“And then what happened?”
I get that questions sometimes after people read some of my stories. The end satisfies the narrative, but not necessarily the reader’s curiosity. So, I’m going to answer that question once and for all.
I don’t know.
That’s where the story ends. I have no idea what happens beyond that for the most part.
Someone once asked me if the protagonists in one of my novellas hooked up after their ordeal and I told them no, but the only reason I had an answer to that question was because of the narrative itself. I had never intended on them becoming lovers at any point. Their relationship was purely platonic and surviving the night didn’t change that.
Those questions I can answer. But things like, “Did the leaves come back the next day?” “Did that shadow haunt the brother?” “Where did he go?” I don’t know. That’s where the story ends. I have no more story in my head after that.
This is all in the same vein as “This short story should be a novel” or “This should have a sequel”. While I appreciate the compliment that you love the story so much that you want more of it, I regret to inform you that there is no more. That’s the story in the form that it’s supposed to be. That’s it. That’s all of it. There is no more.
I don’t know what it’s like for other writers, but for me, the story is the story and that’s how the story goes. I’m not much of an overwriter. I don’t tend to have some huge, detailed backstory that I’m not putting in my fiction. I’m not one to do detailed outlines of my characters lives and their likes and dislikes. I don’t have a need to go much beyond whatever the context of the tale I’m telling is unless it pertains directly to the tale.
I start where the story starts and I end where the story ends and I don’t know much more about it than that. That’s all the story there is.
Of course, knowing this doesn’t stop me from wondering “and then what happened” about some of the novels and stories I read. I don’t ask the question out loud, obviously, because I know the answer (or what my answer would be), but I’m still compelled to wonder. And my imagination takes me in all kinds of directions and I come up with all sorts of answers for “and then what happened?”
I think that would be a better go-to answer for me. “I don’t know” is accurate, but invites negativity and accusations (“What do you mean you don’t know?” It’s a story, not an alibi for murder. Calm down). What I should do is answer that question with the question, “What do you think happens?”
Because most likely the person who asked that question, already has an answer in mind.
The other day I was watching Puppet Master on TV. An ’80s classic to be sure. I remember watching it with my sister when it came out on cable. I was probably 10 or 11, which would have made my sister 9 or 10 at the time. You could say that we might have been a little too young to be watching a movie in which a bunch of creepy puppets murder people, but hey, it was the late ’80s/early ’90s. We were allowed to do that back then.
I saw a tweet the other day (that I failed to screencap) that said something to the effect of, “I’m not flirting with you. I’m just hot and talking.” And on a level I could relate to that tweet. Not the hot part, of course. The not flirting with you part.
I knew at a young age that I was not straight, but I didn’t really put that out into the world until I was 17 and came out as bisexual. As it happens, living in a conservative, rural area, I don’t have a whole lot of queer friends or acquaintances in my immediate physical space. I’m surrounded by straights. For many of these folks, I’m the only queer they know. Or the only queer they know well enough to ask questions about queerdom. I don’t know if they thought I just automatically downloaded all of this info upon claiming my bi identity, but I have become the go-to person on all things LGBTQIA+.
Last week I had to call off of work.
As an introvert with unmedicated anxiety, my desire to be supportive of friends and family can be somewhat less than what I’d like depending on the day.
“I love it when girls wear white shorts.” Not if those shorts show off some cellulite. Then the best come on you can muster is a cow noise as you walk behind her.
Last month I submitted two pieces to two different contests. One was a 500 word story for a 500 word story contest. I revised a flash fiction piece I’d written during NaNo called “Haunted House”. It was originally over 1,000 words and kind of garbage. I cut it in half and I think that made a better story out of it.
There are times when everything is bad. The whole world is bad. The news is nothing but bad. The personal circumstances of existence are bad. The pettiest of petties are bad. The smallest, most insignificant things are bad.