February Writing Projects

January was a thing, man.

I finally finished the first draft of The Coop Run. It took until the third week of January to get it done, but it’s done. After that, I spent the final week reading over the first drafts of The End of the (Werewolf) Curse and The Fate of the Immortal’s Assistant and made revision notes for both. One got more revision notes than the other. I’m not looking forward to dealing with that.

And on the final day of January, I submitted (Vampires) Made in America to an agent. Fingers crossed and all that. I’m just happy to get the practice doing the query/synopsis/bio thing. Okay, that’s not true. It’s hell, but I still need the practice.

This month I’m going to revise The End of the (Werewolf) Curse.

Yep. That’s it.

I’ve felt like I’ve been pulling my hair out and banging my head against a wall and several other cliches that have put me at the end of my cliched rope. I need a recovery month.

Okay, yes, I know. It’s me. This probably won’t be the only thing I do this month, but it’s the only thing  I’m definitely going to do this month.

Let’s call this a working break.

The second episode of Murderville: The End Of comes out on the 13th. $1 an episode lets you read. $2 an episode, you get to read and you get the bonuses, including one this month that comes out on the 27th. Don’t miss out! Become a patron!

The Long and Short of Some First Drafts

Safe to say that since I started doing NaNoWriMo, the majority of the first drafts of the novels I’ve written have been written during 30 days (or less) in November. In fact, it’s been so long since I’ve written the first draft of a novel outside of November that I can’t remember the last time I did it.

I mean before this last time.

My bright self decided after finishing the first draft of The Fate of the Immortal’s Assistant to immediately start on the first draft of The Coop Run. Had the former gone better, then perhaps the latter would have, too, and I wouldn’t be writing this post.

But the former didn’t and that could be why the latter took me more than two months to write.

The original goal was to write The Coop Run in the two weeks I had left in November. Once I finished writing the slog that was the first draft of The Fate of the Immortal’s Assistant, I didn’t have the energy to keep up the needed pace of 3,500 words a day to get it done. I decided to take it a little easy for a while, only writing 1,000 words a day, and then I’d pick up the pace. It looked at the time like the first draft would only be about 35,000 words and if I picked up to 2,000 or 2,500 words a day, then I’d have it done in the first week or so of December.

Oh, how dumb I can be.

It’s no secret that the holidays are my least favorite time of year and I actively try to not work on big projects during them because the entire month of December drains my life force. Let this past December be a good reminder of that.

Instead of my word count on The Coop Run picking up, it went down. I was basically writing 500 words a day most days and calling that good. I just didn’t have the energy to write more. I did end up picking up the pace to 2,000 words after January 1st, though that dipped again the week of my birthday. The slog feelings from The Fate of the Immortal’s Assistant carried over to The Coop Run, though I think overall it turned out to be easier to write, especially toward the end.  It also turned out to be longer than I thought it’d be. Instead of 35,000 words, it ended up around 56,000.

I actually ended up sick of writing the story. I wanted to be done so badly but just couldn’t push hard enough to finish it. It was a miserable feeling. And instead of feeling satisfied when I wrote the last word, I felt relief. Overall, it wasn’t the most enjoyable first draft writing experience I’ve ever had.

I do believe that I’ve learned my lesson, though.

No more novel first drafts in December!

Murderville: The End Of- Episode 1

Hanging at the End Of

It was a typical day in Munsterville, the industrial city of 70,000 (give or take), with people on lunch break or hurrying to start second shift somewhere or running errands, the general business of a typical city running at its typical hum.  The sky was blue and the day was warm without being oppressively hot like late summer had a tendency to be.  And since this was a typical day in Munsterville, that meant that the city was living up to its jaunty nickname: Murderville.  Weird deaths abound in Munsterville.  And weird deaths require creative clean-ups, which was why the family business of Jones Cleaners had steady work.

Lu Jones sat in her parents’ office, eating a roast beef sandwich.  Lu had agreed to “mind the store” during her lunch hour while her parents picked up some cleaning supplies.  Her older siblings, Dru and Nico, were cleaning up the death scene of an elderly gentleman who’d died in his home and had gone undiscovered for over a week.  Her younger siblings, twins Dash and Tag, were cleaning up the scene of a suicide by shotgun in an apartment.  So, Lu was left to sit in the office and answer the phones as she ate her lunch while everyone else was out.  It was purely as a favor; Lu was the only one in the family that didn’t work the family business, a bone of contention picked at every family gathering in which there were more than two Joneses, which happened multiple times a week, so that bone was cleaned of meat years ago.  Instead of cleaning up death scenes, Lu investigated them.  She worked as a death investigator out of the city’s coroner’s office.  Same general area of the family business, but different line of work.  Horseshoes and hand grenades, her family said.

Kicked back at the reception desk in the tiny front area of the office, feet up, sandwich in the process of being devoured, Lu nearly choked in her scramble to right herself when the door opened.  They didn’t get many walk-in customers (she was really just there to answer the phone), but people did come in to pay their bills and Lu didn’t want to hear it from her mother that she was being unprofessional when someone did.

In strolled her brother-in-law, Detective Josh Carpenter, looking dashing and handsome as always.  Truly, the man looked like he should be playing the lead in some big budget Hollywood action movie that called for a good looking, tough, but charming and sensitive African-American man instead of investigating curious deaths in a no-name city like Munsterville.  How her goofy-looking white boy brother Nico ever landed him, Lu would never know, but the couple had been together for fifteen years, married for close to six of them.

“What are you doing here, Lu?” Josh asked with a grin as the door swung shut behind him.

There was no sense in Lu trying to recover her cool now.  She picked up her discarded sandwich.

“Watching the phones for Mom and Dad while I eat,” Lu said, sitting back and kicking her feet up on the desk again.  She took another bite of her sandwich and asked her question around it.  “What are you doing here?”

“Hoping to catch Nico while I had a minute,” Josh said with a bit of a wistful sigh.

He sat down in one of the chairs on the opposite side of the desk.

“He’s cleaning an undiscovered scene.”

Josh made a disgusted face.  Lu didn’t need to give him any details.

“Been busy?” Lu asked him, this time without a mouthful of sandwich.

“After that whole thing with the Harmon case, I feel like I’ve been on garbage detail.”

Winchester Harmon was a rich guy with a warped sense of humor who decided when he received a terminal cancer diagnosis to kill himself, make it look like a murder, and send a whole bunch of poor people on a wild goose chase.  Josh had been lead detective on that case and took the whole thing very personally.  Lu couldn’t quite blame him; she would have clocked Harmon for what he’d done if he hadn’t already been dead.

“You’re imagining things,” Lu said.  “Your ego is bruised because that big murder case turned out to be a weird suicide practical joke thing.  You really think the chief is going to hold that bizzaro twist against you?”

Josh looked at Lu like she must have been out of her mind.

“Have you met this woman?” he asked.  “She does not take failure lightly and to her, this looked like a huge, public failure because we didn’t immediately conclude it was a suicide, not a homicide.”

“Oh, please,” Lu said with a roll of her eyes.  She sat up, leaning on the desk with one elbow.  “It was a self-inflicted gunshot wound to the chest.  The gun was found half a block away under some bushes.  It was staged to look like a murder and it was pretty convincing.  It took an anonymous tip to sort it out.  That’s how convincing it was.”

“That’s not how the chief sees it.”

“Well, she needs glasses.  You did good work, you did it by the book, and anyone would say so.  It was a weird case to crack.”

Lu ate the last bite of her sandwich and chewed it in a determined fashion.  Josh shook his head, entirely unconvinced.

The tone of a pipe organ, mournful and funeral-like, emanated from Lu’s back pocket.  She pulled out her cell phone.  Before she could look at it, Josh’s cell chirped from the depths of his suit jacket.  He fished around for it.

“Dead body at End Of,” Lu said, reading her text.

###

Wanna read the rest? Check out Murderville or Patreon!

2018: The Experimental Year

When I was younger, my two preferred career choices were either shark biologist or meteorologist with a specialty in tornadoes. Because I only like science when it wants to kill me. Okay, that’s not entirely true, but my interest in science could be the reason why I’m doing a few experiments this year.

Or calling them experiments, anyway.

I suppose it might be more accurate to call them challenges or resolutions, but I already make half-assed resolutions, so I don’t need any more. And I don’t like calling them challenges. I do challenging things and they’re tiring. I don’t want to be exhausted just thinking about these things.

So, instead, I approach them scientifically. Because I love the scientific method. Somehow, that doesn’t sound exhausting to me.

I hadn’t intended to do any experiments this year, but in the last few days of 2017 and the first day of 2018, three ideas came to me and I decided to act on them.

Experiment #1: 100 Days of Exercise

December was a disaster for me fitness-wise. I was only a few days in and I was like, “Yeah, I’m tired. Can we be done?”, which fed into the struggles I’d already been having with my exercise routine. During my reset week (the days between Christmas and New Year’s Eve), I watched a lot of videos of people doing things every day for 100 days: going to the gym, doing push-ups, making origami birds. It inspired me to do my own thing.

At least twenty minutes of exercise every day for 100 days. I’m hoping that this will jerk me out of my exercise slump and help me feel better so I won’t descend into another slump later in the year.

Experiment #2: Write a page a day

Yes, I already write a lot. Just about every day in fact. I write whole novels in November. But as it’s commonly said among writers (or maybe I’ve just read it a few times and now I think it’s common), if you write one page a day, by the end of the year, you’ll have a book. And I want to try that.

I picked one of the story ideas that I got towards the end of 2017, one that I really like, but have no idea when I’d write. This experiment solves that. Now, I don’t know if I’ll actually write 365 pages of this story; I don’t think I’ve ever written any story that was that long, even double-spaced. But I will write one page a day, every day, until it’s done. That works for me.

I can also use this as a warm-up page to help me get into my writing work on the days I’m feeling sluggish and a bit procrastinate-y.

Experiment #3: Write four sentences in four different languages

By virtue of Duolingo, I’ve been studying different languages. I started with Spanish, which I took two years of in high school, because I needed to brush up in order to teach it to my nieces for their home school curriculum. When I finished all of the lessons in the Spanish section, I started with French. I hated French, so I didn’t get very far before stopping for a while.

When I picked it back up, I added Russian to my languages because I’ve always been fascinated with their alphabet and wanted to learn to read it. When Duolingo offered Czech in beta, I quickly added it, too, since it has some similarities to Russian.

Yes. I’m insane.

To help my understanding and memory retention, I thought it’d be a good idea to actually write a sentence in each language every day. Just one sentence per language and it doesn’t have to be a difficult one. It doesn’t even have to be the same one. With Spanish, I can pretty much write whatever comes to my head, but with the others, I’ll probably be copying sentences from the lessons until I get more comfortable.

I have no idea if this will actually help me with learning my languages, but I figure it can’t hurt. It’ll also be a good use for one of my many, many notebooks.

I’m looking forward to doing these three little experiments. If anything, they’ll make my year a little more interesting.

Science must be served!

January Writing Projects

Hello, 2018! I hope you’re prepared to do a lot of writing things because I know that I am, despite how I ended 2017.

Okay, so, yeah. The Coop Run didn’t get finished. But I do know that it’s going to be closer to 50,000 words since I passed the 30,000 word mark and it’s not done. So, that’s something. I did finish the final polish of (Vampires) Made in America, though. I wasn’t totally consumed by jolly fatigue.

It makes my plans for January pretty obvious. Finish the first draft of The Coop Run and submit (Vampires) Made in America to agents.

Those are the two main things, though obviously submitting (Vampires) is going to be something that happens throughout the year because I expect this to be more of a learning experience than anything.

I’m also going to be doing some reading. I’m going to read the first draft of The Fate of the Immortal’s Assistant and the first draft of The End of the (Werewolf) Curse and make some revision notes. I’m going to be working on both of these novels during the year, so I might as well start now.

I think that will be enough to keep me busy.

Murderville:The End Of starts January 9th! Become a patron and don’t miss an episode. $1 an episode let’s you read; $2 an episode gets you bonuses as well. It’s a steal!

That’s Three Done

Earlier this week I finished polishing (Vampires) Made in America. It is done. As done as I can get it. As done as I feel it needs to be to submit to agents. I don’t know that I’ll get an agent with it, but I do need the experience of submitting to agents and possibly making some connections. Gotta start somewhere.

(Vampires) Made in America started as a 2011 NaNo novel called American Vampires. That’s right. A little over six years ago, I wrote the first words of this book. It took me six years to call it done. Wild. But not unusual. At least for me. I wrote the first draft of The World (Saving) Series for NaNo 2010; it wasn’t finished until June of 2013 (it’ll never see daylight). I wrote the first draft of A Tale of Two Lady Killers for NaNo 2009 (I’m sensing a pattern here); it wasn’t finished until April of 2014.

I think for me part of the reason it takes me so long to complete a novel-length work is because of my loud brain. I can’t work on just one thing at once. I try to give myself time between first draft and first revision and then between revisions and then between final revision and polish to give the words time to settle. So, I find myself preoccupied with other, shorter projects during these breaks and the novel gets pushed down further and further down the priority list because “it can wait”.

I think the other reason is how overwhelming a task it seems to get a novel to the point of doneness. Thanks to NaNo writing the first draft of a novel is a breeze and also thanks to my experiences in revising, I’ve gotten better at writing first drafts that don’t require as many story overhauls as I used to (this past NaNo being a now rare exception). But still, compared to revising a short story or even a novella/novelette, a novel is a lot of work.

Another reason it’s so easy to push it down on the priority list. Putting off the pain.

I suppose with two more Outskirts novels, The End of the (Werewolf) Curse and To Tell the (Conjurer’s) Truth, waiting for their own rounds of revisions, I should probably not default to that so easily. If I want to show myself to be a worthwhile investment to an agent and/or publisher, it might be in my best interest to accustom myself to the practice of completely finishing a novel in a shorter amount of time, especially since the novels I write aren’t that long to begin with. After all, making a living by doing this is the whole point and improving only helps that.

I’ll start small. Try to get a novel totally done before it’s old enough to go to kindergarten.

It’s good to have goals.

And Then Patreon Went and Changed Its Fee Business

Edit: Patreon changed its mind about implementing the fee changes. You can read about it here.

Okay, so Patreon has decided to change the way they charge fees. Until now, creators covered all of the fees that way when patrons were pledging a certain amount that was the true amount they were paying. Now, Patreon is moving some of the fees onto the patron. Creators will still get charged 5% and patrons will now get charged 2.9% + $0.35. You can read the full details here.

Patreon says that they did this to put more money into the creator’s pocket and to provide a more stable income because the fees we paid could vary month to month. Which sounds really nice.

But it’s really kind of not, when you think about it.

First of all, someone on Twitter pointed out that by charging both the creator and the patron, this makes Patreon more money. This is the reasoning I’m more likely to believe.

Second of all, creators are losing patrons left and right because of the fee change. They don’t want to pay the fees. And Patreon doesn’t suffer for that (they make plenty); the creators do.

I cherish all of the patrons that I have, but it’s no secret that I don’t have very many. I’m always actively trying to acquire more patrons as well as keep the ones that I have. This fee change does nothing to help me. It’s an asterisk on my selling point and it puts my current patrons in a bad position that makes them question if the fees are worth it to support me.

And all of this after I have everything ready to go for the next season of Muderville.

I’m now working on alternate methods of support. I have Ko-Fi and paypal.me. The fees associated with those are paid by me and me alone, so whoever buys me a cup of coffee or sends me money pays no fees. If I have patrons or potential patrons that would prefer this method, then I’m sure I can set up something here on the blog so people can still read Murderville, but support me through different means.

In the meantime, I’m going to keep plugging away and hope for the best.

December Writing Projects

Hello. I survived NaNoWriMo. As I mentioned in a few posts last month, it was a close call.

As anticipated, my first draft of The Coop Run is still not finished and I will continue to work on it throughout December. I’ve only written about 14,000 words (as of this post) because I had anticipated picking up my daily word count and that did not happen. Instead of writing more words, I started polishing (Vampires) Made in America. That will also continue throughout December. I’m a little more than half-way through, so I should have no trouble finishing it before Christmas.

I’m not sure I can say the same about The Coop Run. I suppose we’ll see. That pick-up in word count might still happen since I’ve got the majority of my Grinchmas making and wrapping done (the goodies I’m making have to wait so they’ll be fresh), but December has a way of sapping my energy. It’s one of the reasons why I usually don’t like to write first drafts during this month. But I did this to myself and I’ll see it through.

I’m also not sure how long this first draft is going to be. I was thinking it’d be another 50,000 words, but it might end up being closer to 30,000. Again, we’ll see.

So much seeing this month.

And since it’s the end of the year, I’ll be attempting to hash out a schedule/make some goals for next year. This year’s goals didn’t exactly work out. I only accomplished about half of them, but that happens. I have a tendency to be shit at long-term planning.

Here’s to hoping that I finish The Coop Run and end the year on a high note.

The Black Friday List

If you follow me on Twitter or have KikiWrites liked on Facebook, then you know that I’ve spent the past week starting on Black Friday promoting my work.

For convenience sake, here’s the entire list of everything I tweeted and posted about.

Gone Missing–Tom is missing and so is everyone else in this little town. And then the missing start to go missing. Also available as a paperback.

Yearly–12 months. 12 stories. Nice. Neat. Unnerving. Also available in print as a special edition that includes Gone Missing.

Night of the Nothing Man–Kim and Scotty are being stalked by a man with a nothing faced.

Hatchets and Hearts–Is Henry’s past repeating itself?

The Ivy Russell Novellas–Four novellas about private investigator Ivy Russell and the unusual cases she gets stuck with. The first novella, Cheaters and Chupacabras, is also available as a stand alone.

A Tale of Two Lady Killers–Of course Edda’s new start in life would come with a burlesque club, a gigolo, and a serial killer. Of course.

Spirited in Spite–What’s worse than Gret’s arch rival and a couple of questionable psychics crashing her paranormal investigation? The house is really haunted.

People Are Terrible–These thirteen stories just scratch the surface of just how terrible people really are.

Ghostly–Fourteen stories that leave you feeling that maybe, just maybe, you’re not alone. The Haunting of the Woodlow Boys is also available as a stand alone eBook or paperback.

Murderville–My Patreon project. Each season features a new duo attempting to solve an unusual death in Munsterville.

The Storytime Jukebox–A pay what you want venture. Drop some money in the jukebox and pick a story or stories from the list.

Ko-Fi–Buy me a coffee! A simple way to support all of my writing projects in one quick go.

All of the eBooks are $0.99-$2.99. The print books range from $5.99-$9.99.

Don’t forget that word of mouth is the strongest currency of all! Please share. If you’ve read any one of my books, please leave a review at Amazon, Goodreads, etc. Each star helps!

Writing- NaNo 2017 Winner

As I said last week, my official 2017 NaNo was finished in 14 days. Yesterday, I validated The Fate of the Immortal’s Assistant and got my fancy little graphic to let everyone know that I am, indeed, a winner.

But when I think of this first draft, I don’t feel very much like one.

Two weeks ago, I talked about how hard this particular NaNo was for me. And it was. Start to finish, I hit more snags than I did grooves, creating a stressful drag that I did not enjoy. Even more frustrating is that, at least in my head, I like this story. I like the characters. I like the setting. I like the whole thing.

I just struggled mightily getting everything I liked down on the page.

As soon as I was finished writing the final words of the first draft, I wrote revision notes on the first page. I’ve never done that before because I typically like the story to sit for a few weeks at least before I read it again with fresh eyes and make my notes. But this time, there was no need to wait. I knew before I finished writing the first draft the major problems that need to be fixed. And I’m sure I’ll find more when I read it again when it comes time to do the revisions.

Looking back, I think getting off on the wrong foot really set the tone of draft. I normally have that first line, that first scene waiting for me, and this time, I really didn’t. Instead, I started in the wrong place, too early in the story. What I wrote the first two days, I think, was pointless. Some of it can be salvaged for later on in the story, maybe, but it was a bad place to start. And instead of starting over, I powered through. The story had trouble flowing because I’d already built a damn.

The revisions are no doubt going to be extensive and exhausting, but thankfully, I don’t have to worry about them for a little while. At least not until early next year. But, this NaNo has definitely been a very good lesson, a hard one, a lesson that I didn’t know I needed to learn because I thought I’d already learned it.

Start your story off on the right foot and the journey will be a whole lot smoother.