How to Support Your Local Writer

Rainbow paper**Though I’m speaking as a writer and talking specifically about writers and writing, these things can be applied to any artist, really.**

Writing can be a lonely gig. It’s a lot of time spent in your own head, trying to capture the things you see in your imagination and translate them into words that you then put on the page. There’s not a lot that other people can do to help you get your work done (aside from leaving you alone and letting you work, maybe picking up some of the chores or fetching dinner once in a while). But there are many ways that you can support your local writer.

Buy their work. This is the most obvious way, and yet, it still doesn’t happen as much as you think, for several reasons. Not having the cash is one. Or the work might not be to your taste. You have no idea how many times I get told that people would like to read my stuff, but they don’t dig horror (and that’s the majority of what I write). I don’t take it personally, but it still sort of bums me out. But even if the work isn’t to your specific taste, it might be to someone else’s. You can rec it to them (more on that later) or, if you’re feeling bold, buy it for them. Force it upon them. Maybe they’ll never read it, but you still gave your writer a little coin and tried to get their work out. That means a lot.

Read and REVIEW their work. If the work is to your liking, buying it is great. But reading and reviewing it is HUGE. Notice the emphasis on reviewing. Naturally, the writer’s fragile ego is boosted to hear directly from your mouth how much you love their stories, but leaving a review tells LOTS of people. And the more reviews, the better. Places like Amazon and Goodreads give priority to books that have more reviews and makes them easier for customers to find. By leaving a review, you give your writer a shot at getting noticed by someone else. And it doesn’t have to be a full-on book report either. A rating accompanied by a couple of sentences about what you liked (or didn’t like; I’m a writer that digs honesty) is adequate.

Give them money anyway. Okay, maybe this one is just me and just because I’m currently without a day job, but I actually started doing this earlier this year. It’s not easy for unknown writers and/or self-published writers like myself to make much money off of their work. It’s a competitive market out there and carving a niche takes time, effort, and low low prices. This year I decided to no longer make it difficult for people to give me money. In addition to my self-published body of work, I’ve got the Storytime Jukebox and Patreon. I’ve also set up a tip jar of sorts through Ko-Fi. If you like what you read here or just want to give me some monetary encouragement without the commitment of owning any of my words, you can buy me a coffee. Three bucks doesn’t sound like much, but just the act of being acknowledged in such a way is a real boost. If you’ve got the money to give, find a way to give it.

Spread the word. Whether you buy their work or not, whether it’s your genre or not, let other people know that it exists! That your writer exists! I’ll say it again in bold and all-caps: SPREAD THE WORD! This is the most valuable yet inexpensive way to show support to your writer. Share their Facebook posts, retweet their tweets, link to their blog/website/author page, recommend them to friends and family and co-workers and strangers, surreptitiously add their work to people’s wishlists. Don’t keep your writer or their work a secret. Word of mouth is how fanbases get built. The bigger your writer’s fanbase, the more support they have.

The more support your writer has, the happier your writer will be.

And when the writer is happy, the work is a little less lonely.

March Writing Projects

green flowerConsidering the loss of my only day job, my plans for March haven’t really changed that much. Probably because I didn’t have any real solid plans to begin with.

Last month, I finished my latest round of revisions on (Vampires) Made in America, wrote the first drafts of two short stories, “Grandma’s Funeral” and “A Girl’s Best Friend”, and formatted Murderville: The Last Joke into an eBook novella. I also ended up writing the first draft of a short story called “Suicide Paris Green” (I told you I’d do something with that eventually) and published The Haunting of the Woodlow Boys as a stand alone novella eBook. And finally, I began writing the first draft of a story called Come to the Rocks, a story I thought would be about 4,000 words, but is now over 10,000 and headed straight for novella territory.

February was surprisingly productive.

This month I plan to finish writing the first draft of Come to the Rocks and start the first draft of another story that I really don’t know if it will be a short story or a novella. I love those kinds of surprises.

I’m also going to work on the Storytime Jukebox, try to make it a little more user friendly. I’d like it to be more popular, for obvious reasons, but I realize in order for that to happen, it has to be better.

Of course, anything I can do to boost my writing career will be happening this month in earnest. The ball, as they say, will start rolling.

The next episode of The Last Joke comes out on the 7th. Don’t miss out! Read teasers for episodes one and two and then become a patron.

(Sort of) New Release! The Haunting of the Woodlow Boys

The Haunting of the Woodlow Boys

Okay, so this isn’t exactly a new release. You can find this novella in Ghostly. However, Ghostly isn’t selling well and I really like this story and I want it read. By releasing it as a stand alone, I’m hoping to a) get more people to read it and b) convince more people to purchase Ghostly and give all of those stories a read.

You can get this eBook on Smashwords,  Amazon, Kobo, Barnes and Noble, and iBooks.

Writing Without a Day Job: The Adventure Begins

coinsChild learnin’ has come to an end for me.

This was not entirely unexpected (no need to go into details), though the timing was sooner than I anticipated.

What matters is that I am without a day job of some kind for the first time in six years.  I view this as both a blessing and a challenge. The challenge, obviously, is to pay my bills while also finding a new day job to help supplement my income, especially since I still haven’t replaced the floorset side hustle yet.

The blessing, though, comes in the form of opportunity. When I lost my floorset job, I chose to see it as a push from the Universe to really focus and promote my writing career. I’ve taken tentative steps in doing that. It’s still not something I’m entirely comfortable with. Without any day job, I have the opportunity to really push myself, to make writing my sole focus day job, at least for a little while.

I already had some projects in the works that were in this spirit. They’re going to have priority in the next couple of weeks, that’s for sure. Selling my books, getting patrons for Murderville, making the Storytime Jukebox better, all of that is going to be key. It’s the side of the business that I admit to not working hard enough on because I don’t want to be annoying. I don’t want to be a walking commercial, a constant promotion that ends up being tuned out. But considering how very little I do of it right now, I think a moderate increase wouldn’t be too over the top.

Also, I can no longer use the excuse of not having the time/energy to promote myself. Got plenty of it in the immediate future! No reason not to use some of that free time/free energy to cultivate and utilize some new promotional skills.

The point is that as optimistic as I am, it is highly unlikely that I will be able to survive without a steady day job of some kind. Most writers can’t. However, while I am looking for that new day job, I can take the time to elevate my writing career to a new level. That’s something long overdue.

So, here’s to the next adventure.

Endings are new beginnings and all that.

February Writing Projects

roseIt’s a short month, so naturally I’m going to try to accomplish several things.

Though I managed to write a poem a day last month, I need to finish the revision of (Vampires) Made in America. I probably would have finished it last month, but I was in Chicago for Cubs Con the weekend of my birthday. Oh, I still worked that weekend, but just not as much as I would have if I was home. Another factor is that I’m adding chapters, so writing the new content is taking a little bit longer.

I’m also going to write the first drafts of two new short stories for the next short story collection, “Grandma’s Funeral” and “A Girl’s Best Friend”. I’m anticipating these to be somewhat difficult because it’ll be such a gear shift and the ideas have been sitting around for a while so I’m worried they’ve lost their freshness. I’m sure I’ll be able to get some kind of a first draft for each of them, but I’m anticipating an extra effort for some unfortunate shit. Thank goodness I like rewriting/revising so much.

I’m also going to be formatting Murderville: The Last Joke into a novella eBook, which will be available to my patrons at the end of the year. I will also be giving my $2 patrons their first freebie this month. So, if you want to get it on that, check out the Murderville page.

Also, the next episode comes out next week. Check out the preview of the first episode and then find out how to read the rest.

January Writing Projects

Snowflower2016 has been put to bed (finally and thankfully) and 2017 has begun. I have a general schedule of what I want/need to get done this year in terms of writing. As of right now, I have a lot of free months, but that is just an illusion. Those blank spaces will fill up quickly as I get this ball rolling.

And of course, this ball starts its rolling in January.

My plan this month is to revise (Vampires) Made in America. This is part of my ultimate 2017 goal of getting this novel to the point of ultimate doneness. I’ve got three of these Outskirts novels just sitting there like lumps. Maybe if I do one, then the other two will follow. It’s a thought.

I’m also going to write a poem a day. I know it’s not National Poetry Month and I know that I ended up a big loser in the poetry contest I entered (I guess my Honors English teacher was right about capitalizing that last line after all), but I still have it in my head that poetry is something I can and should do, even if just for myself. Ideally, I’d like to put it to good use (by that I mean publish it in some form), but I feel that just to play with words in that medium will be largely beneficial overall.

As a side project this month, I’m finishing up a script outline that I started in December. Again, it’s an exercise in a different medium, outlining and writing scripts, but the ideas translate well to novels/novellas. So I count it as time well spent even if the movie would never be made and the script itself never even shopped.

And, of course, Murderville: The Last Joke starts next week, so don’t forget to get in on that.

I think this will be a good way for me to kick off 2017.

An Unexpected Push

ThinkingMy floorset days have come to an end.

The store I work for is closing for good on January 7th.

I’ve been there over four years. Sometimes the gig was a real hassle. I questioned whether or not it was worth the commute, the minimum wage, the sleep deprivation, the bullshit that accompanies every retail job. I seriously considered quitting multiple times, but never went through with it. In the end, the actual work and most of the people I worked with won me over. The money wasn’t great (child learnin’ has been my main source of income), but it really helped fill in the gaps between the ends I needed to meet, particularly during the Christmas/New Year holidays when it’s the only day job I worked.

Now I need something else to fill the gaps.

I’m feeling strangely optimistic about this. A few years ago, I would have been depressed and panicky, woe-is-me-ly about this whole thing. I would have felt like it was the Universe taking another shot at me, kicking me when I was already close to down. Not so much now.

Now, I feel like this is the Universe giving me a push.

This is a push to do something new. This is a push to get out of my comfort zone. This is a push for a new adventure.

This is a push to really work my writing and make my writing work for me.

I don’t make a lot of money from my writing, but now what money I do make will be very important. It will help fill the gaps. Self-promotion is going to be key. I’m going to have to talk about my writing A LOT MORE than I already do and not in the “here’s what I’m working on, here’s how I write, here’s my writerly thoughts” fashion. I’m talking in the “HEY, BUY MY WORDS” fashion.

Right now I’ve got three writing revenue streams going at the moment: my self-published titles, the Storytime Jukebox, and the upcoming Patreon project Murderville. I realize that I’m going to have to start submitting in earnest once again, but I’m also going to have to push these three things a lot harder than I have in the past. In the past, I didn’t want to be annoying or insistent. Now I’m going to be.

When I first found out about this turn of events yesterday and posted about it on Twitter, the people I know there were very supportive. I think that contributes to my optimism. I am blessed with knowing some really awesome folks who are really supportive of my endeavors and also really supportive of me in general. I really do appreciate them.

So, the new year will be starting off with an interesting challenge.

For once in my life, I feel up to it.

“Stop Working for Free in 2017!”

flame box elder penThe title of this post came from a tweet in my feed. No, it wasn’t spam or some other kind of sponsored content, though it can read that way, I suppose.

To me it reads as the truth.

I have often struggled with the concept of getting paid for my writing. I feel like I’m imposing on people by asking them for money to read my work. “You’re an artist!” a voice in my head yells. “You’re not supposed to be doing it for the money!” And then another voice pipes up and says, “Dude, seriously? You’re writing all of this shit anyway. Get paid, man.”

But still, I struggle.

The second voice is right, though. More right than the first voice. I don’t write for the money. If I did, then I’d be writing to the trends, pumping out thin stories with excellent dressing, capitalizing on whatever looks like it will be selling in the next few months. Publishing trends can be hard to predict, but they’re pretty easy to get in on, especially now with the convenience of self-publishing (not at all putting down self-publishing as that has been my primary means for the majority of my writing career). Writing, revising, and self-publishing a decent novel in a few months that fits in with a going trend is possible.

But I don’t do that.

In fact, when people ask about the nature of my career and why I don’t sell more books and why I don’t have an agent and all of that, I tell them that my biggest hang-up is that I don’t write what other people want to read. I write what I want to write, what I want to read. And my tastes are apparently far from the mainstream. It’s hard to find any traditional success when you write stuff that can only find a small audience, no matter how loyal. Publishing, after all, is a business. They are very motivated by the money.

Still. I should get paid for what I do write. There is no shame in this. I’m not asking for a handout. I’m asking to be paid for my work. It’s no different than when I get paid for child learnin’ or working floorset. Just because the paycheck isn’t as regular doesn’t mean that I don’t deserve it.

This is the mantra I’m carrying into 2017. I’m not working for free. This doesn’t mean I won’t be doing anymore freebie stories on occasion. It doesn’t mean that I’m going to start charging you guys to read these wonderful, informative blog posts.

It means that I’m not going to act like I don’t deserve to ask for money for my work. Because you know what? I do. Because writing IS work. It IS my job. It’s the job I’d like to be living off of instead of my day jobs. How do I do that? By insisting that I get paid.

The Patreon project is a step in that direction. Adjusting the prices for my existing self-published works will be next. Working on something to get traditionally published is on the To Do List.

Come 2017, I will get paid.

Patreon Project! Murderville

MurdervilleAs I’ve mentioned a couple of times in the past couple of months and as I’ve been plotting for the last several, I’m putting my Patreon to better use and that better use starts in January.

Murderville was originally conceived as a short-season TV series. I don’t know why, since I don’t know the first thing about writing TV shows, but that’s how it came into my head and that’s how I outlined it and how I was going to write it. I’m all for learning and practicing different writing mediums. I never got around to writing it as an actual TV show, but the outline remained and the idea of it never really left me. Particularly the characters featured in the first “season”.

You know me. I don’t get rid of anything. Writing hoarder to the end. So, when I decided that I really needed to do something productive with my Patreon instead of just letting it sit there collecting dust and no money, I came back to Murderville.

I wrote the first “season” as a novella called Murderville: The Last Joke and then broke the novella into eight “episodes”. One episode will be posted each month starting in January. At the end of the year, I’ll put out the novella as an ebook.

Nifty, yes?

So….What is Murderville?

“Murderville” is the affectionate (or not-so-affectionate) nickname given to the industrial city of Munsterville. Because even though there’s not a whole lot of violent crime in the city, it seems that people have a tendency to die in really strange ways. Can’t just have a plain old shooting or stabbing, not in Murderville. There’s always a twist.

The Last Joke features Pam and Drew Bendixen, a couple hit hard by the economy and struggling to rebound. To add to their woes, Pam finds a dead man on the doorstep one morning. The one positive about this is that the deceased was a successful business man and there’s now a $25,000 reward for information that leads to his killer. That money could really help Pam and Drew out and since they did find him on their doorstep, surely they could work in a little detective work between their  multiple jobs and family demands. After all, what do they have to lose? Oh, and they could also help a family get closure and obtain justice and all that.

If you sign up to read Murderville through Patreon, you pledge either $1 or $2 per episode and you can read the episodes right there. You also get the novella at the end of the year. $2 patrons also get sneak peeks at the other projects I’m working on. Gotta sweeten that pot somehow.

Don’t want to be a patron? No problem. For the low, low price of $8 (the minimum amount the $1 patrons will pay) paid through PayPal, you get the password that will allow you to read all eight episodes here on the blog.

The episodes will also be readable on Google Docs.

So don’t miss out.

The fun officially starts on January 10th.