“What Are You Working On?”

This is a trick question.

“What paranoia are you on about now?”

Hear me out. This is a trick question in two ways.

Number one, the person asking the question is more than likely just being polite. They don’t really care about what you’re working on. They’re just trying to pretend to have interest in your little writing hobby because they want to be supportive, but they’re really not that invested. You can tell by the way their eyes glass over and they nod along, not really listening, just waiting for you to finish so they can say, “Wow. That sounds great. I can’t wait to read it.” And we all know they’ll never read it. Because they’ve never read anything you’ve written because *insert reason here*.

The only correct answer to this question is to say what kind of project you’re working on.

“Oh, I’m in the middle of revising a short story for a contest.”

“Oh, that’s great. I can’t wait to read it. I hope you win!”

“Thanks.”

And scene. Small talk achieved. Everyone leaves with their egos intact. To go into any further detail about whatever you’re working on is to risk that glazed look and feeling your enthusiasm for your project/writing career deflate. And we don’t want that.

If they attempt to engage further by asking for story specifics, don’t panic in the face of this unanticipated interest. Simply demure, saying you try not to talk too much about your projects when you’re working on them.

Which brings me to the second tricky point.

If you do find someone who is genuinely interested in what you’re working on, then talking about the project, no matter how enthusiastic you are about it, can drain some of that energy you have for it. I don’t know why this is. But it seems like talking about the story you’re working on, particularly in the first draft stage, makes it less engaging to work on. It’s like the magic is escaping the bottle and it’s escaping because your dumbass keeps taking the lid off of it so other people can see it.

It’s true that sometimes talking about your work can help you see and/or fix problems with it, but if you’re not specifically looking for that feedback, then uncovering problems you didn’t realize you had when you’re enthusiastically telling someone about your great idea can be both jarring and demoralizing. Now you have to cover this realization because you don’t want the person you’re talking with to think that you have no idea what you’re doing. And god forbid if they’re the ones who point it out to you because you were oblivious to it. How embarrassing. Thanks for letting me know. I’ll fix that immediately.

And by fix it, I mean throw the story directly into the trash because I won’t be able to look at it without feeling the searing heat of shame.

You also run the risk of being told that your idea isn’t that great. Think about it. You’re absolutely jazzed about this idea and you’re thrilled with how it’s been going and someone finally asks you about it in a way that suggests they’re actually interested and not just being polite and you launch into your spiel and they just…don’t react. They smile. They nod. And then they say, “That’s nice.”

I’d rather be told my idea is shit than be told it’s nice. Nice is dismissive. At least disliking an idea is an actual feeling.

But you’re still left with that empty feeling of doubt, wondering if you’ve been wrong and this idea that you thought was a sure thing is really just another bust and maybe you should have realized that because it seemed so good and you never get good ideas that flow so well. Clearly, this was a trick of the writing devil, that prick.

And now you’re not feeling the idea so much anymore. Good thing it wasn’t really that good anyway.

Now do you see what I mean? A trick question.

So, never ask me what I’m working on.

I know you don’t care and I won’t tell you anyway.

Sending Out Good Writerly Vibes Into the Universe

Last month I submitted two pieces to two different contests. One was a 500 word story for a 500 word story contest. I revised a flash fiction piece I’d written during NaNo called “Haunted House”. It was originally over 1,000 words and kind of garbage. I cut it in half and I think that made a better story out of it.

The other piece was a poem that I submitted to Writer’s Digest’s Annual Story Competition. I’ve submitted all sorts of pieces to this contest over the years and I’ve place twice: 10th for genre short story and 5th for script. I’m really looking to reclaim my glory of placing second in a state poetry contest back when I was a sophomore in high school.

I wanted to submit an essay for this contest (it has a variety of categories), but it just didn’t work out for me. That’s something I need more practice on.

I was also going to submit a non-genre short story to another short story contest, but I changed my mind at the last minute. I think the story is fine, but I just have no confidence in my non-genre stories. I’m not a literary writer by any means and my few journeys into that territory have been less than stellar. That story -while not bad in my opinion- will never see the light of day.

To be honest, I don’t have the highest of hopes for either of my entries. I like them both and I think they’re good, but I’m not sure that they’re good enough, you know? But winning wasn’t the main point of me submitting to those contests anyway (thought it would be super swell if I did, don’t get me wrong).

I did it to cultivate good writerly vibes and to send those vibes out into the Universe.

I know how stupid that sounds. But as someone who’s been struggling to write consistently, let alone anything of quality, submitting something -anything- to anywhere is an act of defiance against the issues I’ve had. It’s an offering to the writer gods to show them that I’m still serious about this business, even though I haven’t been as enthusiastic or productive as I’ve been in the past.

It’s about putting those good vibes that I cultivate when I’m working on a piece and I hit that sweet spot groove that I yearn for out into the world and hope that I’m repaid in kind.

It’s an act of faith, in a way. That if I can submit something I’ve written to a contest today, then I can submit something else to an anthology or a magazine tomorrow. It’s a reminder to myself and to the Universe that I’m still game for this even on the days that I doubt myself the most.

It’s just another part of the craft that requires practice. Putting myself and my work out there, valuing my work enough to put it out there, requires repeated attempts until I get it right. Because eventually, I’ll be rewarded.

In the meantime, it’ll be worth the contest entry fees.

Writer’s Procrastination

It’s a well-known gag: a writer will clean their whole house to put off writing. And like any good joke, there’s a nugget of truth in there. It’s the getting started that can be the hardest part.

Some writers say it’s the intimidation of staring at the blank screen. That blinking cursor taunting them, daring them to type the first word.

For me, I think it’s my fear of commitment.

Once I start writing something, I can’t stop. I can’t quit until I’m finished. And I don’t mean that I have to write the whole thing in one go. I mean that I don’t quit on a piece until I get to the end, no matter how much I don’t like it or don’t want to write it. Even if I know that I’m not going to do anything with it. I have to finish it.

This has a tendency to make me hesitant to start. Do I want to commit to this idea? Is it good enough to carry me all the way? Or is this thing going to die halfway through and I’m going to have drag its corpse across the finish line? All valid questions, sure, but they make me put off starting, sometimes until it’s too late. The idea goes stale or the deadline passes and I never get a word down.

This fear of commitment has been complicated by my recent struggles with my writing. I already flail when it comes to starting a piece; the lack of productivity is just kissing a papercut with salt chapstick.

I’ve even been having trouble with my blog posts. Getting started or in some cases, finishing them. I’ll get off to a strong start and for whatever reason I have to finish it later, which will be my undoing. Starting where I left off should be easy, but instead I find myself procrastinating. I can’t bring myself to start writing even though I technically already started.

It’s a strange, frustrating thing.

Especially when I know that all I have to do is start. If I just get that first sentence out, the magic will happen. I know that. But the harder I try, the more I resist. It’s almost like a panic response. I sit down to get started on a piece and I turn into a Muppet flailing in the forest. Or a middle age woman playing endless games of solitaire and constantly checking Twitter until I give up.

I’ve only been revising things lately, which has helped with my productivity, but that reprieve won’t last. And as much as I like doing NaNo, I’d like to be able to write productively outside of the month of November.

There are several ideas that I’d like to be working on right now. Ideas that have been sitting in the fore of my brain for a couple of months. They are right there, ready to go.

I just have to get started.

“How’s the Writing Going?”

Let’s be clear: asking me this question even in the best of times is assault. Because we all know that you don’t really care how the writing is going. You’re just being polite. It’s up there with “What are you working on?” You don’t care. It’s just a polite question you ask before launching into a long story about your much more interesting life.

However, in the current bad times, asking me this question is now felony assault. Because it ain’t going great. And I don’t want to talk about that with someone who doesn’t actually care.

I was struggling with my writing before this endless panini, before the routine exasperation of telling people to put their masks on, before the constant stress of being forever understaffed at the library. I’ve been struggling for a while and baby, it ain’t necessarily getting better.

Blogging consistently is a challenge. That I’ve managed to put out two blog posts a week for two different sites for the last couple of months is nothing short of a miracle. Writing 1,000 word flash fiction stories for Patreon has been the extent of my fiction writing outside of NaNo in the past few years. And this year’s NaNo is looming and I’m looking at it with dread because I don’t know if I can do it. I’ve tried everything to get my fiction flow back and the dam is still in place, only letting through a trickle.

I’m still getting ideas, though not at the same pace that I used to. Just the other day I got a random idea for something that would be a fun film script. I jotted it down and I hope that one day I find enough mojo to at least outline it.

I miss fiction writing. I miss that buzz, that sensation of getting lost in my work, surfacing an hour later like I’d been swimming with mermaids and that first gasp of air reminds me that I’m human and I’ve just done something incredible. I’ve had fleeting bits of that, but nothing like it used to be. It makes me sad.

It’s not like I’m not writing at all or that I don’t like the writing that I am doing. I like doing the blog posts. I’m rediscovering my joy in that. I like doing the Rerun Junkie posts over at aka Kiki Writes, even if they can be a bit involved. I’d love to do a pop culture book one day. I really would. And I like running off at the mouth here about whatever. I like doing the scripts for the library’s podcast. Podcasting in general has become a big way I spend my time now. There’s not as much writing involved in Book ’em, Danno, but there is some.

It’s not like I’m not living up to my name. Kiki is still writing. I’m just not writing what I thought I’d be writing. I’m not being KikiWrites the way I thought I’d be. And maybe that’s okay. Maybe this is all part of the evolution of my writing existence and one day I’ll get to come back to fiction writing as my main thing. But for now, it’s not.

So, how’s the writing going?

Not the way I’d planned.

But it’s going okay.

Writer’s Transition

I noted last October that I was dealing with writer’s apathy. I was hoping that NaNo would snap me out of it. As much as I liked working on my NaNo project and how in the groove I got while I was working on it, I don’t think that it did. I do think, though, that it opened my eyes up to a new possibility.

Maybe it’s not writer’s apathy. Or not maybe it’s not anymore.

Maybe it’s writer’s transition.

When I transitioned from fanfiction to non-fanfiction, I went through a period of writer’s block in which I didn’t write much of anything. It’s entirely possible that my current bout of meh isn’t so much apathy, but a sign of another transition. What kind, I’m not sure. Maybe it’s going from fiction to non-fiction, since I am looking at making some progress on a couple of non-fiction ideas and I am working on a podcast. Maybe it’s a transition of my fiction away from horror to another genre. Maybe it’s a transition away from writing (for now) to something else, like podcasting (which does involve some writing).

Maybe it’s a transition away from writing entirely.

Hell, maybe it’s not a transition at all. Maybe I just need to clear out a bunch of my projects just so I have space to work on something new.

Right now (write now?) I don’t know. I can’t say for sure. I have no intention of stopping what I’m doing until I feel certain about what’s going on. But I’m keeping myself open to a shift. I sort of feel like I’m waiting for a specific something, that “you’ll know it when you see it” thing, and as soon as I do, everything will come into perspective again. I’ll know where I am and what the hell I’m doing.

But, like I said, until then, I’m still working, still writing, still checking off my To Do List.

No need to be bored while I wait for that sign, right?

The New Day Job

Image by StockSnap from Pixabay

Now that I’ve been working at this new day job gig for a little over three weeks and we’re nametag official, I suppose I can fill folks in on the details.

I’m working as a clerk at the local library part time. Right now the hours are perfect for me. I make enough to pay the bills, but I also have time to write and podcast. Though the job is a lot more than just shelving books and checking them out, it’s not stressful. There is always someone nearby to answer any questions and so far, the training I’ve received has been very good. And thankfully, I’m getting the hang of things. It’s quite the departure from the last day job.

I know what you’re thinking. A writer working at a library? It’s perfect! Well, yeah, sorta.

For one thing, it’s exposing me to books outside of my reading comfort zones (which I’ve been trying to do in the last few years anyway). It’s also exposing me to books that I’d never read, but it’s still good to know they exist. Like Amish romances. I had no idea these were so popular, but let me tell you, we carry a lot. So, it’s definitely inspiring me to read more, which will hopefully translate to me reading more consistently so I can read more.

On the flip side, it reminds me of how much I’m not accomplishing. Processing all of the new books reminds me of the ones that are sitting unpublished or unfinished on my hard drive. I want to say that it inspires me to work, but so far it’s just been a bit disheartening. I see all of those books and I can’t find my place.

Though if there are readers for Amish romances, then I’m sure there are people out there that want to read whatever it is I write. Something for everyone, right?

Sure.

In the meantime, I suppose I better get to work.

May Writing Projects

pinkflowerApril turned out to be quite a productive month for me, quite unintentionally really.

I finished the latest round of revisions on The Haunting of the Woodlow Boys as well as the first drafts of all five of the potential script contest entries (first fifteen pages and one-page synopsis) before I left for Chicago. Part of the purpose of going to Chicago, besides seeing friends and eating orange chicken, was to be able to work on my writing without interruption or distraction. I found myself in a hotel room with no major writing project demanding my attention as I was still undecided what script to do for the contest. I ended up polishing “What You Don’t See” and “Short Hallway” (I polished a haunted hotel story in a hotel room while watching 1408 because my commitment to a theme cannot be denied) and got about a third of Voice polished before I left. A productive short trip despite the anxiety troubles I had.

I finished polishing Voice after I got home. I then turned my attention to the script contest. I ended up picking one called Open Christmas Eve and did my best to get those first fifteen pages perfect. I hit the “What the fuck am I doing? I can’t do this! I have no idea what I’m doing. This is pointless” wall Friday night, got my “Fuck it” second wind Saturday afternoon, and after a few more tweaks and some polishing, I submitted it Saturday night. I recognize that it’s probably a waste of an entry fee (and only with extreme luck will I even win that entry fee back), but I still did it. There is some kind of accomplishment in pushing myself to explore different forms of writing.

Speaking of, April was National Poetry Month and as an exercise I made myself write at least four lines of poetry a day. They’re just scraps of poems, nothing glorious, and I have no idea what, if anything, I’ll do with them (I posted one on my Instagram at the end of the month to celebrate), but it was a fun little project.

After all of that in April, what’s to be done in May?

I’m going to completely finish The Haunting of the Woodlow Boys. It needs a little more revision (just some tweaks), a beta read, and a polish. Once that’s done, I’ll get to work putting together the ghost story collection. I’m also going to work on finishing the first draft of Open Christmas Eve. Now that it’s submitted, the rest of the script should be easy to finish and I’ll feel like less of a cheat having the whole thing written.

I sort of feel like spending the summer writing a short novel. I’ve got the idea (actually, I have two ideas, but I think I’m going to save one for NaNo) and I think I’ll spend some time this month working on fleshing it out.

No worries about getting bored. Still plenty left on my To Do List of Doom.

That’s Just the Self-Doubt Talking

esteemIn several areas of my life and in regards to several aspects of my existence, I am a confident person. In fact, I have been told that the confidence I carry from knowing who I am and how I relate to the world, from knowing my job and doing it well, from being smart and funny and tossing that 1-2 punch like I’m going for a knockout is really intimidating. From certain vantage points, it looks like I actually have my shit together and I know what I’m doing.

And then there’s the rest of the time.

While my self-doubt is always present in a few areas of my world, right now it is really rearing its unattractive head in terms of my unsuccessful writing career.

Here’s how it goes: I get the idea to do something. I think it’s a great idea. I think it could work. I think I could pull it off. I get gung-ho. I start to work towards bringing this idea to fruition.

And then I realize that it’ll never work. No one will go for this. I’m not popular enough/charismatic enough/smart enough/good enough to pull this off. It’s wasted time and effort because for this to work, people will have to participate/pay attention and nobody wants to do that. Nobody gives a shit what you do and they don’t want to play, Kiki, so stop wasting your time.

And then I get really bummed and start questioning what the hell I’m even bothering with all of this for.

It’s not just a vicious cycle, but it’s also very effective at ensuring that I don’t even try to do something because, hey, what’s the point? I’m just going to fail anyway and haven’t I landed directly on my face enough?

The latest aborted idea was the giveaway of one of my “wrecked” print copies. At first I thought, yeah, this will be fun. A few of my friends and family members will enter it. Nobody will get uptight if it doesn’t go completely smoothly because it’s my first one and I’m still learning the ropes and they’re my friends and family. It’s all cool. A practice giveaway! What fun!

It didn’t take long for the self-doubt to come strolling in like Blair Warner on a mission to out-snob somebody.

“Nobody wants one of your crappy wrecked copies. That’s a stupid idea. Nobody’s going to enter. They’ll just ignore you like always. You don’t even know how to run a giveaway. This is going to go tits up and you’re going to look like an idiot. Stop yourself.”

I don’t think I need to say that my friends and family don’t always ignore me. They don’t, of course. But my self-doubt is no dummy. It knows that I’ve been overlooked. It knows that I’ve been dismissed. It knows that I’ve been patted on the head and told “that’s nice” in order to be placated. It knows that people have shown absolutely no interest in anything I’m doing. It knows that I’ve been kicked aside in the rush for folks to surround someone else.

It knows.

It knows and it uses this to its advantage and I hate to say it, but I’m not completely up to the task of battling it every time it decides to make a grand entrance. My self-doubt gets a lot more encouragement than I do, unfortunately. Not always intentional, not always actual, but my self-doubt will bow to even an imagined applause.

And so I continue to struggle and I continue to fail through lack of action, but I keep coming up with the ideas and I keep trying to actually carry them out because one day, I might actually succeed.

But I doubt it.

Writing–Now I Don’t Feel Like It

flame box elder penI don’t really feel like revising (Vampires) Made in America right now. Oh, I know I said I would and I know that I will, but I just don’t feeeeel like it.

Part of the problem is I have this kind of problem this time of year, with all of the holiday stuff going on and making Grinchmas and preparing for the middle niece’s birthday next week (I still haven’t gotten her present yet, oops, need to work on that) and then the day jobs and chores, I tend to feel a little tapped out in the energy department. I don’t really enjoy a lot of the writing work I end up doing in December because I feel like it’s just more work. While I normally enjoy doing revisions (even the crappy, hard ones I feel a certain thrill that comes with spinning straw into gold), it’s a struggle for me to like them in December.

I think the other part of the problem is that I don’t feel like I’m doing any good with these revisions so far. I know I need to add a section, possibly a chapter, and I have yet to see the perfect spot to put it. I feel like all I’ve been doing for the past couple of weeks is dialogue tweaking. I did a major overhaul of the first two chapters and after that, everything has just been speeding right along with minor little changes here and there and I feel like I’m slacking.

This in turn makes me feel like I don’t wanna.

The problem with me is that I’m acting like this is the big and final revision of this manuscript when it’s actually just the first. Yes, that added section needs to go in now. And that last third of the book will probably be seriously worked over (at least that’s what my notes say…actually my notes say “the last third of the book needs work, good luck with that”). There will be another revision or two (probably three) after this. Hell, I’m not even sure whether or not I’m going to change the location yet or not (not a huge change, just going from real city to fictional-city-that-might-resemble-a-real-one). So, yes, this isn’t the end all be all of this book no matter what oogy feelings my brain is giving me right now.

But my brain doesn’t listen to reason. It’s worse than my heart in some respects. And my brain says I’m not working hard enough, apparently missing the point that I’m not supposed to be working very hard this month. It’s a real drag. I’m doing my best to press on, knowing that I am actually doing work, laying the groundwork for the next revision, even if it doesn’t feel like. This is all just a fleeting bit of stupid and I will get through it.

Right now, though, I just don’t feeeeel like it.

Writing–The Writing Crisis

Rainbow paperI am no stranger to writer’s doubt. I’ve often worried about whether or not I’m good enough, whether or not I’m smart enough, whether or not I know enough about the business as well as the writing, whether or not I’ll ever be able to figure out how to network and sell and all of that jazz. Those sorts of things have been on my mind since I first made the decision to try to make a writing career.

But certain things have come together at just the right time to make me really question whether or not I want to keep plugging away to make this writing thing a life. Over the summer I was feeling pretty good. I thought I had a handle on this self-publishing thing. But really, it was just an illusion built on the brief popularity of Yearly.

September hit and the sales disappeared. Yearly has been bought as much as it’s going to be. Nobody was really interesting in A Tale of Two Lady Killers nor do they seem to be interested in pre-ordering Spirited in Spite. My faith in my ability to be a self-published author is basically non-existent at this point.

In a way, this has confirmed my belief that I write stories that folks have no interest in reading.

But!

There’s still one more test I need to take before I can conclusively hang up my professional pen for good (I mean I’ll still write and probably self-publish it for my own enjoyment and the enjoyment of a few others, just another way to make some change when I can, but I won’t be calling it my career). I need to confirm with people in the know that I don’t write marketable stuff, that I’m no good at telling a story.

I need to try to find an agent.

The way I look at it, it’s sort of a win-win situation. If I can’t find an agent to represent me, that confirms in concrete that I’m wasting my time pursuing this. I’ve already invested seven years. I’d rather not push boulders for another seven if I’m not going to get anywhere. I don’t like not being useful and I don’t like wasting my time. If I can’t make my living doing this, then I need to go find a way that I can.

But, if I manage to find an agent willing to represent me…well, then. That brings up a new set of existential questioning, now doesn’t it?

The bottom line is that I’m not satisfied with the way things are going and my only choice is to shake things up. The result will either be an ending…

…Or a new beginning.