Writing–September Projects

Hoverfly (Eristalinius taeniops)

Having spent the better part of my summer working on two novels in some form, I’m feeling a little lost. For three months I knew exactly what I was going to be working on every day. Now that they’re done (for now), there’s a little rudderless panic that happens at first. I had mine and now it’s time to work.

It’s time to swing things back to the short story.

I’ve got seven stories that are ready for submission. I’ve got two that need to be revised. I’ve got two ideas that are begging to be written. And “Gone Missing” needs one more polish after one of my lovely beta readers caught a few mistakes. Okay, it’s more of a novella, but still. I can count it for this.

So between writing, revising, polishing, and submitting there’s plenty to keep me busy this month. And since I’ve acquired a few day jobs that I’ll be starting this month, it’ll be easier to work the short story projects into the new and changing schedule.

Of course, that’s a mental thing. It just feels easier because short stories come pre-broken down into bite sized chunks that I can work on. Novels feel like a huge chunk of meat that you have to swallow whole and I have trouble breaking them down and working them into a day job schedule without feeling like a slacker.

I’m straying from the point. The point is I have a lot of short story work to do this month and some decisions to make one which stories I want to submit and which ones I want to use at freebies.

Because I think we could use a few more freebies on the blog. Don’t you?

Speaking of if you check out the Outskirts tab up at the top, you’ll find that I’ve moved everything from the old site over so you don’t have to leave home to read about the Skirts!

I’m convenient like that.

Writing–Everything is Flat

English: Sprite cans from China. From left to ...

I go through periods in which I think everything is flat. Like Sprite that’s lost its fizz, my ideas, my stories, my everything has no life.

If I get an idea during this period (and that’s a pretty big if), it’s not very good. It’s just a little sliver of something that could be good, but I feel no buzz for it, no drive to put it down on paper. It’s something, but it’s more like nothing.

Any words I put down on paper are lackluster. The stories have no sparkle. It all just lays there on the page, flat as a day old flounder on newspaper. The entire act of writing is just going through the motions. Sure the story gets written, but it’s nothing more than a yawn on paper.

If I’m doing story revisions/rewrites, I can nail all of the grammar and spelling problems, but I can’t fix the story. I’m not “inspired” enough to see what changes I need to make to best serve the story.

It’s a funny feeling, going through a flat phase like that. It’s like I’ve got nothing, not even fumes in the tank. I look around at every project I’ve got going and I feel absolutely overwhelmed by the boredom of it all. Nothing is good, nothing is interesting, nothing is exciting.

The thing about this feeling is that it’s all inside and has nothing to do with the work. The work doesn’t change, but my perception of it does. And there’s no real reason for my perception to change, it just does.

I suppose it’s like sailors hitting the doldrums. One day, they’re just sailing along. The next day, they’re going nowhere, everything is so calm and so still and so STATIONARY.

I realize I’m whipping out a lot of metaphors and similes to explain this feeling, but that’s only because I’m having trouble capturing it in words. It’s a hard feeling to explain, but you know if you’ve had it. It’s an unmistakable feeling of flatness.

I just went through another stretch of flatness. For a couple of weeks I looked at my white board, at my writing projects to do list, and thought, “meh”. When I looked at the board then, I saw nothing worth mentioning, just the same old routine.

Then one day I woke up and proceeded to go through the motions of writing and found that the flatness wasn’t there anymore. The bubbles came back and with them came ideas worth writing down and going through with. The words I put on the paper had a little more spice. The problems that plagued my stories suddenly had solutions that had been there the whole time, I’m sure.

When the flatness leaves, when it fills out to become something round and whole again, it’s like a rush of air into a balloon. Suddenly I’m very full of everything I’d been lacking for the days or weeks before. And it makes me wonder how I ever survived being flat, how I could ever bear that happening.

I guess it’s because I don’t know it’s happening. Like a balloon, it slowly leaks out. Like a soda left to sit, the bubbles slowly leave until there’s nothing left but flatness.

Thankfully, it’s only temporary.

Writing–August Projects

Flower of Gazaia rigens

My focus in August is going to be finishing the revisions/rewrites on The World (Saving) Series. I’ve got less than ten chapters to go and while the rewriting is going to be heavy, it shouldn’t take me the whole month to finish.

I started two short stories at the end of last month, “Just Visiting” and “Lady on the Stairs” which I’ll be finishing as well.

And then…?

I need to get back to working on the Ivy novel. Things got derailed when I did my writing protest for a week last month. I’m not sure how much I like the outline/write/revise method. I think that’s where part of my writing frustration came from. I may just finish the outline and then write the rest of the novel so I can call it done. As it stands, I’ve written/revised over half of it so I wouldn’t be in horrible shape if I did it that way.

I’ve got half a mind to start outlining another big project. It’d be a freebie for the blog. However, I make no guarantees that anything will ever come of it. It’s just something I’m thinking of doing.

And of course, I continue on with the 50 Rejections saga. It’s been rather disappointing lately. I don’t want to talk about it now.

I’ll wait until I can go on and on at length in a post of its own.

Writing–Moving On Up

Downtown highrise Miami FL USA 1589

Okay, the title of this post is misleading because in truth I am not going anywhere. What has “moved on up” is a couple of items now gracing the link bar up top right underneath my lovely banner.

Notice the additions?

Here, I’ll help.

First of all, I’ve moved the links to the stories I’ve had published from the sidebar to the top. They were buried down there like I was ashamed of them and there’s no telling how many people missed them because there weren’t prominently displayed. So now if you click on the “Read me” link above, you’re taken right to the list. And the freebies are listed first, in case you’re not ready for a monetary commitment (hopefully reading the freebies will convince you to invest a little green in my work, you know what I’m saying?).

The second change is the addition of a new experiment under the heading “Chapter One”. This is a feedback experiment. All I’ve done is posted the first chapter of one of my novel manuscripts and asked a simple question: Would you read more of this book?

This accomplishes two things. One, it satisfies my need for feedback, positive or negative. Writing is lonely and a lot of it is done without any sort of encouragement or acknowledgement of any kind. When you get to a point in which you wonder whether or not you should be spending all of your time on this project, a little feedback helps, preferably honest feedback.

Yes, I realize that I’m setting myself up for serious disappointment if a bunch of people tell me that they wouldn’t read any more of the book. However, that’s not going to discourage me from finishing the rewrites and revisions. I want it to be done and it’s going to be done. It might, though, seriously discourage me from trying to get it published. But that’s a bridge that I’ll cross should I get there.

I think the bigger possibility is that no one will read the chapter at all. Or they might read it, but they won’t comment on it. And that’s a disappointment I’m used to and it’s not going to dissuade me much from going all the way with this book.

There’s something fun and risky about putting this first chapter out like this. It’s something I don’t normally do. My roommate reads a lot of my short stories when I’m in doubt, but my novel manuscripts are rarely seen by any other eyes. Letting it go like this is a step for me.

I’m pretty sure it’s a step in the right direction.

Writing–Setting the Story

A CTA brown line train leaves Madison/Wabash s...
A CTA brown line train leaves Madison/Wabash station in the Chicago loop. Photographed from 41°52′58″N 87°37′34″W / °S °W / ; latd>90 (dms format) in latd latm lats longm longs looking south (Photo credit: Wikipedia)

Most of my short stories take place in fictional places that only exist in my head. Some people notice that some of the small towns in my stories bear a striking resemblance to the small town I live in.

It’s true. I think my hometown is a great place to set a story. It’s got character and charm and personality. It looks sweet and innocent with a lurking darkside that just catches your eyes at the very edge of your line of sight. There are a lot of times that when I’m coming up with a story, a section of my small town pops right in there as the perfect place to set it.

The benefit of writing about a completely fictional place or one that I know very well is that I do know them so well. No one can tell me that I’m wrong. I don’t have to worry about people correcting me because I’ve either made everything up or I know everything so well. The details have to be good, of course, but I don’t have to worry about yanking people out of the story because I got something wrong.

Two of my novels are set in Chicago. Now, I spent a lot of time in the south suburbs about 10 years ago and I’ve been to Chicago several times, but I don’t KNOW Chicago. I don’t know the streets and the businesses and the people and the flow as well as I know my little town in the middle of nowhere. I can look on the map (and I’ve used Google maps A LOT) to get an idea of where things are so I can be technically correct about certain details and so I have an idea of where I’m at…literally…in a story.

But when it comes to the feel of a city, I have to actually walk the streets. I’ll have to experience the EL and the neighborhoods and the traffic for myself. As much as I’d like to gloss over these things, it’s these kind of details that can make or break a story. I can’t call an EL stop part of the Red Line when it’s actually a Brown Line stop (I have no idea how accurate this example even is). A mistake like that can totally wreck a story for someone.

Place is important. Stories don’t happen in a vacuum (unless for those in which they do). It’s important to get those little details right.

I guess this means that I’ll be spending a lot of time in Chicago if I want to get these stories right.

You know what

? I don’t mind.

Writing–April Projects

Tree - leaf canopy

Last month my main goal was to get down a first draft of a personal essay that I want to submit to a contest. This month my main goal is to see if I can work that first draft into something I want to spend 25 dollars on in order to submit it to a contest. I believe the early bird deadline is May 1st. So, this will be fun. No pressure as I reserve the right not to submit an essay I don’t think is good enough to go since it will cost me 25 bucks to submit and right now money ain’t growing on trees.

Other April projects include revising “Gone Missing”, the not so short story. The first draft ended up being just about fifty pages, a little over 10,000 words. I need to figure out what I’m going to do with it. It’s hard enough for me to sell a story period. Trying to sell a longer story like this one ups the level of difficulty. I’m looking into the possibility of self-publishing it, say on Smashwords so it would be available strictly for e-readers, but my self-publishing success hasn’t been the greatest. But then, my publishing success in general is questionable, so really, I think I can hack it and break even either way.

I’ve also got a novel idea that has taken hold of my brain and won’t let go. I’ve got the basic plot, a subplot, the main characters (all except the bad guy…he doesn’t have a face or a name yet, but that will come, oh yes), and an idea of what I’m doing. I’ve already started working on an outline and jotted down a few scenes so I don’t forget them. Writing this a little a day will be a nice break from revising.

My quest to get 50 rejections this year continues. To check in, as of then end of March I have 3 rejections, 1 acceptance, 9 stories still out, and 2 ready to go. Obviously, more submitting will be done.

Let’s hope the next time I check in at the end of June, there’ll be more rejections (and acceptances!) counting towards my goal.

Writing–March Projects

The Daffodil, the floral emblem of March

My dedication to short stories last month didn’t exactly work out as well as I’d hoped. I did manage to get four done, but only one submitted. Progress was made, but victory was not established.

Obviously, if I’m going to make my goal of getting 50 rejections this year, I’m going to continue to work on my short stories. But they won’t be the big project this month.

The focus this month will be on putting together the first draft of a personal essay I’m hoping to submit to a contest. I expect it to be difficult simply because I’m venturing into new territory (I’ve only written one other essay that I submitted to a different contest, and that was only done for the experience) and because I’m really going to be pushing myself to really put my emotions down on paper. But that’s another post for another day.

Last month, in taking a break from working on the short stories (I’ve got a post about the outcome of that, too, but for another day), I read the first few chapters of A Tale of Two Lady Killers. I was less than thrilled with the draft. But! I do have a couple of ideas that I might work on to give myself another project when the essay and short stories start to frustrate me.

March should prove to be an important month if only for the essay part. If I can put together a satisfactory first draft of it, I’m going to call that a big win.

Writing–50 Rejections

Sometime last month it occurred to me that I should try to get 50 rejections this year.

Now let me explain.

There’s someone I follow on Twitter that counts her rejections. She tries for a lot more in the course of a year (like 150). In the course of those rejections, she does manage to get some acceptances. And after watching her do this for a year, I thought to myself, what a great idea.

So naturally, I stole it.

I need something get me going and keep me going when it comes to writing/revising/submitting short stories. It’s like I go through bursts of productivity with them, but never fully commit to the constant progress. Aiming for 50 rejections will help me do that.

In order for me to obtain my goal, I need to be more proactive. I can just rely on sudden bursts of time. I can’t let stories languish on the shelf. I can’t just stick to the horror genre to submit to, especially since it’s not the only genre I write in. I’m going to have to broaden my horizons and be more dedicated to my work.

I’ve already got my first rejection for the year (also my first acceptance) and I’ve still got four stories out. I’m on my way. Now I just have to keep moving.

This doesn’t mean I’m solely after rejections. I’m not going to be sending out any stories that aren’t ready to go just to meet my goal. The idea is that I accumulate my rejections through the legitimate act of trying to sell my stories and get published.

I admit, it’s kind of daunting sitting where I am right now. I’ve kind of got a plan in place. I’ve got stories I’m working on. I think that once I get a few more stories out and I rack up a few more rejections, I feel better about this challenge.

For now I’m just going to keep my head down, keep working, and try not to think about it.

Let’s get those rejections flowing.

Writing–February Projects

February is being dedicated to the short story now that I’m finished with the initial (and crappy) rewrites of Spirited in Spite. I’ve got this goal of getting 50 rejections this year (more on that next week) and it’s really spurned my creativity in regards to my short stories.

So here’s my short story To Do List this month:

-Revise/Polish “At 3:36” (I’ve already done initial edits in changing it from 3rd to 1st person)

-Revise/Polish “An Active Sleeper” (I think I’ve figured out how to fix this story)

-Revise/Polish “Everybody’s Time” (I wrote it at the end of last month)

-Review “Powerless” and revise/polish if necessary (It’s my first rejection of the year)

-Write “Notorious” (about the survivor of a serial killer)

-Write “Hear It?” (about a person suffering from auditory hallucinations; title may change)

-Submit any stories that are ready.

I’ve got a couple of other stories (“Anniversaries” and an untitled one) that I could revise if I get the time, but I’ve left them off the list for now simply because I’m not sure what to do to them yet. The stories need tweaking to make them work, but I’m not sure what the tweaks should be. I’m sure it’ll come to me.

Ideally, at the end of the month I’ll have at least four stories that can (and hopefully will be) submitted.

Gotta keep producing and submitting if I want those 50 rejections.

Writing–Revising Spirited In Spite

My goal this month was to revise Spirited In Spite and submit it to a novel contest. I knew that I had a lot of obstacles to overcome in the goal. I started doing the work in December during the holidays and nothing kills my productivity like running the Holiday Gauntlet. I knew I was going to Chicago for a birthday weekend at Cubs Con, which meant getting any work done would be pretty special. I saw those challenges and was willing to face them head on in the name of getting this manuscript entered into the contest.

However, what I didn’t count on was my bad memory and ability to underestimate things.

See, I had notes written up for the revisions/rewrites of Spirited In Spite. It’s how I do my manuscript revisions. I read through it and make notes. Looking at the notes, I thought I had more to work with than what was actually there. In other words, there was a lot more rewriting than revision required. Shortly before I left for Chicago, I realized that I wasn’t going to be able to make the deadline. There was just too much work to be done and not enough time to do it, particularly to the satisfaction of entering it into a contest.

I’m continuing with the rewrites, of course, and I’m hoping to finish them this month. I shouldn’t have any more interruptions for the rest of the month and if I can write 60,000 words in 3 weeks, I shouldn’t have any trouble finishing this rewrite before the 31st. I do have notes, after all.

In a sense, I’m really writing a new first draft when doing these rewrites because so much of the manuscript is being rewritten. In fact, I’d say at least 75 to 80% . And when it comes to writing a first draft, I just write as fast as I can and don’t look back.

I’m disappointed that I didn’t realize sooner that revising this manuscript for a contest would be a lost cause. A Tale of Two Lady Killers was probably in better shape to be done and I might have actually made the deadline with something worth submitting. But these are the kinds of mistakes that I tend to make. I get an idea in my head, think I know what I’m doing, and then too late realize that I’m clueless or that I missed a much better option due to tunnel vision. It’s something I really do need to work on.

But, at least at the end of this whole mess I’ll be one more step closer to having a legitimate finished manuscript on my hands to do with as I will.

There’s always another contest.