Writing–February Projects

New month, new schedule. It’s going to be a hectic one.

Revisions on The World (Saving) Series will be ongoing. I’ll be rewriting “The Guinea Pig” in anticipation of a deadline. I’ll also be revising “Another Deadly Weapon” and “Play Chicken” for deadlines and “Phobias Are How Rumors Get Started” for the blog (only a couple of more weeks to enjoy “An Old Fashioned Vacation”!). And finally, I’ll review “Summer Rot” for possible submission.

I have no idea how I’m going to do all of that with a day job and blogging and all of the other bits and bobs in my life, but I’m going to try. I’ve got to make good on my committment not to slack.

Stories By the Numbers

Sent Out: 3
Ready: 3
Accepted/Rejected: 0

Writing–Writing with a Day Job

Last week acquired a day job. I started working on Monday.

While I’m grateful for the regular income soon to be filling my bank account (before I send it right back out to pay bills), this full-time position brings forth a possible complication, namely, time to write. It’s too early now to judge on how big of an impact this job will have on my schedule. I’m still adjusting to the idea of getting up at 6:30 every morning. Also, I’m just working on revisions for The World (Saving) Series and so far none of them have been very extensive. Doing only one chapter a night, they haven’t really been very plentiful either. But I know some big ones are coming, heavy on the rewrites.

Next month I’ll be doing short story revisions/rewrites on top of the novel revisions. The month after that, I’ll be writing a new short story.

It’s going to be interesting, and I imagine frustrating as well, to see how I will be able to manage my time and rearrange my world in order to accommodate 8 1/2, 9 hours of my day now devoted to something other than playing Facebook games, blathering on Twitter, and, oh yeah, maybe getting some actual writing done.

I know that in order for this to work, I’m going to have to treat it like having two jobs. Sure, I can cram a lot of stuff in on the weekend. I’m already doing my blog posts for two blogs then and the weekends are usually when I make my greatest strides in getting writing projects accomplished (I have no idea why that is; you’d think it’d be the other way around, not doing as much writing on the weekends, but there you go). But for five days a week, I’m going to have to really get serious about time management, take no excuses, shun the distractions, and get something done. Progress must be made every day or I’ll be getting nowhere.

I’ve come too far to have everything suddenly come grinding to a halt just because now I’m spending my day earning money in order to support this career that I really want to have and really want to make work, but now I’m too tired to do it and don’t have the time. I definitely cannot succumb to those excuses if I want to be successful.

And I really want to be successful.

It’s going to be a challenge, but I’m going to do it. I really have no other choice.

It’s a good thing I don’t have a social life. It’d suffer terribly because of this.

Writing–Kiki and the Idea Notebook

If I were a more popular writer, I’m sure more people would ask me where I get my ideas from. And I would tell them that I get my ideas from my notebook.

Shall I clarify? I suppose I’d better. Don’t want to be thought of as any more of a loon than I already am.

I get my ideas from my idea notebook. Of course, I have to put the ideas into my idea notebook, too. A lot of those ideas have been in that idea notebook for so long that I don’t remember where they’ve come from, though. Some of the ideas I don’t even remember having them, can’t remember writing them down. Those are the best. They’re so fresh and new. It’s like they were put there by an idea fairy.

As for the rest, I had to get those ideas the old-fashioned, hard way. I kept my eyes and ears open and asked “what if” a lot.

To me, ideas and inspiration can strike anywhere. I get hit with it a lot either in the shower or doing laundry. I don’t know why, but those two activities tend to bring out the best ideas in me. I can almost understand it with the laundry. I write a lot of horror, my washer is in the basement, and my basement can be a creepy place to be. I guess when I’m showering, I’m just looking for a way to keep myself entertained while I go through my daily cleansing ritual without much thought.

My ideas are all different. Sometimes it’s just a scene. Other times it’s a character. There are times when I’ve read an article in the paper or saw a segment on the news or some other program and just kept asking “what if” until I had something I liked. No matter what, almost all of them go into the notebook.

Few ideas come to me fully formed and ready to write at that moment. Even fewer insist on being written that second (if I really like those ideas, I will rearrange my schedule to accomodate them so I don’t lose their urgency and thrill). The fully formed ideas are harder to put into the notebook. They seem to go stale quicker than the fragments, suggestions, images, and dialogue.

I like to flip through my idea notebook at least once a month to refresh my memory on what goodies are lurking in there. Sometimes an old idea jumps out at me like a new frog fresh out of the pond. Sometimes I wonder what the hell what I was thinking when I wrote this bit down. But I don’t get rid of it.

The idea notebook is sacred like that. It’s where my ideas come from. 

Stories By the Numbers

Sent Out: 3
Ready: 3
Rejections: A story I called rejected last week due to no response last week got an official rejection this week (with a personal invitation to submit again because they liked my story, but didn’t think it worked with what they were doing for that project).

Journal Crazy

My mother gave me a journal as part of the now defunct “Aunt Kiki” holiday. Pretty and purple, the script on the cover says “Me, Myself, and I: An Instrospective Collection of My Innermost Thougths and Feelings” and the design features three faces in a knotwork ontop of a silver diamond, and it sat for a month before I wrote in it.

In that first journal I admitted that part of my hestance wasn’t just marring a pristine page; I was afraid to remove my innermost thoughts from the safety of my brain. Out of my head, they could be exposed to prying eyes with no respect for privacy and judged harshly. Worse, out of my head, they could be real.

The reluctance is evident in that first journal. First of all, I didn’t use it much. The entries begin July of 2003 and end January 2008. Nearly five years. Secondly, there’s a sense of holding back in some of the earlier entries. I was too scared to put down everything into words, all the thoughts, all the emotions, all the crazy bouncing around in my head.

You can see me get more comfortable with opening up over the course of the entries in that first journal. I got better at it and I did it more frequently.

My second journal I believe Carrie bought me as a birthday present. It’s rainbow colored, cheerful and simple, and I’d say it has about as many pages as my first one. The entries in it cover from January of 2008 until December of 2009.

Yeah, I got a lot better at writing in it more often. I started using it more as it was intended. Instead of being afraid of putting my thoughts down on paper, it became THE place to put my thoughts to get them out of my head. It became the refuge of my frustrations, mostly. It let me get the things off of my chest that other people wouldn’t, mostly because the ensuing arguement would be pointless and solve nothing.

It also became the locked box for the mushiest part of my heart, allowing me to explore those sweet, vulnerable feelings I don’t like to admit I have. There are some romantic ideas in those pages. Ideas that would absolutely shock the people who know me as the horror loving hard-ass that make men cry for their mothers and make women try to befriend me so I won’t eat them.

My last journal was red. That’s it. Just red. The entries cover from December of 2009 to January of this year. This is the journal I got truly comfortable in. This is the journal I put my craziest thoughts in. I gave myself permission to be absolutely ambitious and hopeful and unrealistic and unrestrained. There is some serious, wild insanity on those pages and to date, if there were any journals I’d burn before my death, that would be the first one on the fire.

Since that first journal, I’ve moved from being reluctant to dependent. I did my last entry in my red journal on my birthday with no new journal waiting for me. I’m slowly moving into frantic mode. I have things to write down, thougths that need ink! I’ve gone from not even shrugging at the idea of missing a couple of months to feeling guilty if I only have two entries for a given month.

Right now, I’m thinking about all of the things, good, bad, and crazy, I want to put in my new journal as soon as I get it. I fantasize about marring those clean pages with the inner workings of my mind. It’s going to feel so good to get all of that out.

And with any luck at all, in thirty years I’ll be able to read back over those stored thoughts and marvel at how I functioned, coped, struggled, and felt during those important years, some of which may be lost to the sands of time by then.

More likely, though, I’ll just shake my head and laugh and think, “Wow. You were really kinda nuts back then, weren’t you?” before putting down my old journal and picking up a new journal to scribble once again.

Writing–Social Anxiety Network

A big part of a writing career these days is networking. Getting to know fellow writers, making connections with them that could lead to making connections with other people in the business, other writers, agents, publishers, editors.

Networking is also how writers today build a fanbase and attract attention. Through Twitter and Facebook and other fabulous internet socializing tools, writers can sell themselves and their work to the readers they’re hoping to attract.

This is all well and good. It’s a great way to connect with readers and it’s a great way to connect with others in the writing business. It brings down walls and makes the writing feel less lonely. Many writers, even the most shy ones, thrive doing this sort of thing.

However, I am not one of these people.

As ridiculous as it sounds (particularly if you follow me on Twitter), I have social anxiety on the Internet. For most people, the anonymity of the Internet allows them to be more outspoken, more bold. While that does apply to me in certain situations (again, Twitter), that anonymity doesn’t cover them all.

For example, other blogs. I read other blogs, but unless I know the person, I rarely comment. Even if I do know the person, that doesn’t mean I’ll comment. Sometimes I have nothing to say and I really don’t want to force something just for the sake of conversation. Most of the time, I don’t feel comfortable with commenting. I don’t feel smart enough, established enough, or legit enough to share my two cents. I feel awkward coming out of lurkerdom to comment as there is no established rapport. I’m just a stranger stopping by and saying a few words without introduction.

Which is just silly because I don’t feel that way about people who comment on my blog (or reply or retweet me on Twitter). Once I get over the shock that people are actually reading and not everything I babble just disappears into a void, I’m cool with it. I don’t know why I’d feel differently with the roles switched.

It takes me a while to warm up, I suppose.

I’m focusing on blogs because I’m a little more vocal on Twitter, but there’s still a certain amount of anxiety and awkwardness in following people and responding to certain people’s tweets. As much as I’d like to be one of the cool kids, I never have been, never will be, and I still get nervous, even on the Internet, when it comes to talking to them.

It’s a silly little thing, but it’s one that’s holding me back and is going to continue holding me back unless I overcome it. Naturally, that’s what I intend to do.

I prefer to have making an ass of myself on Twitter be my biggest social problem.

Stories By The Numbers

Stories Submitted: 3
Stories Ready: 3
Acceptances/Rejections: 0

Writing–January Projects

New month, new year, new projects on the whiteboard of my writing life.

The big project this month is revising The World (Saving) Series. I’ve been itching to get my revising hands on this first draft since I wrote the last word. I love this story and I want to make it better.

I’m re-reading it and making revision notes on it now and for the most part, there’s nothing major story-wise that I need to overhaul, which is nice. Most of the revisions now are just little story things like fixing some details and turning the telling into showing. I think this time I got the story right the first time.

I’m planning on this round of revisions to take two months. Planning. If I can get them done sooner, I will not complain. However, I know they won’t be done there. Not only will the technical aspects still need to be cleaned up, there are certain details I’m still going to be lacking. I’m writing about places I’ve never been to and in some case, never seen. It’s a challenge I’m going to have to overcome, but at a later date.

As I like to say, one catastrophe at a time.

With a big project that’s going to take me all month and beyond, it’s nice to say that I’ve already accomplished something in submitting three short stories. It’s nice to be able to wipe something off of the whiteboard.

Stories By the Numbers

Submitted: 3
Ready: 3
Rejected: 2 (“Game Night” and “Another Deadly Weapon”; both no response rejections)

Stories By the Numbers for 2010

Submitted: 14
Accepted: 2
Rejections: 23

Writing–First Draft Love/Hate

I have such a love/hate relationship with writing a first draft.

The love comes from the excitement I get from finally getting this idea that’s been drifting around in my head for days/weeks/months down on paper. Breathing life into my characters, letting the story unfold, putting in that little twist or three, filling in the details, giving myself something substantial to work with in revisions that makes the first draft worthwhile for me and makes up for the hate part.

Oh, and there’s so much I hate about writing the first draft.

Rarely does it ever come out right the first time. It’s not supposed to, I know that. That’s the point of a first draft. But, it frustrates me to no end when I can’t get what’s in my head onto the page, when the words I put on the paper don’t do my idea justice. The characters are two-dimensional, the mood isn’t right, the beginning is flat, the ending is awkward, and in my longer works there’s ALWAYS too much telling and not enough showing. The perfectionist in me hates it when I can’t get it rigth the first time. Of course, I know that’s what revisions are for and I’m one hell of a revisor. I actually like revising my first draft more than writing it most of the time. I love making something great out of something lackluster, and in some cases absolutely craptacular.

(Wait, weren’t we talking about hate? Damn love sneaking in there.)

The flip-side of this particular hate is that on the rare occurances that my first draft does go well and does adhere to my vision pretty closely, it worries me. It makes me think that I’m missing something, that I’m overlooking some glaring flaw that won’t be found until the story is rejected three or four times and then I finally see it and end up absolutely ashamed that I sent it out looking like that. Let the agony of self-doubt begin as I stare at that first draft wondering why more doesn’t demand to be rewritten.

First drafts, at least for me, are truly writer’s hell. I’ve yet to find a way to skip over that part and get right down to the revising. And if it wasn’t for the little bits of writing a first draft that I love, I’d be really bitter about that.

Stories By the Numbers

Stories Out: 2
Stories Ready: 3

Writing–Writing Around December

Stephen King has said he writes every day, even on Christmas. I only wish I was as gifted. I don’t write every day. I tried, I failed, I found a schedule that works for me.

I’ve got a whiteboard in which I put a monthly schedule, four months at a stretch. For every month, I write down what I want to accomplish in that month. From there, I organize my projects further by writing in my day planner what I want to work on for a given day. Sometimes I can do this all at once at the beginning of the month; sometimes I go week by week. Either way, my projects get scheduled and I stick to that schedule (mostly). When it comes to short stories, I sometimes have a lot of things going on in one month. This helps keep me organized. I thrive on organization. It makes up for my declining memory.

The goal of this monthly system is to get things done and get a few days off. If I get everything done in a timely fashion, then I have a few days off at the end of the month to let my brain rest. The more efficiently I get my work done, the more time I have for resting and working on goof projects (projects that are purely for pleasure). The more I slack during the month, the less time off I have, if I get any at all.

For the most part, this scheduling system works out very well for me. December, however, is the notable exception. It’s the busiest leg of the Holiday Gauntlet and I always think I can manage my time better than I’m actually capable of and end up overscheduling myself, much to my disappointment. It’s no way to end a year.

This year I managed to wise up and gave myself a reduced schedule. So far, it’s working out very well. I’m accomplishing things without getting overwhelmed and stressed. Finally! The brains kick in and I do something smart!

With only one more item to go on my monthly writing to-do list, I’m taking this week off to enjoy the holiday and I’m doing it without guilt. Well, writing guilt, anyway.

Maybe one day I can work up to the writing stamina Stephen King has, but for now, I’m looking to end this year on a feel-good note and I’m good with that.

Stories By the Numbers

Ready: 3
Sent Out: 2
Rejected: 1 (“Erin Go Bragh”; the Universe wanted to prove the point I made in last weeks Writing Wednesday by sending me a “It’s not you, it’s me” rejection)

Writing–Rejection Subjective

One of my biggest obstacles to changing my writing from hobby to job was the fear of rejection. I don’t do well with failure. Even as a kid it gave me serious anxiety. I’d be so afraid of failing or making a mistake that I’d just freeze and wouldn’t do anything. Then once I was forced to actually do it and found out that even if I did make a mistake or fail, it wasn’t the end of the world and then I had no troubles.

Writing was no different. The idea of being rejected (and therefore, not good enough) stopped me cold in my tracks. It was the combination of entering contests (because in my head that’s not being rejected, it’s just not winning, and I can handle not winning) and reading Stephen King‘s On Writing that helped me get past my rejection fear.

The first story that ever brought me any kind of validation that I might be good writing was “Such a Pretty Face”. It won 10th place in the Genre category of a Writer’s Digest story contest. It got me 25 bucks, but didn’t get the story published (I did get to see my name in print in a magazine, though, and that was pretty cool). I was really proud of the acoomplishment and proud of the story. I then decided to try to get “Such a Pretty Face” published.

And that’s when I learned a valuable lesson in rejection. It’s a subjective thing.

Despite placing in the contest, “Such a Pretty Face” has been rejected six times since then. SIX! You’d think that 10th place showing would count for something. It’s a GOOD story. Someone told me so. I’ve got a certificate to show for it.

It was very frustrating to have one person say the story was worthy of a ribbon, but everyone else not think it was worthy of being read.

Of all the rejections I’ve received for “Such a Pretty Face”, only one suggested I make any changes to it. The changes he suggested made me realize that he totally missed the point of the story. And that made me realize that I was forgetting the human element of the submission process.

Not every rejection I get is because the story was bad. Sure, I’ve sent out stories I shouldn’t have and they were rejected for very good reasons. But some rejections left me scratching my head. Now I realize that maybe those form looking rejections might not have all been form rejections and maybe they meant it when they said these weren’t the stories that they were looking for.

It seems silly, but up until that point it didn’t occur to me that someone just might not like my story. I never thought that maybe it might not what they were looking for or they’d already seen too many similar stories lately or they didn’ t think the story fit with the publication as well as I did. Yes, until that point, I didn’t realize that rejection might not have anything to do with the quality of the story.

If you’ve read any of my other blog posts, it should be no suprise that I am this slow on the uptake.

So  my attitude towards rejection has changed a bit. It’s still disappointing, but now that I know that it doesn’t automatically mean that my story is shit, the sting doesn’t linger quite as long. Getting back on that horse is quicker and easier.

And if it’s the last thing I do, I will see “Such a Pretty Face” published.

Stories By the Numbers

Ready: 3
Submitted: 3

Writing–You Like Me! You Really Like Me!

Having a story accepted is as rare to me as being asked out on a date, but it’s pretty much a given that I’m more excited to have my story accepted than to be asked out, usually because the person asking me out isn’t someone that I want to date in the first place (but that’s another post for another day).

Toiling away, such that I do, pretty much in isolation because I’m terrible at networking and I’ve only got a few friends that are writers, selling a story becomes the bottom line for validation. Rejection is the rule of the day and I know I’ll see more of it than anything else. But, to open that email (or letter; I still do some snail mail subs that call for SASE) and read the words that I long to read, especially when I’m expecting rejection, is one of the most victorious moments in my short career. We’re talking fist pumping and saying, “Yes!” over and over like I just hit the walkoff home run to win the World Series. It’s the sign that I’m always looking for, the one that says that this isn’t just a hobby, that I’m good at this and I can make money doing this and most importantly, people want to read what I write. It’s that last one that boosts my ego the most.

The best part is that the feeling of jubilation and absolute victory hasn’t changed. Oh, maybe I’m a little more sophisticated in expressing those feelings (read: I don’t yell as loudly as I used to), but that warm, bubbly, my-day-has-been-made feeling is still the same. And I love it. And I can’t wait to put that feeling to the test with more acceptances to see if the feeling will ever fade or if it will only get better.

I look forward to doing this experiment.

Stories by the Numbers

Ready: 3
Submitted: 3
Accepted: 1! “Sentries” will be published in the Library of Horror anthology Fearology 3: Planting the Seeds of Horror