Writing–May Projects

Happy Bokeh Wednesday

Uhhh…I’m kind of at a loss of what I should be working on this month.

I’m going to finish up the latest round of revisions on The World (Saving) Series. I’m going to continue working on the short stories that I’m either going to submit or use for the self-published short story collection.

I’ve now got three sooper sekrit projects and I plan on continuing to work two of them (one of them I’ve kind of lost the heart for).

And aside from that…I don’t know.

It sounds like a lot, but it’s not really. I may take a look at a few of my other manuscripts, just to see if there’s anything I want to start working on, but I’m not sure I want to start another big revision project before I’m done with World.

Maybe I should take advantage of this slow month and catch up on my reading. I’ve been slacking the past couple of months.

Writing–And Then I Reconsider

Anthology

I sold my first story of 2013 last week. Yay! “Someone to Hold” found a home!

And while I’m very excited about this as placing a story always gives me a satisfying rush because it’s public acknowledgement that I’m a real writer, it has given me pause on another project.

I’m seriously considering self-publishing another short story anthology. The anthology would use the seven stories I’ve been flogging around for a while that are ready to go plus five new stories written with the anthology in mind. It’d be set up like a sort of calendar. I like this idea. I thought it’d work for a late year release.

And then “Someone to Hold” found a home.

Immediately, I started wondering about the seven stories that are sitting there waiting to be sent out. Since Duotrope went paid and I can’t afford to use it, I haven’t made much of an effort to send any of them out. Now I’m wondering if I’m not selling them short by self-publishing them.

Aside from the fact that they’ll never know the joy of having someone other than myself finding them publishable, the honest fact is that even if I was paid a one-time token rate of ten bucks for one of the stories, that’s probably more than the whole anthology would make in a year (or more, if I’m going to be REALLY honest).

This anthology idea that I thought was so great is now being viewed in a different light, professionally, creatively, and monetarily. It’s amazing how one little success can throw a wrench in something else.

So now I have to make a decision. Do I want to try to sell these stories or do I want to go with the anthology idea? Which would be better for the stories? Which would be better for me? Do I want that victory rush? Or another project that collects change?

Right now I don’t know.

I’ve got a lot to consider.

Writing–On Fanfiction

what are word for?

I wrote fanfiction for years. By the time it was all said and done, I’d written easily over 100 stories in twelve fandoms (that I remember). It’s very easy for most people to dismiss fanfiction (if you ignore the people that reconstituted their fanfic into bestsellers and you’re not one of the authors that likes to sue fanfic writers), but I cannot deny the contribution it made to my writing.

I’ve read some of my old stuff before, by now over ten years old in some cases, and I cringe. It’s filled with a voice so passive it doesn’t have a pulse. The descriptions are like vacant lots. Some of the stories are downright drivel (those, oddly enough, tended to be my most popular ones). None of them do I read and go, “Yeah! I can redo that and sell it!” because, yeah, no.

However, they’re not at all a waste. From the very first story, it was obvious that I had a good ear for dialogue. The quality of the stories improved over time. I was pretty good with tone and pacing. I was very good at picking up the canon and the characters. That’s something I pride myself on to this day. I was once able to write a good, in canon story in a fandom for a movie I’d never seen. My friend just told me the details I needed to know. The feedback praised my ability to write the main character so well. I still preen over that little victory.

Because I was at one time pumping out several stories a month, it was like a writing bootcamp in a way. Just by the sheer volume of words I was writing, I had no choice but to get better. Stephen King said that to be a writer you had to read a lot and write a lot and at that time, I was writing A LOT. It wasn’t all good, but it was something. And the something I was getting down helped me get better whether I realized it or not.

Now, I didn’t learn everything writing fanfiction. It wasn’t until well after my constant gush of words trickled to a drip of a story every once in a while that I learned the art of revisions. It was about then that I really got the hang of my passive voice problem. It’s been the years since then that I really refined my writing process into something that almost works well.

But, I can’t help but think how far behind I’d be if I hadn’t been writing all of those stories. Fanfiction gave me an opportunity to get better with immediate feedback and the a safe place to explore, experiment, and most importantly, write.

So, feel free to write fanfiction off.

Because I’m happy I wrote it.

Writing–Write What You Know

Advice

It’s the oldest, most frequently given advice to writers.

“Write what you know.”

Writers have been rebelling against this advice for years now and they usually end up sounding like pretentious twits when they do it (at least that’s what I think they sound like). Their main argument is that if they write what they know, then there will be very boring stories out there. After all, nobody knows about distant planets and alien races, wizards and fairies, and what’s really going through a murderous ghost’s mind. That’s why it’s garbage advice. People HAVE to write what they don’t know.

To which I say, oh bullshit.

I’m embarrassed by the number of writers that seem to think there’s only one way to interpret this advice. I learned in high school that things can have many different interpretations. In fact, you can interpret some things to mean exactly what you want. Sports fans, politicians, and religious members have been doing this sort of thing for years.

So instead of writing off this old bit of advice as obsolete, let me show you how I interpret it. Because I do write what I know.

First of all, I write a story, whatever it is, because I know that story. I might not know certain specifics like Chicago street names or the exact make of a revolver or how long it takes before rigor mortis sets in (that’s a lie; I do know how long that is), but that’s okay. That’s what research is for. But I do know my story. I know my characters and their motivations and their circumstances. Things might change in subsequent drafts, but for that first run, I write what I know.

Secondly, I write what I know in my life, too. I write about small towns in the middle of cornfields because I know that. “Spillway” is set at a lake I went to as a kid. “Another Deadly Weapon” features a car wash in my hometown and the main action takes place in a house across the street from where I live. The tree in “Bigger Than a Squirrel” is the tree across the street, too. The garage in “Game Night” is my garage. The walk home in “Wearing of the Green” is a walk I’ve done dozens and dozens of times. The town in Night of the Nothing Man bears a striking resemblance in places to my hometown. I know all of those things.

But you don’t.

And even if you do, I’m hopefully presenting them in a new way to you. If you think that’s impossible, ask my friend Natalie about that car wash.

“Write what you know” isn’t bad advice. In fact, it’s very good advice.

If you interpret it that way.

Writing–April Projects

Fly in the rain

I’m fabulous, except when I’m not.

I tend to underestimate my ability to not get stuff done and that’s kind of what happened in March. While I did get the short stories written, revised, polished, and posted, and made progress on both Sooper Sekrit Projects (which will continue this month), other things didn’t happen. This month, they need to happen.

First on the list is Night of the Nothing Man. I will get it up on Smashwords before the end of the month come Hell or high water. It’s taken more revising than I anticipated, but I’m closer to finished now. It will get done.

And once it does, I can go right back to starting the next round of revisions on The World (Saving) Series. I was supposed to start them before the end of the month last month. That didn’t happen. I’ll get Nothing Man out of the way and I’ll get back to work on that.

I’ve also got an idea for another short story anthology. That definitely won’t get done this month, but I’ve already been looking at story ideas. I think a couple of first drafts of some new stories might get written during my early mornings.

Sometimes, it feels like I’m not getting anything worthwhile done. I know that I am, but sometimes, it really doesn’t feel like it. Without that immediate gratification of feedback or a paycheck or the feeling of being DONE, it’s easy to feel like you’re just spinning your wheels when you’re really traveling miles.

Such is a writer’s life.

Writing–Proofreading Posts

Spelling Challenges and More!

I’ve been doing this blog a little while now and it should be obvious that I don’t proofread my blog posts as well as I should.

On the one hand, I prefer this blog to be casual. I don’t want the posts to have an overdone, too-refined feel to them. I want it to come off like I’m shooting from the hip here. Cool and casual. That sort of thing.

Also, I’m lazy.

On the other hand, if I’m going to convince anyone that I’m a writer, pointing them to my blog posts probably won’t do it because I miss things. Embarrassing thing. Things I don’t wish to discuss, but are right there for anyone to see because I rarely go back and correct things when I find them.

Because I’m lazy.

Rest assured, that I’m much better with the writing that I submit to places. I go over those stories very carefully looking for the errors that slip past my quick re-reads of blog posts. I pride myself on there being no spelling errors in my stories at the very least. I’d like to think that the only grammatical errors are intentional, but I can’t always guarantee that. I’ve found a couple in my rejects that made me cringe.

But the blog posts, well, I’m lax with them. Like I said, I give them a quick re-read and call them done. I miss a lot.

As much as I like to be lazy, it’s long past time that I stop being that way with the blog. I need to put a little more effort into it.

I can still look casual while spelling it right, too.

Writing–Scripting It

Scripted

I remember my mother once telling me that I should skip writing short stories and novels and just write scripts because I like writing dialogue so much. She had a point. My stories have a tendency to be dialogue heavy and description can be a struggle for me. I’ve written a few stories without dialogue and let me tell you, it wasn’t easy. If I can have a character talk to themselves, I will.

Sooper Sekrit Project #2 is a script. I think I mentioned that. Anyway, a few years ago now I participated in Script Frenzy, a now defunct off-shoot of NaNoWriMo. I wrote two 60 minute episodes of a TV show that I made up. I had great fun doing it. It held its own challenges, sure (format? Thank goodness for script programs!), but I got to exploit what I consider to be one of my strengths.

Sometimes I get ideas for stories and it’s during the hashing out phase that I realize it would make a lousy short story or novel, but it would make a great script. I then shelve it because, hey, I don’t write scripts.

And then last month it occurred to me how dumb that was. Why shouldn’t I write scripts? Just because I don’t live in Hollywood and really have no ambition to be a film/TV writer, that doesn’t mean there’s no reason for me to flex some different muscles. Let me be vain for a moment. What if one day one of my stories and/or novels is published and then optioned for film? Wouldn’t it benefit me to say, “Oh, yeah, I can adapt that. No problem. Let me do that for you.”? I think it would.

I’ve already got plans to practice my adaptation skills with Night of the Nothing Man once I get it up on Smashwords.

The reason why this a Super Sekrit project is because it’s a play thing that I have no intention of doing anything with seriously so I have no real urge to discuss it much in-depth. It’s a fun play thing that’s only for me. And so I’ll admit to doing it, but I won’t say what the script is about.

Just know that this project, even if I do nothing with it, isn’t a waste. It’s me developing and honing a different kind of writing style.

You never know. I might have to go to Hollywood one day.

Writing–March Projects

English: A White Clover (Trifolium repens). Fr...

Something old, something new…I’m in the mood to pile a whole bunch of stuff on my plate right now and since I’m feeling so eager and willing, I’m going to go with it.

In the old category, revisions continue on The World (Saving) Series. I’m done with this round of serious business revisions, but I’m going to start from the top in a couple of weeks and go through it again. I’m getting pretty happy with the way everything is working out and I don’t think I want to do any more major changes to the story. Thank goodness.

Also in the old category, revisions on Night of the Nothing Man. I’m tightening things up and getting picky with the sentences. The goal is to have it up on Smashwords before the end of the month, which I’m pretty sure is going to happen without much trouble.

In the kind of old, but kind of new category falls a couple of short stories. They’re Outskirts stories that I’ve already written and intended to get up on the blog a while ago, but never got around to revising to completion. That’s going to happen.

In the totally new category, I’ve got an idea for another short story that I’d like to write and put up in the freebie section. Free reads are good reads.

And finally, in the classified files, work on the sooper sekrit project continues and I’ve added sooper sekrit project #2. In my continued effort to broaden my abilities, I’ve started work on a script. I’ve only completed one before and actually had quite a lot of fun doing it. I’ve got an idea (don’t ask) and I’m going to run with it and get some practice in.

Getting some of these things done is not an option. I’m running out of room on my plate to add anything else.

Writing–Notebook Mania!

Office Products

I’m that person that’s excited when back-to-school time rolls around. Not because I have kids that I’m anxious to unload on some poor teachers; we’ve already established that I am child-free (though if I did have kids, I’d be totally looking forward to back-to-school time). But because notebooks are on sale for 10 cents a pop.

Yes, I’m that person that will spend a buck to get 10 notebooks. No, I don’t usually need them. But I NEED them.

I can never have enough notebooks. Single subject, college ruled, covers of all colors. I need them even if I already have some. I cannot take a chance of running out.

I like notebooks because I am a scribbler. When I get an idea that’s too big for my idea notebook, one that pops into my head a little more fully developed and pesters me a little bit longer, I’ll entertain it by expounding on it in a notebook. Even if I know the idea isn’t going anywhere, even if I really don’t want to fully commit myself to it, I’ll still write it down. I’ll do character sketches and timelines and outlines. Whatever that pleases the idea and gets it out of my head so I can work on it.

And then when the steam runs out, I put the notebook away and move on. I might come back to it, but that’s usually just to rip out the pages, put them away in a folder, and use the notebook for my next idea.

I don’t consider any of this wasted. There’s no telling what bits and pieces I might be able to use for something else. Or what idea as a whole might be worth something after I’ve left it alone for a while.

The notebooks are definitely not wasted. I get my mileage out of them. I may have killed a lot of trees in my time, but their deaths were never in vain.

Speaking of, I should check the dollar store the next time I’m there to see if they’ve got any of the notebooks I like.

I might be running low.

Writing–Writing, Like Parenting

writing santa 11.30.09 [334]

No, I don’t have kids. But I know enough parents that I think that I’m qualified to make this comparison. Other writers have. Why should I be left out just because I don’t have any kids?

Oh, but I do.

My stories are like my children in a way.

I gave birth to them. I nurtured them, sometimes getting up in the odd hours to make notes or jot something down, not going out with friends to stay home with the story, and worrying about it when I’m working on something else.

I do my best to raise them right, try to bring out the best in them, encourage their strengths and try to improve their weaknesses.

I get annoyed by them, aggravated by their unceasing demands for attention when all I want to do is take a five minute break. I get frustrated when they won’t do what I want them do and sometimes, I just don’t like them very much.

But, in the end, I love them. And there comes a time when I have to hope that all of my hard work will be rewarded when I send them out into the world. I have to hope that others will read them and know them and love them as I have. I have to hope that the world will be kind and they will be accepted.

And then I thank my lucky stars that they’re only stories. They don’t have feelings, so they can’t be beaten down by rejection because they’re likely to get rejected a lot. That’s the way of the writing world.

However, they also don’t ask for money. If it all works out right, they make me money. And it’s legal.

Sorry, parents.