November Projects aka NaNoWriMo 2015

nanowrimoIt’s that time of year again. Oh, yes. It’s time to put my butt in the chair and crank out 50,000 words (or more) in 30 days (or less).

This year I’m going back to writing an actual novel after two NaNos of doing novellas.

I’m heading back to Outskirts territory to write The End of the (Werewolf) Curse. This story will feature werewolf Paxton Perlman in a starring role and without his vampire buddy Stanley Ivanov at his disposal. Instead, he seeks help first from conjurer LittleJessie Witt and then from a coven of witches. It should be a good time. I’ve had this story bubbling in my head for a while and I think it’s ready to become words.

Unlike previous years, I’m not doing a detailed chapter by chapter outline. This used to be my go-to in past years of NaNo. After the first few years of failure, I found that if I had that detailed outline and new exactly what I was supposed to be writing that day, then I made my word count a lot easier. This has been my key to winning.

But, this past summer, when I wrote my novella-turned-novel (that STILL doesn’t have a title, for crying out loud), I didn’t have an outline. I just rolled with it until the end. I wrote without being sure of the end. And when I re-read it and revised it, I found that I’d done a pretty good job and I didn’t have to make too many story alterations. I’m taking this as a sign that I’m getting better as a writer, getting better at letting the story roll naturally without having to write everything down before hand to see where I’m going.

So, I’m sort of half-pantsing NaNo this year (“pantsing” refers to not using an outline, but writing by the “seat of your pants”). I have a basic outline and I know the main characters and I have a good idea about where the story starts. But I’m pretty hazy on where it ends and I only have a vague notion of how I’m going to get there.

This method worked very well this past summer to get 1,000 words a day. We’ll see how it works out when I’m trying to get 2,000 to 4,000 words a day (so far, so good).

Even if it doesn’t work the best, I’m confident that my skills will at least get me 50,000 words before Thanksgiving.

Optimism!

Go team!

I’ll Just Write Around You

flame box elder penMany of the successful writers talk about writing without being disturbed, with the door closed so to speak. Writing time should be treated as sacred and interruptions should be of the emergency variety only and kept to the bare minimum (sort of goes without saying that emergency situations in general should be kept to the bare minimum). They will happily tell you that this is a very important part of their success as writers.

I agree with them. My writing time is sacred. I take my writing seriously. Like all writers, I’m a good procrastinator, but I’ve managed to curb that somewhat, and having two day jobs helps because I can only write during specific times and that definitely makes a difference. My writing time is important.

However, I’m the only one in my house that thinks so.

I write with my door closed, but it does not stay closed. The people in my house cannot stand a closed door.

I live in a house with my dad and a friend. During the day, the two of them will make multiple trips into my room to talk to me. They talk to me about things they’ve read on the Internet, episodes of TV shows (that I don’t watch and don’t want to watch), whatever is going on in the news, celebrity gossip, the latest political bullshit, this, that, and the other. Sometimes the conversation is only a few minutes; sometimes “I just need to tell you one thing” turns into thirty minutes to two hours. This happens every day. And it happens when I’m writing.

It’s happening right now as I’m typing this blog post, actually. My roommate has been talking to me about Project Runway (that I don’t watch), asking questions about the movie I’ve got on (The Ghoul), asking about arranging a movie date with her and my nieces, telling me about what the cats did upstairs.

I pretty much wrote everything until this point while she talked to me. That’s how I end up having to get my work done a lot of the time. I just write around the people in my house. Because if I don’t, I will get nothing done.

I can’t do this all the time. Sometimes, whatever I’m working on requires more attention than I can manage while listening to someone else talk and sometimes, whatever someone else is talking about requires more attention than I can manage while writing. Which is pretty frustrating because that means I either don’t get everything done that I want to get done in the allotted time or I end up working much later than I anticipated and other things I wanted to do don’t get done.

Why don’t I say something to them? Well, I have. But, since my writing schedule is inconsistent due to my day jobs and the demands of whatever project or projects I’m working on during any given day, they can’t tell if I’m working or not. And if I tell them I’m working, they either get offended that I don’t want to hear about the latest episode of Bar Rescue or about what Abby Lee Miller did now, or they assure me that whatever they have to say will “only take a minute” and talk to me anyway.

Why don’t I go somewhere else and write? I would, but I’m actually not really comfortable writing in public spaces. I would prefer to write in the space I’m most comfortable in as I tend to be the most productive there and that place is…my room.

Which sometimes reminds me of a bus terminal during bad weather and all of the buses are late: you can’t escape from the conversations.

My dad and my friend aren’t bad people. It’s not that they don’t care that I’m trying to write. It’s not like they’re purposely trying to sabotage me in my efforts.

It’s just that my writing time isn’t important to them. But it’s sacred to me.

So, I write around them.

The Fate of the Ivy Russell Novellas Decided!

Ivy novellas

The votes are in and they’ve all been tallied and…it’s a tie!

That’s because only two people voted and they voted for two different things.

But, results are results and since they’re not contradictory, I’ll do both.

So the Ivy Russell novellas will be released as an eBook, most likely later this month, and it will be released as a paperback, publication time to be determined.

I expect to sell at least one of each.

You know who you are.

Are You a Good Fatty?

Fat girl bikiniThis is a mindset that I have struggled with and one I’m working very hard to correct. Why? Because the Good Fatty is bullshit, that’s why.

Here’s how it works.

People make generalizations about fat people. They’re lazy. They eat like garbage. They’re unhealthy. You know, the same song and dance folks have been performing since before Jane Fonda made jazzercise a thing.

Immediately, my reaction is, “Not all fatties! I’m not lazy. I exercise. I do yoga. I belly dance. I count my steps. I lift weights. And I eat healthy! I rarely eat fast food. I eat vegetarian meals several times a week. I don’t eat a lot of processed food. And my health has been more affected by not having regular access to affordable healthcare than by my weight.”

Now, all of those things are true and generalizations are garbage. But, the fact that I feel the urge to defend my honor and separate myself from those other, “bad” fatties is bullshit. I shouldn’t feel that way. I shouldn’t actually have to do that at all.

Why?

Because there are thin people whose only exercise is walking out to their car so they can drive to a fast food joint. There are thin people whose diets consist of not much more than Starbucks and cigarettes and cupcakes. No “good” thin person has ever felt the need to distance themselves from those “bad” thin people by saying, “I’m not like them! I run twenty miles a week and take a spin class and do hot yoga. I eat gluten-free vegan. I’ve never drank or smoked and I haven’t set foot inside a Starbucks in my life!”

No, no thin person, good or bad, feels the need to defend their life choices because they are, by default, “healthy” just because they’re thin. Regardless of their choices, they’re treated with basic human respect. They don’t have to worry about anyone judging their choice of fries over salad. They don’t feel the need to remind everyone that they walked their five miles yesterday and today is just an off day. They don’t feel the need to say, “But I’m not like them.” They know it doesn’t matter. They will still get that basic human respect.

That simple respect isn’t extended to all fatties, just the “good” ones and only if they prove that they really are “good”.

So, riddle me this, Batman, why is that?

Why is some lazy, Whopper-eating thin person treated with more respect than a fat person who does the same thing? Why is perceived health the basis for simple respect? Why does a fat person not deserve respect because they’re not “healthy”?

Who the fuck came up with that rule?

Here’s the real skinny, Minnie, until proven otherwise, we all are entitled to basic human respect. All of us. Even the “bad” fatties.

I’m not going to draw that line between me and the “bad” fatties anymore. I’m going to work really hard not to do it. If I don’t draw that line between me and the smokers and the drinkers and the “bad” thin people, then there’s no need for that line to exist between me and other fatties. Their health choices are theirs, such as mine are mine. End of.

The respect thing, though, that’s non-negotiable.

Regardless of my weight, regardless of what I eat, regardless of how much I move, I refuse to accept anything less than simple respect.

I insist upon that.

October Writing Projects

pumpkinsHonestly, I don’t have a lot going on this month. This is mostly due to NaNoWriMo looming. I don’t like to jam my schedule full the month before I’m going to be focused on writing 50,000 words as quickly as possible. It wears out my brain and renders me useless.

The only things I HAVE to do this month are finish the revisions on the novella-turned-novel, which hopefully include finally giving it a title, and finalize my outline for this year’s NaNo endeavor, The End of the (Werewolf) Curse.

Things that I could do if I feel the urge: revise Voice, revise “The Wind Chime Tree”, revise “Darling”. I don’t think I’ll start writing anything new unless something irresistible pops into my brain.

Most likely I’ll be saving that energy for November.

If you haven’t voted in the poll to decide the fate of the Ivy Russell novellas, please do so. The poll closes next week. Yes, I know it’s only been open a day. What can I say? This has been eating away at my brain for months now and I’d like to finally have a conclusion.

And, if the majority rules that I do anything other than nothing, then I’ll have something else to do this month.

Decide the Fate of the Ivy Russell Novellas

Ivy novellas

I’m struggling with indecision so I decided the best thing to do is to take my dilemma out of my brains and leave it to someone else’s, namely yours.

Here’s the situation: the covers for the last three Ivy Russell novellas are still not done. I don’t know when (or if) they’ll be done. The disruption in my planned publishing schedule has been a drag, but it has also caused me to question repeatedly the best course of action to handling this change of plans. Every choice you see in the poll below are choices that I’ve seriously considered (and reconsidered and then considered again).

So, I put it to you, gentlefolk. What the hell should I do?

The poll will be open for a week.

Please, Won’t You Be My Patron?

Boob Job FundYou may have noticed that a Tip Jar link has been added to the blog. You may be wondering what that’s about.  Allow me to explain.

Patreon is a site in which a person can be a patron to creators of various kinds of art. Like what they did back in the day, according to my humanities teacher in community college. Rich people supported artists while they worked, sometimes on projects for said rich people, sometimes on their own stuff. Such is the way Patreon works, except it’s open to anyone to be a patron, not just rich people, and it’s open to anyone to be a creator, not just dead Italian artists.

In other words, I’m a creator and now you can be my patron.

Here’s how it works.

You pledge a specific amount of money, one or two dollars, per writing project, aka published novella, anthology, or novel. When I make a post on Patreon that says, “Hey! I’ve published this! Woo!”, that’s when your pledge takes effect. You get charged the first of the next month. You only pay when I finish a project and you can stop being my patron at any time. I may mentally hex you, but I’ll respect your right to spend your money as you see fit. But if you do become my patron, you’ll get some nifty stuff, depending on how much you donate and whether or not you want it.

What could I possibly mean by that?

Well, it’s one of the main reasons I’ve decided set up my tip jar, so to speak. There are people that buy my work and I am grateful for their support. However, I know of a few people that do want to support me in the monetary fashion, but don’t want to buy an ebook they’re not going to read. Horror isn’t for everyone, reading isn’t for everyone (though it should be). This gives those people an opportunity to help me out. It also gives the people already buying my self-published work an opportunity to give me more money. Because why would I turn down an opportunity for more money? I wouldn’t and I shouldn’t.

What will I be doing with this money? Considering I’m only asking for one or two dollars per project (I suppose you could give more than that, but I don’t know why you’d want to), I will not be using this money to vacation in Cabo or Paris. Most likely it will be hoarded away so I can pay the blog bill and if I’m lucky, renew my Microsoft Office license. If I’m really lucky, I’ll be able to do something more with print. I’m a jinx when it comes to that formatting and proofs aren’t free, my friends.

As always, though, spreading the word about my stuff is free. Be it by recommending my stories to someone or leaving a review on Amazon or Goodreads, it is something I deeply appreciate. So if you want to help without involving your wallet (or in addition to your wallet), this is the way to do it. Word of mouth will always be priceless to me.

So, with all that said…

Please, won’t you please, be my patron?

Rerun Junkie–Gunsmoke

It’s the longest running western. It’s tied for the longest running prime-time drama (thanks, Law & Order). Twenty years is a long time on the air and 635 episodes is a lot of episodes.

Twenty years also means different opening credits.
Twenty years also means different opening credits.

Set in Dodge City, Kansas, Gunsmoke is the story of Marshall Matthew Dillon (James Arness) as he tries to bring justice to the Wild West. Assisted over the years by friends Doc (Milburn Stone), Chester (Dennis Weaver), and Quint Asper (Burt Reynolds), deputies Festus (Ken Curtis), Thad (Roger Ewing), and Newly (Buck Taylor), and the saloon owner Miss Kitty (Amanda Blake) and her bartender Sam (Glenn Strange), Matt faced off against a host of bad guys, troubles, injuries, moral quandries, and injustice.

And let me tell you, there was plenty of all of that. I haven’t seen every episode of this show. Probably haven’t even seen half of them (and it started out on the radio with William Conrad as the voice of Matt Dillon, so the saddle bag of history overflows). But I can tell you that they did not skimp on the drama, nor skirt some of the heavier issues. In addition to the usual robbery, revenge, and death you expect on a western, the show had episodes involving rape, white slavery, racism, bigotry, abuse of all kinds, greed of all kinds, murder of all kinds, and that’s just what I can remember off the top of my head. I think every one of the main cast was falsely accused at one point in time and a few even faced the rope, only to be saved at the last minute. I know Festus was nearly hung on several occasions, head in the noose and all before he was saved, and when he was saved NO ONE EVER APOLOGIZED. Really. Nobody ever bothered to be like, “Hey, sorry we nearly killed you. Our bad.” Nothing. I think if you nearly hang someone  and then find out he’s innocent just before you kick the horse out from under him, you should at least have the decency to say you’re sorry. But that’s just me.

This is the cast configuration I know best. See the smiles? The Wild West wasn't a total downer.
This is the cast configuration I know best. See the smiles? The Wild West wasn’t a total downer.

Not every episode was heavier than a blacksmith’s anvil. Many of them were light and quite funny. Typically, anytime Festus was heavily involved, especially if any member of his family showed up, it’s going to be a good time. Festus episodes tend to be my favorite. But no matter what the nature of the episode is, any conversation between Festus and Doc is going to be gold.

Gunsmoke is one of those shows that could have a post of it’s own on just the guest stars. That’s what happens when you’re on forever. Everyone ends up on your show. But here area  few I find worth mentioning: familiar names Nick Nolte, Gary Busey, Harrison Ford, Dennis Hopper, Richard Dreyfus, Jodie Foster, Diane Ladd, and Charles Bronson; Bruce Dern, Royal Dano, John Dehner, John Anderson, Lee Van Cleef, Jack Elam, Strother Martin, Harry Carey Jr, and Claude Akins, who were required by federal law at the time to appear in every western TV show; my favorites Ross Martin and Joyce Jameson; J. Pat O’Malley, Nehemiah Persoff, Virginia Gregg, and Vitto Scotti, who were required by federal law at the time to be in every TV show; Kurt Russell and his daddy Bing; Buck Taylor’s daddy Dub; Brock Peters, Cicely Tyson, Yaphet Kotto, and Keye Luke; Ron Howard and his brother Clint; John Saxon, Sid Haig, and Richard Jaeckel; and leading ladies Bette Davis, Vera Miles, Margaret Hamilton, and Gloria DeHaven.

This isn’t even the tip of the ice berg. It’s a mere clump of snow on an ice planet.

Like many of my reruns, I started watching Gunsmoke because there was nothing else on. Having seen episodes from the last eight or nine seasons multiple times now, I can see why this show was on the air for so long. There was always a problem to be solved, a danger to overcome, a gunslinger to tame, a thirst for revenge to quench. This show had it all, right down to the romantic tension between Marshall Dillon and Miss Kitty (how scandalous!).

Dodge City may have faced drought a time or two, the drama well never ran dry.

Bless Festus, his mule, and his abused hat.
Bless Festus, his mule, and his abused hat.