Writing–September Projects

Ivy

After the disaster that was August, I’m ready to switch gears and leave my disappointments in the dust, like I would totally do every day if I could afford the Chevelle on the car lot near my house.

Anyway.

My two main goals this month are to get back to revisions on the Ivy novella (and hopefully give the damn thing a name) and start writing the latest horror novella idea.

I feel like the month away from the Ivy novella has given me a nice respite and a new perspective on it. I think I have a better idea of what I need to do with it to get it the way I want it. I’m thinking that, if all goes well, I should still be able to get it up as an e-book before the end of the year, possibly before NaNo. However, I’m saying that tentatively. I saw what smugness did to me last month.

I think writing this new novella idea will be just the break I need from the trouble I’ve been having with the short stories. The idea has mellowed long enough that I think I’m ready to put it down on paper, so to speak, and I think the act of writing something new and something longer might help my creative issues when it comes to revising my short stories and getting them to work out the way I want them to.

I’m also back to kid-minding in the morning (and now the afternoon as well) a few days a week. I think my morning project will be this non-fiction thing that I’ve been scribbling about since January. I still don’t know what it is exactly, but I’ve filled a whole notebook about it. I’ve got a new notebook and I’m going to keep scribbling. Eventually, I’m going to get to the heart of this beast and know its name. Might as well do it in the mornings while I’m waiting for the kid to get ready for school during the moments I don’t have a kitten crawling up my leg.

I feel this will be sufficient to keep me busy without completely crushing my soul since none of it has to be finished before the end of the month.

Ego rebound month.

What Does My Handwriting Say About Me?

HandwritingI get a lot of comments on my handwriting.

Not compliments.

Comments.

Because people are more fascinated than impressed with my handwriting.

As you can see from the picture, I definitely have my own style. It’s half-print, half-cursive. I use old-fashioned A’s and my lower case N’s look like a smaller version of the capital form. It’s pointy and a little sloppy. Like I said in the note, I made an effort to be neat. If I don’t, then it looks a whole lot worse.

Most of the time it looks worse.

If I’m writing for me, then neatness be damned. I can read it and that’s all that matters.

Except sometimes even I can’t read it.

When I was in college, I was a serious note-taker. I was good at picking out what I needed to know and writing it down, but this meant that I wrote a lot. And sometimes, in an effort to keep up, neatness ended up sacrificed on the alter of speed and in the end there were some things that even I couldn’t read. I admit that some of my psychology notes looked like I was possessed by a demon and started writing in tongues during the lecture. Forget asking anyone else to make a guess, not when they have so much trouble reading it in the first place.

Handy, in a way. Almost like writing in code. Except for the times when I can’t even break it.

The big thing that gets commented on the most is that my handwriting is so small. To be fair, the notebook paper I used for the picture is wide ruled, but it’s even noticeable when I use college ruled (my preference). Even my still-learning-to-write niece has commented on the smallness of it.

For some reason, my tiny handwriting drives people crazy. I don’t know why but that’s just more comfortable to me. Writing bigger feels foreign and awkward to me. Oh, when I was younger I tried to write bigger, using that soft, curvy style that most of the girls I was in school with used. But it never felt right and I couldn’t get it to stick. Inevitably, I’d go back to writing small and pointy letters. Bubble letters and I’s dotted with hearts just doesn’t come naturally to me. Small and sharp is the way I go.

I can’t help it.

It’s just my style.

Writing–Full Stop

Stop Sign

This hiccup with my planned anthology, along with one of my stories getting cancelled, has brought me to a full stop.

It’s a simple case of writer’s doubt I know, but I’ve taken a good hit to the ego and I need some recovery time.

It’s not like the time I didn’t write for two weeks, though. It’s not that I’m not writing at all. I’m still writing blog posts and writing in my journal and sketching out some story ideas and the like, but all work on my short stories has completely stopped, even the ones that had nothing to do with the anthology. I just don’t want to look at them. I don’t know what to do with them. I don’t want to start a new one. Bleh bleh bleh.

So I shot myself in the foot this month. What I want to get accomplished isn’t going to be accomplished because I ran smack dab into this brick wall and I’m doing a fair bit of whining and moping instead of problem-solving to get by it.

The thing is, though, I’m letting myself do it. I have a right to wallow a bit. The wallowing isn’t stopping me from working on OTHER things. In fact, I’m directing a bit of that wallowing towards other projects because it let’s me feel like I’m not a complete failure and I’m not being totally useless.

But I don’t see any reason why I should deny myself the opportunity to experience this disappointment. How else will I learn? How else will I get stronger? How else will I figure out how to cope and how to recover and how to overcome?

So maybe full stop isn’t the best way to describe this since only one thing has really stopped (temporarily).

Everything else is still plugging away.

Sew, I Made Another Skirt

Denim Pencil SkirtAfter doing my first jean skirt, I decided that I had another pair of jeans that were ripe for transformation and decided to do another one, but shorter. I was going for a pencil skirt look, which I sort of achieved.

I did my measuring and cut off the legs where I thought I should. Then I went about the cutting and sewing just like I did with the first, long denim skirt: I cut the inseam of the legs open along the seam and the front of the jeans up along the crotch towards the zipper so I could fold it over and stitch it. I did the same thing in the back, cutting up the butt seam, but fashioning a slit instead.

The front looks pretty good, I think. I don’t like the way the back slit turned out very much and if I’m honest, the skirt should be tighter around the legs to be more pencil-ish. It also turned out shorter than I’d intended. Good thing I allowed an inch or so for a hem, otherwise it would have been much shorter than I wanted.

I learned a few things working on this skirt.

One, I’m terrible at cutting a straight line and I don’t know that I’ll ever get better at it.

Two, shorter skirts require a lot more trimming than I thought. Due to my crap cutting skills and the way the fabric needed to be arranged to be worked into a skirt, I had a lot more excess material to cut away than with my first skirt.

Three, my stitching is getting better, which I consider a huge plus.

Four, I will sew with my left hand without realizing it and then wonder why it’s taking me so long to get the sewing done. No kidding. I was half-way through one section of the skirt before I realized why it was taking me so long to get it done. The sad thing is, I do stuff like that all the time. Clearly, I think I’m ambidextrous, but my left hand just hasn’t developed the necessary skill level yet.

In the end, I’m pretty pleased with this attempt.

This will be the last jeans-to-skirt attempt for a while, though.

At least until I buy some more jeans.

Writing–Cancelling “Someone To Hold”

English: A cancelled cross used for the cancel...

For the second time in my writing career, I’ve had a story cancelled on me.

“Someone to Hold” was accepted earlier this year for publication in a magazine. Last week I received notice that they were putting all of their magazines on hold and therefore, my story would not be published. They said they’d get back to me when their magazines go back into production and if the story is still available, they’ll take it again.

So, the question before me now is what should I do with this story?

I could hold onto it and hope they contact me again so I get that guaranteed magazine space and that guaranteed money.

Or, I could submit it somewhere else if I come across a place that would be a good fit.

Or, I could use it in the wrecked anthology that I blogged about earlier this week if I need it.

I guess it all depends on what would best serve the story. Leaving it to sit on my hard drive is not doing it any justice, so the idea of saving it for something that might not happen makes me a little nervous. I’d hate for this story to be wasted like that.

On the other hand, my track record for self-publishing isn’t exactly great. If I put this story in my anthology and publish it that way, there’s a good chance that it won’t get read anyway. However, it will be possible to read it. That’s not true if it’s hanging out, waiting to be submitted somewhere.

Speaking of, it’s possible that if I do come across some place to submit the story and it gets accepted, there’s going to be this nagging worry that I might be short changing myself by settling for another magazine/anthology when I should have just waited.

It’s amazing the knots I can tie myself into over things like this.

The one bright spot in this is that I have time. There’s no hurry to make a decision.

It’ll be a while before they get back to me about their magazines going back into production. It’s going to be longer than expected for me to get this anthology un-wrecked. I’m not actively searching for publications. This is not a pressing matter.

But it’s one that’s going to be lurking in the back of my mind.

Writing–So About That Anthology

English: Icon from Nuvola icon theme for KDE 3...

I’ve discussed that I planned to do another short story anthology this year and I brashly said that I could have it pretty much done by the end of this month.

Well, I did a great job of jinxing myself.

In doing revisions on my short stories for the anthology, a few things ended up occurring.

1. Two of the stories aren’t working out. “Devil Temper” and “The Backroom” just aren’t coming together the way I want them to and I’m not sure yet how to fix them. This means there’s a very good chance that they will not be done by the end of the month. It also means that they might not work out at all or, if they do work out, might no longer work for the anthology. See my next number.

2. “The Nights Get Shorter” has turned out to be a good little ditty, which I’m pleased with, but isn’t going to fit the tone of the anthology, which is a bummer.

3. “Mind the Deer” did work and will be used. Thank goodness I didn’t jinx EVERYTHING.

So this means I went from having my anthology idea worked out and all of the spaces filled to needing three stories if I can’t get “Devil Temper” and “The Backroom” to do my bidding and/or they no longer work for the anthology.

This is what I get for being too cocky and thinking that this month was going to be a breeze. Instead, I’m looking at a big ol’ setback and the goals I had for the month might not get accomplished.

Let this be a lesson, kids. Don’t be arrogant with your work. It’ll kick you in the ass.

Writing–Is This Worth Writing?

Photograph of a statue of an ape, examining a ...

I’ve got two potential ideas for this year’s NaNoWriMo. I’m actually delighted that I’m getting any ideas so early considering the last couple of years I’ve waited until the last minute before coming up with something. I’ve also got an idea for a new novella (unless it decides to keep growing). I’m rather excited by the sudden influx of creativity I’ve got going on here.

However, I’m faced with the usual problem whenever I get any idea: is this worth writing?

I admit that I get a lot of ideas, notions, scraps of inspiration, and those end up getting jotted down in my idea notebook because most of the time, as good as they seem, there’s not much to them. At least not yet. So I save them for later.

There are times, like recently, that the ideas I get are so strong that they won’t leave my head and I find myself having a whole lot to jot down in my notebook. I keep coming back to those ideas because there’s something there that arouses my interest and keeps me wondering how it could all work out.

Those ideas, the ones that seem to have so much promise, are the ones that I judge the harshest. And I’m not always a very good judge. Sometimes I get caught up in the excitement and I start writing an idea that maybe isn’t ready to be written, or shouldn’t be written at all. After a few days, maybe a week, I realize it. The whole thing grinds to a halt and I’m left disappointed.

It happened recently. I had this great idea and I started to sketch it out. And while I was still sketching it, I decided that it wouldn’t hurt to start writing the beginning of it. Sure enough, had I put in the due diligence of sketching, I might have realized that my enthusiasm would be short-lived and the idea would have been better left to settle in the sketch stage instead of being rushed into production.

That’s the kind of dance I’m doing now with these three new ideas. I’m doing a lot of thinking and sketching. The two potential novel ideas will need some research, one more than the other. But more importantly, is there enough story there that’s worth writing? I don’t want to be caught short during NaNo. One of the novel ideas I can tell has a problem with having enough story. Right now I’ve only got one main thread and that’s not going to be enough to go the distance with if I want to do it for NaNo. The other one already has a few threads to work with the main thread, so I consider it to have a little more potential. Except the way I want to do it is different than anything I’ve ever done before and it might not be a good idea to do it that way.

The novella is healthy as a horse, as near as I can tell. The only question I’ve got with it is will I be able to write it the way that I want to and the way that I see it in my head.

But that’s another post for another day.

If Everyone Is Saying It, It Must Be True

English: Most cosmetology and beauty school pr...

I was taught that when someone gave me a compliment I was to say “thank you” whether I agreed with them or not. Don’t argue, don’t protest, just say your thanks and move on. Manners and all that.

And that’s what I do. “You have such pretty eyes.” “Thanks.” “I love your skirt!” “Thanks.” “I like the way you verbally eviscerated that guy.” “Thanks.”

It’s become an automatic response to the point that I don’t really pay much attention to the compliment (unless it’s a truly unique one or backhanded or related to weight-loss because I don’t think saying, “Hey, you’ve lost weight!” is much of a compliment, but that’s another post). It’s not that I don’t appreciate people saying nice things to me on occasion; I enjoy that very much. But I just don’t read that much into it.

When I got my hair cut, I expected some people to notice because it was such a dramatic change. And I anticipated the reactions of a few people would be saying they liked my hair, whether they really did or not, as a way of acknowledging the drastic change in a nice way. In short, I didn’t pay too much attention at first when people said they liked my hair because it was the people that I expected to say something.

But then people I didn’t expect started saying the same thing. My hair attracted more attention than I thought it would. And I started to think…”Gee, maybe everyone does think my hair looks nice.”

At some point I’ve moved from “people being nice about my hair” to “this is the general consensus about my hair”.

Which is weird for me because I don’t typically think of people holding good opinions of me. I know I’m regarded as a failure by certain people and society thinks I’m a fat waste of DNA, and I’d be lying if I said those opinions didn’t impact me at least somewhat, but my opinion of myself is so high that it kind of minimizes the worth of those opinions.

So here I am, already thinking my hair looks freakin’ fabulous, and people are backing me up. It’s just strange. I’ve never had this sort of positive consensus before, particularly about a physical aspect of my being. I mean it’s nice, but it’s strange.

This is one of the few instances that I like going with the crowd, especially since for once they’re agreeing with me. If everyone is saying it, then it must be true. My hair looks good.

I could go mad with this sort of power.

But no. I like my head able to fit through doorways.

Rerun Junkie–Characters: Big Chicken

Big ChickenThere are two guest characters from the TV shows I’ve blogged about that end up in searches that lead to my blog and one of them is Big Chicken.

It’s understandable, really. First of all, the old Hawaii Five-O series ran for twelve years and it was pretty popular. Second of all, Big Chicken, even though he was only in two episodes, was pretty damn memorable.

His first appearance, in a first season episode called “…And They Painted Daisies on His Coffin”, introduces us to the Big Chicken smarm. In the episode, off-duty Danny chases and ends up shooting an armed “kid” (they called him a kid; I called him twenty-five). Only, surprise! The victim’s girlfriend takes her now-dead boyfriend’s gun and runs off so it looks like Danny killed an unarmed “kid”. An investigation ensues and wouldn’t you know that dope pusher Big Chicken is involved? He thinks the law is cool. You can tell by the way he breaks it. Unfortunately, he doesn’t feel the law is so cool by the end of the episode.

Big Chicken in prisonLike I said, you get a hint of his smarm the first go-round. But it really comes on full-force and pretty much evolves into shudder-inducing creep later in the first season in an episode called “The Box”. The first time you see him, he’s in the prison shower (which is apparently some sort of broken pipe trickle), singing while some of his cohorts jump and beat a man. It’s unnerving and creepy and smarmy and just plain wrong.

The episode involves McGarrett entering the prison after the scuffle in the prison shower turns into a sort-of riot, but mostly hostage situation. It’s then that Big Chicken really turns it on. He weasels better than any weasel, ingratiating himself to the guy that his boys (one of whom is Al Harrington, who went on to play good guy Ben later) were whipping only a little while before in an attempt to get McGarrett killed. It’s a total slime act and the tension between Big Chicken and McGarrett has a real uncomfortable passion to it. His skeev level is off the charts.

I want to take a shower after I watch that episode (but not in a prison because no).

To me, the greatest part of this character is that it’s Gavin MacLeod playing him. When you think Gavin MacLeod, you think Captain Stubing, happy Loveboat guy, making dreams come true for his passengers and being an adorable father to his adorable daughter. Or maybe you think Murray Slaughter, TV writer and desk neighbor of Mary Richards, a good guy with excellent timing when it comes to insulting Ted Baxter.

You don’t think of him as a creeper’s creep.

I’ve seen him play a jerk before. He was a pretty big one an episode of The Big Valley. But to see him play the lowest of scum in such a slimy, skeevy way sticks with me. Kudos to him for that.

And kudos to Big Chicken.

Ya creep.

Writing–That Walk Away Point

Illustration from the Collier's magazine print...

It really doesn’t matter what kind of writing project it is -novel, novella, short story- it seems that at some point during the revision stage I have to walk away from it. Letting the story settle after a round of revisions, putting a little distance between myself and the words helps me see what needs to be done.

However, for some stories, the walk away isn’t just part of the revision process. It’s because I’ve grown to absolutely detest the story

I mentioned last week hitting that point with the Ivy novella. It’s not a unusual breaking point for me to get to when a project is being difficult.

There comes a point when I don’t want to look at the story anymore. I don’t want to read the words. I don’t want to try to make the story better. Just thinking about the story saps my will to live and makes me question my dedication to being a writer.

The only logical way to deal with this overwhelming feeling of disgust is to walk away. I put away the disagreeable project in question and I leave it alone until I’m done hating it. Sometimes that’s a couple of weeks. Sometimes that’s a couple of months. But the distance eases my hatred and makes my heart grow fonder for the piece.

Okay, not always. Sometimes the distance allows me to just hate the piece less while I gain the important objective view of the story so I can finally finish revising it and make it worth reading.

I don’t like hating any of my stories, but it happens. And I think it might be very easy for me to just abandon the stories I despise and move on to something I love. But, I don’t. I force myself to finish them to completion because just because I don’t like it doesn’t mean that someone else won’t adore it. It’s not fair for me to give up on it just because I don’t like it. If I’ve gotten that far with it, then the story deserves to be told, whether it ever gets published or not.

And I also don’t hate stories for an eternity. Sometimes I hate them at the walk away point, but then rediscover my like/love for the story during our separation. Now, if I abandoned the story just because I didn’t like it when it was being its most difficult, that would be a total injustice.

I’m exaggerating, but only a little bit.

I usually feel guilty when I first walk away a story, but I know in the end it works out for the best.

We all need our space, you know.