miller came into the living room carrying two glasses of iced tea and she handed one to Lu before sitting down on the loveseat.

“Have you found anything out about who might have killed Starla?” Miss Miller asked, hopeful.

“The investigation is ongoing,” Lu said, watching Miss Miller’s face fall.  She quickly added, “But Detective Carpenter has been working diligently on the case, interviewing people.  It’s really only a matter of time.”

Miss Miller nodded and Lu inwardly cringed.  The last thing she needed to be doing was giving this woman any kind of false hope.  What the hell possessed her to do this again?  Lu took a big gulp of her tea before proceeding.

###

Will this case twist to the breaking point? Check out Murderville or Patreon to find out!

July Writing Projects

This projects post is going to be incredibly short because what I was doing in June is what I’m doing in July.

I’ll continue rewriting The Coop Run as a novella and continue writing the first draft of season 3 of Murderville.

Will I get them both done this month?

I don’t know. I’d like to think so. I’m getting better at finding the balance between the day job and writing. I’ve got more of a plan happening and I’m seeing the progress. How much progress I make is up to how well I work the plan.

Aside from that, I’m not putting any real pressure on myself. I talked a bit about my recent struggle, and I’m good with easing myself out of that.

So. Yeah. That’s about it.

Episode 7 of Murderville: The End Of drops on July 10th. Second to last episode of the season. But it’s never too late to become a patron. $1 an episode let’s you read; $2 an episode gets you a bonus every other month. Couch change well-spent!

Rerun Junkie–The Pride of the Ol’ 1-2

Since it’s Pride Month, I wanted to do a post on the gay representation on Barney Miller, just a quick overview of it because there’s really quite a bit I could pick apart and analyze and also because Marty Morrison really deserves his own character post.

Anyway.

Barney Miller was known for depicting the less dramatic, weirder side of law enforcement. It also pushed and poked at many social issues of the time. Some of them were very specific to that moment, like the budget crisis and the fallout from Vietnam, but many of the issues the show presented are still very relevant today. One striking aspect of the show is the representation of gay men in the form of recurring characters Marty Morrison (Jack DeLeon), Mr. Darryl Driscoll (Ray Stewart), and Officer Zatelli (Dino Natali). I read somewhere that show creator Danny Arnold worked with gay groups to get the portrayal of these characters right.  Instead of relying heavily on stereotypes (thought Marty is a classic catty gay man) or presenting them as unnatural or deviant, the show depicted them as humans facing societal challenges, bigotry, and discrimination due to their sexual orientation.

I love Marty Morrison and the pizzazz that Jack DeLeon brought to that character. He was out because it was impossible for him to be in. A petty criminal, he stole my heart as well as purses. In his first appearance on the show there’s a scene in which Barney tells Marty to get a real job and Marty tells him that he’s had “more jobs than you have hair on your head”. He also tells him that he tried to join the police force, but that they turned him down for being gay (“What’s wrong with a gay cop? There are gay robbers.”). Perhaps it’s just me reading into the scene, but there’s a suggestion there that part of the reason for Marty’s criminal behavior is because of his difficulty to hold a job as an out gay man in the 1970s. Or even get one. At the time, I would imagine that most jobs okay with his sexuality were few and far between and most likely limited to very specific industries.

It was through Marty that the show introduced Mr. Darryl Driscoll. The character was first somewhat effeminate, but throughout the appearances, that lessened in favor of Ray Stewart giving the character a more sophisticated personality. His first introduction to the squad room saw him being hustled by a fake cop, threatened with violence if he didn’t give the man money. His reluctance to actually go to the police to file a report echoes the real fear the gay community had (and still has) in regards to law enforcement. Later on in the series it was revealed that Mr. Driscoll had been married and had a son, something not uncommon for gay men. The resulting custody dispute on the surface seemed to be the result of the former Mrs. Driscoll’s opposition to Mr. Driscoll’s sexuality and shielding their son from that. In reality, the reason was more mundane: Mrs. Driscoll was tired of being the bad guy because Mr. Driscoll indulged his son during his visitations.

It was Officer Zatelli who got the truth from Mrs. Driscoll. A uniformed officer in a similar duty role to Ron Carey’s Officer Levitt, Officer Zatelli first showed up in the fourth season. However, it was in the 6th season that an anonymous letter claiming there was a gay police officer led to Zatelli outing himself as both the letter writer and the gay officer. Dino Natali’s portrayal of Zatelli was “straight”. He wasn’t much different from any of the other cops and that was the point. Though the detectives in the squad room knew he was gay and though he told  Mrs. Driscoll that he was gay when she was making a fuss about her son being around “those kind of people” and though Barney encouraged him to come clean to the department because policy prevented punishment for his sexuality (a policy change from the first season as indicated above), Zatelli couldn’t do it. As Barney warned, it was an accidental outing thanks to Wojo that exposed his secret. Instead of termination or forced resignation (like Lt. Scanlon wanted), Zatelli was transferred to a much cushier job, which he believed was a sign that he had a like-minded friend in high places.

Speaking of Wojo, Max Gail was presented with an interesting challenge for his character in regards to his evolution in opinion about gay men. The first season, particularly the first handful of episodes, saw Wojo as kind of a brutish caveman. His dislike of Marty came more from him being a thief rather than him being gay. However, the introduction of Mr. Driscoll, pairing the two men up the way they did, brought Wojo’s discomfort, ignorance, and prejudice into a sharper focus. In a two-part episode called “Quarantine” that saw the members of the 12th as well at Inspector Luger, Marty, Mr. Driscoll, and a sex worker named Paula Capshaw all -you guessed it- quarantined due to either smallpox or chicken pox depending on the outcome of the tests done on a sick criminal, Wojo insists that Marty and Mr. Driscoll sleep on opposite sides of the squad room. Like the two men would just bow-chicka-wow-wow right there if they were allowed to be in close proximity of each other when the lights went out. Wojo lost that argument, but it was an excellent illustration of his prejudice and misconceptions surrounding gay men. Over the course of the series, we got to see Wojo’s own learning experience and watch him as his opinions grew, matured, and evolved. In a way, he was almost a stand-in for no doubt many men in the viewing audience. (I’m singling out the men here because Wojo’s issues with homosexuality was very masculinity-based, but really, that’s another post for another time.)

Like I said, this is just a quick overview. There’s so much more I could get into and just might at some point in time. The gay representation on Barney Miller is really rather unique given the time period. It’s a reflection of the way social norms were evolving at the time as well as a bold step for both a cop show and a comedy.

The characters still resonate and the humor still plays today because the focus was always on the humanity, not stereotypes-as-punchlines.

And that’s pretty special.

I Have to Admit That My Struggle Is Real

I’ve been trying to do at least one blog post a week this year and I almost went without doing one this week. I’ve been working on a Rerun Junkie post that’s just not coming together. I have the idea. I know what I want to say. But the words will not make it from my brain to the laptop.

This is the latest symptom of something that I’ve been trying to ignore for the last several weeks.

I’m struggling. And maybe I’m a little burnt out.

I don’t like to admit that. I don’t feel like I’ve earned the right to admit that. I don’t feel like I’ve worked hard enough to earn that struggle or that burnt out feeling.

What it boils down to is that between a minor health issue, a new day job, juggling three writing projects, and the every day requirements of living, I’m wiped out. I don’t have the energy or the focus to do everything I need to do and do it all at the level that I want to do it at.

I’m already in the process of accepting that I’m not going to meet my deadlines for the month. What I thought I’d get done, I won’t. I just can’t. And that’s disappointing as hell.

I operate under the delusion that I should be able to do anything. If I say I’m going to do something, then I will find a way to do it. If I set myself a deadline, then I meet it. As a result of this, I have a tendency to believe that there’s no excuse for me to not achieve what I’ve set out to do. Which is fine in theory. In reality, it ends up with me being gruesomely hard on myself when I don’t hit my mark, even if I’m operating in circumstances that would have required some kind of miracle to make it happen.

Right now, I’m in a period of adjustment.

Part of that adjustment is my new schedule and what I can realistically accomplish within it while recovering from a health setback.

The other adjustment, the much more difficult adjustment, is my expectations.