Apple and Pork Festival 2013

The Homestead.
The Homestead.

This past weekend was The Apple and Pork Festival and of course I went because there were some apple doughnuts with my name on them. Also some nacho-flavored kettlecorn and a lemon shake-up.

Anyway, with the nice weather the grounds were packed, the whole town was packed. I only went up on Saturday for a little while, walking up instead of taking the tram, and didn’t even bother going down to the flea market. A little bit was enough for me this year. Considering I never go out to the high school or antique mall or the country mall or the flea market that pops up in the old Cedar Square parking lot, it’s a very little bit.

Beyond those porta-potties lies the flea market.
Beyond those porta-potties lies the flea market.

Every year, it feels like it gets bigger, but it’s kind of neat to see how many of the same vendors and sellers show up and set up in the same spots. I appreciate that kind of consistency. For example, I bought something for my mom’s birthday on the Homestead grounds. I knew exactly what I wanted and knew exactly where the guy would be. And he had exactly what I wanted. Handy!

I love Apple and Pork, but only for the couple of hours I’m up there. Once I come home, I don’t leave my house again until Monday because with 100,000 extra people crammed in this tiny space, getting around is nearly impossible.

This is not an exaggeration.

Beyond that teepee they’re throwing tomahawks. I don’t know what you people do at YOUR festivals.

Rerun Junkie–Characters: Stefan Kopeckne

Mr. KopeckneA good character makes a lasting impression.  Like Big Chicken on Hawaii Five-0, Stefan Kopeckne (the other character that lead so many people to my blog) was only on two episodes of Barney Miller, but that was enough to make him memorable.

Kenneth Tigar was actually in five episodes of the show from 1976 to 1981, but it was his first and last appearances that he played the unfortunate Mr. Kopeckne.

His first appearance in the episode “Werewolf” was the more memorable of the two. Mr. Kopeckne, brought into the station after causing a commotion in a park (and ruining Detective Harris’s [Ron Glass] suit in the process).  Upon questioning, it’s revealed that Mr. Kopeckne believes he’s a werewolf, cursed from birth.  He’s put in the cage to fret about his impending transformation which will come at midnight while the police officers just wait for Bellevue to pick him up, not really taking his claims that seriously.

It’s the transformation scene that really makes the whole episode and makes Mr. Kopeckne someone to remember.  He claims he can feel the hair on his legs rustling and he starts panting because his tongue is sweating, all the while Nick (Jack Soo) is trying to talk him out of it. Mr. Kopeckne climbs the bars and starts to howl when Barney (Hal Linden) comes in and yells at him, saying this is a police station, not a horror movie.

Kopeckne the werewolfIn the end, Mr. Kopeckne goes off to Bellevue with some hope as Barney has pointed out that the lack of lycanthropy must mean they’ve made some progress with it.

Mr. Kopeckne returns in “Possession”. This time his arrested for disorderly conduct and claims that it’s because he’s possessed.  Sure enough, questionable things start happening in the precinct and Mr. Kopeckne demands that the police chaplain give him an exorcism. Not quite as good as “Werewolf”, but Mr. Tigar goes the distance with it, for sure.

Really, all of the credit in the world goes to Mr. Tigar. He’s one of those actors that you’ve seen before, probably multiple times, but probably don’t know his name. The kind of guy who is so good at his craft that you remember the character over the actor behind it. He took a character that could have been absolutely ridiculous and unbelievable and gave it enough realistic gravity to make it believable and let the comedy play.  It was easy to believe that this guy had a screw loose enough to think he was a werewolf, but could still function for the most part. He created a character that could have easily recurred once or twice a season without getting overdone or boring.

It’s kind of a shame they didn’t.

I’d have loved to see what else Mr. Kopeckne, and Mr. Tigar, could have come up with.

Rerun Junkie–Books: Mary and Lou and Rhoda and Ted by Jennifer Keishin Armstrong

Mary and Lou and Rhoda and Ted by Jennifer Keishin ArmstrongMy chronic rerun habit paid off in a big way when I won a Me-TV contest. The prize was Jennifer Keishin Armstrong’s book, Mary and Lou and Rhoda and Ted: And All the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic. I didn’t check the winner’s list so I was completely unaware that I’d won until a package from the publisher showed up. My confusion (“I didn’t order a book from these people”) gave way to pure joy as soon as I saw what book was in the package (“HOLY CROW I WON I WON I WON!”)

And indeed, I was the winner.

I’m one of those people that’s fascinated with behind-the-scenes stuff about TV shows, any sorts of TV trivia, even if I don’t watch or like the show (I’m the same way with movie trivia, which is more absurd given that I don’t really watch many movies). It’s not necessarily the dirt I’m into. Who’s sleeping with who, who’s fighting with who doesn’t intrigue me quite as much as how something was made.

This book is that and more.

Not only does it give you insight into the show itself, but it goes above and beyond in recognizing that the show didn’t occur in a vacuum and the people involved didn’t pop into existence just for the purpose of the show. While the show is the main focus, of course, it also talks about the TV landscape at the time, some of the other shows on the air, the spin-offs, and a bit about the state of the country in relation to the show, how the show impacted the country and the country impacted the show.

It also goes beyond just the actors, those lovely faces we see and associate more readily with the show. It profiles the creators and their mission to make a realistic sitcom featuring a working, single woman and their dedication to their vision. It also shows how they broke the rules by looking for and hiring women writers in a time when women weren’t thought of as funny. And, naturally, talks about the women who wrote for the show.  There’s even a bit about one of the show’s most dedicated fans.

The show broke more ground than a lot of people might realize.

It was actually a really inspiring read, in a way. The idea of working in this environment of a people that were dedicated to making this the best show that they could, who wouldn’t compromise or settle for less. It wasn’t all hearts and flowers, but it was special and it makes me wish I could be apart of something just like that.

This is also the kind of book I wish I could write about my TV show loves. Jennifer Keishin Armstrong’s narrative isn’t some dry account, by the numbers and letters of what happened. She allows the people she’s writing about to be the real people they are and brings out the emotions of the time. I cringed while reading about the first rehearsal that went so badly and I teared up during the recounting of the final episode. Every bit of it is readable, approachable, and educational without feeling like you’re being lectured to or otherwise schooled.

Now it’s time for my disclosure. The Mary Tyler Moore Show is one of those shows that half-ass watch, which means most of the time I’m not paying a whole lot of attention to it unless Rhoda or Murray are talking (they are my favorites and I have no shame about this). However, I KNOW it’s a good show and I’ve caught myself, over time, watching more of the episodes rather than just putting them on for background noise.

But this book has made me appreciate the show on a whole new level.

I’m going to be paying more attention now.

Rerun Junkie–Confession: Gilligan Was My First

Bob Denver as Gilligan on Gilligan's Island

That’s right. Gilligan’s Island was my first rerun love. (What did you think I was talking about, you perverts?)

It was on TBS when I was a kid and I remember watching it every afternoon. It didn’t bother me that the castaways had an endless supply of clothes or The Professor couldn’t fix a boat or they could fashion anything and everything (except a boat) out of coconuts or that nobody lost weight or died of scurvy or how those other people came and went and the castaways were always stuck. I was only concerned with the fact that Gilligan was silly and did silly things and Mary Ann should have been his girlfriend and the Skipper should have had some more patience.

Jinjer MaryannI was so taken with the show that I named one of my dolls Ginger Mary Ann. Except I spelled it Jinjer Maryann because five year olds are crap at spelling. Also the doll was probably supposed to be a boy, but it had red hair like Ginger and it had a sweet face like Mary Ann so I decided it was a short-haired girl.

Anyway, it was the only doll I ever named after characters on a TV show, therefore, it’s noteworthy.

I can remember daydreaming about being on that island with the castaways. I would have helped Gilligan and wouldn’t have made him feel like such a screw-up, even though everything he touched pretty much exploded in his face. Even at five, I felt very protective towards Gilligan.

I related to him because he was like a kid. He tried his best, but he messed up a lot. He was goofy and playful and seemed like the most fun. It’s not that I didn’t like the other characters; I did! I could have made my doll a boy and named him Gilligan, but I didn’t (she looks nothing like a Gilligan anyway); I named her after two of the girls. I was fond of all the castaways.

And I still am.

Little did I know that this show would set me off on my course. Like the Minnow’s two-man crew and its five passengers, my young self set sail in a sea of entertainment and like the inexplicable pull of that uncharted island, I’ve repeatedly found myself washing onto the shores of reruns, particularly when my life’s been stormy. I realize now that the shows I’ve liked best are the shows that remind of that fantasy world comfort I first experienced with Gilligan’s Island. No, the shows I love aren’t all silly, but there’s something about them that involves me yet puts me at ease the way the antics of the castaways did.

Only for me would naming a doll after a character establish the gold-standard of a television show.

Writing–Adjusting Expectations

600x750mm sign intended to match the specifica...

When I start the first draft of a project, I establish a certain daily minimum goal for it. Short stories I’m writing longhand, I go for at least one page in my notebook. For novels during NaNoWriMo, my unshakable goal is always 2,000 words.  Sometimes, depending on the story and the deadline, it’s just a matter of getting down on particular scene, no matter how long or short.

With the current novella I’m working, I set the word count low due to working three jobs and this being a non-priority story. I didn’t want to stress myself out with a too-high count and depress myself on the days I couldn’t make it. I decided on at least 500 word as the minimum I had to make on the days I worked two or more jobs. It was low enough to be stress-free on those sometimes stressful days, but enough words that it would still count as progress. On the other days, I set 1,000 words as my minimum, which I find reasonable enough for a novella I’m writing while working on other projects.

However, I’ve noticed that on the 500 word days I feel like I’m slacking. I hit my goal, usually going at least a few words over goal, either in the morning before I teach after I’m done with revisions on the Ivy novella, or after I make and eat dinner in the evening. Either way, it gets done, but it doesn’t feel like I’m doing enough. I should be doing MORE.

I know better, in  way. If I give into this feeling that I’m slacking and try to do more, then it’s all I do. The word count will never be enough because I’ll still have time to do more. It’ll take over the time I have to do other things, like read or relax or sleep. In other words, I’ll give this novella top priority when it doesn’t need it. There’s no timetable for this novella, no deadline. Writing at least 500 words a day, no matter how many jobs I’m working or what other projects I’m doing is fine.

I’m just going to have to make myself accept that.

Writing–The “Powerless” Saga

Contracts

Last week marked the end of an on-going issue with one of my stories.

I sold “Powerless” to a small magazine that shall remain nameless. When the story was accepted, it was explained that they wanted the story for the March 2013 issue and would I be okay with the wait. I was because even though my pocket would have to wait to receive payment, my ego was more than satisfied.

However, March came and instead of publication and payment, I received an email stating that the original publication had been bought by another publisher and things were a little crazy. New contracts and publishing schedules would be forthcoming.

In May, the new contract request came and I fulfilled it.

And then I waited.

A couple of posts on their Facebook page kept us authors informed, sort of, but other than that…we were all left waiting all summer.

(I’m one of those writers that tires not to ever inquire about a submission or publication status. It makes me feel like an amateur and a nag. I know I’m well-within my rights, but well…that’s another post.)

Last week, I received a final email. According to the former employee writing the email, the new publisher had no timetable for publication and possibly no funds to pay the writers for their work. Kind of a problem since we’d all basically re-upped our contracts for another year.

The email informed us of everything they knew and left it up to us as to whether we wanted to stick it out or not. If we wanted out of our contracts, they advised us how to do it, since they didn’t have the authority to release our rights. The email closed by wishing us all well.

I thought about it for a few hours. Well, first I let my agitation die down and then I thought about it.

I could leave my story with the new publisher with the hope they’d get their shit together and publish my story before the contract expired and actually paid me.

Or I could take my ball and go home.

I decided on the latter.

I don’t want to deal with shady people if I don’t have to. And I consider this bit of roundabout I’ve been through this year to be a bit shady.

Besides, this story will fit nicely into my own anthology.

Silver lining.

I Don’t Cover My Gray

A jar of Manic Panic hair dye

I’ve had gray hair since I was 28. I know this because after one of my nieces spotted one the other two descended like buzzards on road kill and for fifteen minutes the three of them combed through my hair looking for more like monkeys grooming for bugs. The only found a few, but they were still there.

I suppose at 28 I should have been upset that I was already sprouting the signs of old age, but really it didn’t bug me. Until they were pointed out, I didn’t notice them. After they were pointed out, I still didn’t notice them, unless I looked for them.

I’ve accumulated more over the years, but they’re still singular, spread out here and there throughout my hair. They don’t seem to be forming any definable pattern, like a cool streak or a lightning bolt or a swirl. They’re just scattered there, like highlights.

I think that’s one of the reasons I like them (and I do like my gray hair). They are like highlights, for now. Just a little added pizzazz to my plain brown locks. Besides, I’m sure I’ve earned more than a few of them.

I know that a lot of my friends color their gray hair and good for them. They associate gray hair with looking old and they don’t want to look old (they also might have more gray hair than I do, I don’t know since they, ya know, color their hair). I can dig that. Who wants to look like a grandma when they’re still only a mom? But I already look older, so a little gray hair isn’t going to hurt me none. I’m also lazy. After spending a good part of my late teens and early 20’s coloring my hair a lot, I’m reluctant to take up the habit again. I know just how much upkeep that sort of thing requires and I just don’t feel like it right now, especially for such small flaw.

There might come a day when I change my mind. When the gray goes from highlights to full on color and I’m getting offered a senior citizen discount 15 years before I’m eligible (and I might just take them if I’m offered, you don’t know), I might decide to look a little more my age and break out the L’Oreal. Especially if the senior citizen discounts aren’t that great.

But for now I’m cool with letting my years shine.

Rerun Junkie–Confession: I’m a Sucker for Reunions

Mary Tyler Moore Hot in ClevelandI don’t watch Hot in Cleveland by habit. I’ve only seen a couple of episodes, mostly because there was some special draw, like the live episode (which was quite funny and well done for a live show). One episode that I made sure I watched, though, was the one featuring the Mary Tyler Moore reunion.

I’m a sucker for things like that.

Of course, plain old reunion shows are great (you know, like the Gilligan’s Island and Love Boat TV movies), but there’s something really nifty about getting actors from an old show together and having them play new characters. There’s the wink-wink, nudge-nudge they always seem to work into the episode, of course, but mostly there’s this fun of watching people with a history, with a chemistry, with a rhythm working together, but playing something different.

Like the Mary Tyler Moore reunion. They played a bowling team getting together after years apart, fame having undone their friendship. So there’s Mary and Rhoda and Georgette and Sue Ann and Phyllis sitting around a table, except they weren’t those characters. It was the same chemistry but presented in a different way.

Cagney Lacey Burn NoticeSharon Gless and Tyne Daly did it on Burn Notice. Cagney and Lacey together again only as Madeline and Tina, strangers not partners. So even thought Madeline is befriending Tina for a short-term purpose, that chemistry that made Cagney and Lacey such a great duo is still there.

I find that kind of thing fun to watch. It’s taking people who are comfortable with each other and putting them in a different element.

I look for those kinds of reunions. I don’t catch them all, of course, but I’m always thrilled when they happen. I guess it’s just the warm fuzzies it gives me. Here are the actors that created some iconic characters back together in a different, but yet familiar way.

It sucks me in every time.

You want me to watch current TV more often? This is definitely the way to do it. I’d clear my schedule for the right reunion.

I’m that kind of sucker.

What Bill Watterson Said

Railroad Tracks

The wonderful thing about Twitter is that it exposes me to things that I might not normally make contact with. Sometimes that can be  a curse, but much of the time it’s a blessing.

Someone linked to a Slate article about this blog, particularly the Bill Watterson entry. Gavin Aung Than is a freelance cartoonist and for this blog, he takes inspirational quotes and turns them into cartoons. For the Bill Watterson quote, which was taken from a speech he did at Kenyon College in 1990, Mr. Than drew the cartoon in the style of Mr. Watterson (and did a pretty fabulous job, if you ask me, which no one did, but I’m saying it anyway).

Combining the essence of Calvin and Hobbes with a solid, meaningful quote is a great way to speak to me and this little bit did. It’s basically saying what I’ve been struggling with for the past six years in pursuing my life as a writer. I’m viewed as a failure because I’m not out to get that brass ring everyone’s heard tell about. I’m not doing it the way I’m supposed to.

I use my living situation, which most would cite as an example of failure, to my advantage so I can work my “not real” jobs to pay my bills while affording me the time I want to write. I did the same thing when I had a “real job” at Wal-Mart, only working part-time, refusing promotions and such so I could keep my writing time. When I took my last “real job”, the full-time deal in a cube, I really wasn’t feeling it, partially because my writing time was significantly cut down.

People thought I was terrible for quitting that last job. It was a “good” job. And it was a good job. But it wasn’t MY good job.

It’s my life and I want to do it my way and unfortunately, my way isn’t THE way, and I’d like people living THE way not to freak out about it so much. We all gotta run our own railroads.

Just like the comic. He quit the job that wasn’t fulfilling him to make model T-Rex’s and be a stay-at-home dad. That’s not MY life. Painting models and raising kids isn’t the train track I wanna be running on, but I totally get that sentiment.

And please, don’t bring up the whole “paying the bills” end of this scenario. “Not everyone can quick their jobs and ART!” (Seriously, every third comment on the Slate article I didn’t link to for just that reason was like this. Every second comment was bitching about how it was an insult to people who ARE ambitious and WANT that kind of life and, oh for fuck’s sake, go sit down somewhere because you’re insistence on missing the point is irritating). First of all, I PAY my bills and I’ve paid them since I was fifteen. And no matter what situation I’m in, bills getting paid comes first. Bills getting paid coming first is the important part of this scenario.

But I try to do it in such a way that was more fulfilling to me.

Kinda like I’m doing right now.

Writing–From Doubt to New Idea

Line art representation of a Quill

After the Short Story Disappointment of August, I found myself re-evaluating my worth, dedication, and ability as a writer. Periods of writer’s doubt are common for me. I think a lot of writers go through it once in a while. But this one had me really questioning myself as a writer.

In the end, I realized a few things about myself.

One, I’m always going to be a writer. Even if I can never make a living off of it, I’m always going to do it. It’s just what I do. Because when I sat down and asked myself, “Okay, self, what is it that you really want to do with your life?” the answer that came immediately was “Write”. Yes, I like to do other things. Yes, I make money other ways and I’m always exploring new ways to make money that I think would be fun and engaging. I’m really selfish in the fact that I want to do what I want to do as often as possible and I do what I can to make that happen. But the number one thing I want to do is write, so that’s what I’m going to do.

The second thing I realized is that I don’t think I’m good enough to make a living as a writer. Oh sure, plenty of crap writers get published and make bajillions of dollars (I don’t think I need to be naming names here). However, they also at least have an idea that is marketable, that the public drools for, that can be sold to the masses. I don’t have that. My brain doesn’t work that way. I don’t have the inherent ability to be popular and by extension, the stuff I write isn’t popular. Because of this I realize that I will probably never be able to sell a book to a traditional publisher. I just don’t have what they want because what they want is to make money (and I don’t blame them because that’s what we all want, baby). There is no need to waste an agent’s time because I don’t have the goods for the market. No fair asking them to sell bruised peaches to folks looking for shiny apples. They’ll never earn a living that way and neither will I.

The final thing I realized is that, you know, self-publishing might just be it for me. I AM good enough for that. And we’re rapidly moving away from the stigma of self-publishing being for losers. I do like self-publishing for the most part. I hate the formatting, but I like the control I have over what I publish, what the cover looks like, where I publish it, and so forth. I’m not a control-freak (some people might disagree), but I do like the autonomy of doing it myself. Yeah, it doesn’t translate into great sales, but it does provide that rush of accomplishment I get when something of mine does get published, but in this case, it’s just coming on my terms instead of someone else’s.

This latest batch of writer’s doubt has put a new perspective on who I am as a writer. It’s often too easy for me to put myself down because I’m not like other writers. Now I’m operating from the position that it’s okay if I’m not because I’m doing my own thing anyway. I shouldn’t be doing their thing. My own is just fine.

So pardon me while I groove.