Writing–Gone Missing: Another Self-Published Experiment

Gone Missing was a short story that went a longer than a normal short story and ended up becoming a novella. Once I was finished with it and had it revised and all polished up I went…”Okay, now what do I do with this?”

My first thought was to self-publish it as eBook, but then I decided against it. I thought I should at least give traditional publishing a try. So I looked into the possibilities, but couldn’t find anything that said to me it would be a comfortable fit. Remember, I’m that person that doesn’t want to waste anyone’s time so the criteria for a story has to match up damn near perfectly with what I’m trying to sell.

I debated on it for a bit and after an informal poll, I decided to bite the bullet and self-publish again.

My last self-publishing escapade, Rejected, was hardly a smashing success. It took nearly 10 months before I made the minimum through Lulu ($5) to get paid. I also ended up going through two different self-publishers (Lulu and Amazon) so I could get my book done in print and digital (Lulu covered everything but Kindle, which is why I had to go through Amazon). I still don’t think I’ve made $5 through Kindle sales. Self-publishing takes a lot of promotion and word of mouth and I’ll be honest, after about a month of it I felt like I was flogging a dead horse.

The idea of going at this all again was not an enticing one.

However, my ego driven need to be read proved too strong. Even without the informal poll of five people saying they’d read it if I published it, I knew that’s what was going to happen. Like going on the Tilt-A-Whirl after eating too much funnel cake. You know you’re going to puke, but you can’t resist the temptation to spin your car as fast as you can.

This time I chose to go through Smashwords. Several authors I follow on Twitter use it. It’s strictly eBooks and I wouldn’t have to go through more than one place for the novella to be available for different devices (distribution is a little different story). I felt like it would be a good fit.

So, we’ll see how this self-publishing run goes. I’m not expecting to make myself millions by this endeavor, but I’m curious to see if Gone Missing will be read more than Rejected just by going through a different self-publisher.

Don’t worry. Any downloads made after reading this blog entry will not be considered as tampering with the result.

Bi Bi, Baby, Bi Bi

Overlapping pink and blue triangles, symbol of...

I’m bisexual.

I’ll allow you all a minute to process what that means to you before I get into what it ACTUALLY means.

Being bisexual means that I am sexually and romantically attracted to men and women. I was once challenged in high school that I couldn’t be bisexual because I’d never slept with a woman. If that were how it works, then I couldn’t have been a heterosexual at the time because I’d never had sex with a man at that point either. But that’s not how it works.

Being bisexual brings up some interesting stereotypes.

One is that I don’t exist. People who claim to be bisexual are just confused. In a society so obsessed with labels and the concept of either/or, all or nothing, bisexuality is a mind-boggle. I have to be attracted to either men or women. I can’t be attracted to both. And in this world, adherence to convention would be preferred. But if I were a lesbian that would be okay because at least then I would make a COMMITMENT to a choice. For some reason the idea that I could be attracted to both sexes is considered impossible.

Speaking of commitment, therein lies another stereotype. That because I’m bisexual (if you believe in that sort of thing), I can’t be in a committed relationship. I am somehow unsatisfied if I were to pick one partner because I’d always be yearning for the opposite. The problem with this idea is that it has nothing to do with sexuality and everything to do with monogamy. I know some perfectly straight people and some perfectly gay people who couldn’t be in a committed relationship if you tied them to someone. I’ve personally gotten to the age and experience that commitment to ONE person is my ideal.

You may be wondering why I’ve never brought up my sexuality before. I’ve talked about my dealings with men before, but not women.

Well, first of all, it’s none of your damn business and I’ll mete out information about myself as I see fit. Second of all, my dealings with women have been fewer, but no less confusing, awkward, and difficult than my go-rounds with men. While I’m more trusting of a woman flirting with me than I am a man (in other words, if I realize they’re hitting on me, I don’t automatically chalk it up to them looking for an easy score, they’re joking, or it’s because I’m the only single girl in the room), I’m as clueless as a man when dealing with them in relationships. I’ve also been witness to a few sour women break-ups. That alone has been enough to make me tread extra carefully.

Lastly, I’m not exactly in the closet, but I’m not sure everyone knows. In fact, when I did let my parents in on the fact that I was bisexual, they were actually both shocked that I wasn’t a lesbian. So there ya go. But still, there are certain friends and family members that might not be too thrilled with my sexuality.

Which raises another fun point.

If I date a man, I’m okay. If I date a woman, I’m a lesser human being. Isn’t that strange? Nothing else about me changes. Not my personality, not my weight, not my eye color, not my job. Just my relationship. And that one little thing determines if I can go about life peacefully or if I get people coming up to me in the mall to tell me I’m an abomination (it’s happened!).

Think about that, kids. How would you like the value of your existence, whether or not you’re entitled to the same benefits as everyone else, whether or not your family LOVES you, whether or not your friends will associate with you dependent upon who you’re fucking? Nothing else about you changes. Everything about you is the same. But making that one relationship choice, dating that one person, changes everything about how people feel about your and treat you. Just that one little thing.

Amazingly fucked up, isn’t it? Not very fair, huh?

Welcome to my world.

Pictures: Cubs vs. Astros 10/1/12

Pictures from my last Cubs game of the 2012 season and the Cubs 100th loss. Don’t let the downer qualities of that sentence fool you. I had a good time.

This is where Pat and Keith live.
This is where Len and Bob live.
Jason Berken’s first pitch of the game.
Dave Sappelt at the plate.
James Russell on the mound.
Len and Bob singing the stretch. This is when Pat Hughes waved at me.

 

Carlos Marmol closing it out.
Until next year…

 

 

 

 

 

 

Writing–NaNo?

NaNoWriMo Day 3

You may have noticed if you read my October Projects post that NaNoWriMo was left off of my To Do List. There’s a very good reason for that.

I have no idea what I’m going to do.

In past years I’ve gotten my NaNo idea in September, August, July. I once came up with my idea in March and held onto it until November.

But this year I’ve got nothing.

I’ve thought about going rogue this year. Instead of writing a 60K word novel like I usually do, I’d write two 25-30K word novellas. I’ve got a couple of ideas that I could use for it. They’re pretty good, but neither one I think would flesh out to be an entire novel. Doing them both as novellas would satisfy the word count even if it wasn’t exactly a novel.

I’m not completely sold on the idea though. I’m a bit of a traditionalist. Even though I’d really like to do those novellas (as they’d be part of the Outskirts Universe so they’d be useful to have done) and doing both would count, I’d still feel like I was cheating a little bit.

So if I don’t do the novellas, what do I do?

Logic tells me that I should do something in the Outskirts Universe. That’s my “thing”, after all. On the other hand, it might do me some good to break out and do something completely different.

I don’t know.

The good news is I’ve got about three weeks to figure something out and get it outlined. The bad news is I feel like right now, I’ll take all three of those weeks to come up with something and won’t start outlining anything until 10PM on October 31st.

No matter. I’m up for the challenge.

Fat Telling

So a viewer emailed a news anchor in LaCrosse, WI to let her know that she was fat and as a someone on TV it was her responsibility to not be fat in order to set an example to the young people.

That’s my snarky summary. You can read the whole thing (and see video) here.

The whole incident brought up the topic of bullying, but that’s not why I’m bringing it up. That topic is best left discussed by people who are not me.

I’m bringing it up because this is actually a common occurrence for fat people. You don’t even have to be on TV to have it happen. For whatever reason, people feel it is not only acceptable but also their DUTY to tell fat people that they are fat.

I’m not talking about the assholes that scream “FAT ASS!” across crowded malls and streets. I’m talking about the people like this gentleman who sent in the email. There’s nothing overtly offensive in his email. He just felt that perhaps this news anchor COMPLETELY MISSED THAT SHE’S OVERWEIGHT AND SOMEONE SHOULD POINT IT OUT TO HER. She addresses that in fact.

You might think it’s stupid (and you’d be right), but there are people out there that think I don’t know I’m fat unless they point it out to me. Seriously. They think I might have been trucking right along in my life thinking I was normal or average or worth a shit and it totally escaped my attention that I was FAT. And if that person didn’t tell me, I’d just continue living my life in some sort of oblivion.

Well, allow me to put a lot of minds at ease. Fat people know they’re fat. And there’s also a good chance that fat people understand the health implications of being fat, the HUGE societal implications of being fat, and every diet in existence. You don’t have to tell us. We know.

But see, that’s not REALLY what it’s about. It’s not that fat people live in some sort of ignorance that they don’t realize they’re fat. It’s that people think that if they don’t remind fat people that it’s WRONG to be fat, we might forget and continue being fat.

That’s what this guy was doing when he emailed the news anchor. He was reminding her that it’s wrong to be fat and because she’s on TV it’s EXTRA wrong because she’s now displaying her fatness to more people. And somehow, because she hasn’t changed her fatness, it’s poisoning the minds of the young girls by letting them know it’s OKAY to be fat and, as society is quick to point out, BEING FAT IS WRONG.

Thin people might have to deal with strangers telling them to “eat a sandwich”, but it’s not implied that their existence is in violation of the Universe. Mine is.

I don’t need you to tell me I’m fat. I know. And I’m not going to change just so you’ll feel more comfortable. Changing my appearance might make me visually less offensive to the rest of society, but I’m afraid my personality will remain just as revolting and vile to you. I could lose 150 pounds, but I’d still be a “fat bitch”. Like the lovely news anchor said, there’s more to me than a number on the scale.

I know I’m fat. Do you know you’re an asshole? Tell me I’m fat and I’ll return the favor.

Pictures: Apple and Pork Festival

The Apple and Pork Festival really takes over my tiny town. What started as something that only took place at the Homestead (the C.H. Moore mansion grounds) has over the years expanded to include the several blocks from the Homestead to the Square and the antique mall and high school out on the west side of town. They run a bus from the Square to the high school and a tram from the Square to the Homestead to help people cover the entire thing.

Here are a few pictures of just the Homestead.

The bands are always swingin’. This one is a 50’s cover band.
The Flea Market. If you want it, it’s probably here.
The Covered Bridge that leads to the market.

Interesting note about the covered bridge: it blew down in a bad windstorm late last fall and was rebuilt. Having walked over that bridge dozens of times, it was kind of odd to see all of the new wood inside instead of the old, worn, scarred boards that used to be there.

C.H. Moore Mansion aka The Homestead.
Where the apple doughnuts come from…

Until next year…

Writing–October Projects

Jack-o'-lanterns

I’ve really only got two projects in mind for October.

The first is a freebie project. To celebrate my favorite holiday, Halloween, I’m going to post a new freebie horror story every Wednesday, the last coming out on Halloween and being directly related to my favorite movie related to the holiday (like “How the Night Haunts”). So check the freebie page every Wednesday for a new fix. I’m still in the process of selecting the other three stories.

And I have to write the fourth.

No worries. It’ll be fine.

The second project is self-publishing my novella “Gone Missing”. Five people on Twitter said they’d read it and that sealed it for me. Okay, maybe not. Maybe it’s something I’ve been thinking about for a while, but was on the fence because I thought I should give traditional publishing a shot at it first. And then I took a look at the market and went, “Yeah, okay, I’ll just do this myself.” My “not a fit” monster rises again.

I’m thinking it will be all digital unless there’s a sudden demand for print copies (I don’t think there will be). I just have to decide what venue to use.

The short story submitting continues. Battling my own insecurities about whether or not I should submit a story some place is rather tiresome, but it’s a very real obstacle that I’m dealing with. The finished stories are piling up.

It’s time to just bite the bullet and submit.

I Saw 100

I got up at 6:30 yesterday morning knowing full well that after working two of my three current day jobs that I was going to drive three hours to Chicago, take the park ‘n’ ride bus to Wrigley, see my last Cubs game of the year, drive three hours home, and be up at 6:30 this morning and it might all possibly be for loss number 100.

Well, it was.

I’m running on four hours of sleep and pretty much just trying to get this written so I can go take a nap so I have no idea how coherent it might be. But I’m going to give it a shot.

I’ve never experienced the Cubs losing 100 games in a season. I find it to be a bummer. I’d much rather my team win. And they didn’t. I was really kind of hoping they’d pull off the sweep and avoid the 100. It’d mean nothing. Many people have pointed out that losing 99 is no different than losing 100, but it would have been something of salvage. A tiny morale boost in the midst of a tough season. It would have been nice.

But it didn’t happen. That’s a stone drag.

But it could be worse.

How?

Well, look at it like this. The Cubs will continue they’re rebuilding in 2013 in the NL Central. The Astros will continue their rebuilding in 2013 in AL West. Who would you rather suffer with? I thought so.

The thing about 100 losses is that it puts a team and its fans in an interesting position. How does management respond to this? How does the coaching staff? How do the players? How do the fans?

Now, I can hardly manage a fantasy team so I’m hardly qualified to speculate on what management should or shouldn’t do, will or won’t do, but I’m going to guess that Jed Hoyer’s not bullshitting when he says they’ll be looking at affordable, serviceable starting pitching. That seems like a pretty good place to start.

The coaches probably like being employed, even by a losing team, so I bet they’ve come up with all sorts of good things they want the players to work on. And the players probably have their own ideas about how they should improve, unless Darwin Barney is the only one that doesn’t like complacency (I’m willing to bet money that at least one other guy on the team doesn’t like complacency either).

And the fans? Well, the fans will continue to bitch and moan and whine and go out on ledges and nail themselves to crosses and rail against certain players, the coaches, the management, the owners, etc., and remind the world about how much better the team would be if they were in charge because, well, that’s what fans do.

A few of them, however, will be left standing at the end of another long season of possibly sub-.500 ball (but not another 100 losses; I don’t know that this team has it in them to do it again), sad to see another fall encroach upon their summer fun even if their team was dreadful because they tend to focus on the short term–this game, this inning, this pitch–rather than the long term. Because that’s what fans do, too.

Here’s the thing, kids. I’m all about the journey. Sure, I want to win. I like winning. I can’t wait for a Cubs World Series win. It’s going to be sweet. But I’m just as interested in the trip as I am the destination. 100 losses is part of the trip. The sucky part of the trip to be sure, but in order to fully appreciate the end win, the whole journey should be experienced.  Zen, no?

At least that’s how I look at it.

But, of course, I’m sleepy.

Memories of Apple and Pork

I went to the 44th annual Apple and Pork Festival on Saturday. I went alone and when I go to the Festival alone, it’s a very business-like trip. I don’t bother looking around much. I walk uptown to the Square, take the tram to the Homestead, follow the flow through the covered bridge to the flea market, head to the last row and walk up to the last stall on the left, buy a ring from the same lady that’s always there, walk back through the gauntlet of browsers and strollers and people that think stopping in the middle of the flow to chat or gawk is acceptable, back through the covered bridge, up to the place that sells ham sandwiches so I can get an apple doughnut, then off the grounds and across the street to grab a lemon shake-up before I catch the tram back to the Square and walk home.

Straight business.

Now, if go with someone, there’s a lot more walking. Walking from the house to the Square. From the Square to the Save-A-Lot parking lot and the old Junior High grounds. From there to the Homestead (five or six blocks), checking out the booths set up in yards along the way. Then at the grounds, the flea market is taken row by row and all of the buildings gone through. The we walk home on the opposite side of the street to catch all of the booths we missed on the walk up.

But when I go alone, it’s all business.

I think it’s because I don’t like to dwell around up there when I’m alone. Because I’m not really alone. I’ve got a lot of memories there.

My grandma loved going to the Apple and Pork Festival. It was a thing every year. Before there was a tram, before there was a bus, my grandparents would drive up to our house and then we’d walk up to the festival together. Back then there wasn’t much on the Square. It didn’t really start until the Junior High (which still existed). Sometimes Mom would go with us, sometimes Aunt Jo would be in town. Sometimes it was just my grandparents and my sister and me. Dad was almost always working the event.

We’d walk up together and the walk would take forever. When  you’re a kind those kinds of walks were long anyway, but the constant stopping because Grandma wanted to look at something made it longer.

Same with the flea market and such at the Homestead. When you’re a kid, these things hardly hold much in the way of appeal. We’d get our face painted and look at shiny things, but to us the Apple and Pork was boring because there were no rides like the county fair. Papa was usually good for one toy if we were good. Foam lizards on leashes were always popular when I was a kid, but I remember one year I got a blow up crayon and another a blow up shark.

I can remember being so tired by the end of the Homestead walk around that walking home was utter torture.

I think about those things every year that I go.

And every year I go, as I’m getting ready to make my walk up to the Square, alone or not, I feel like I’m waiting on my grandma. I keep expecting the car to pull in the driveway and Grandma and Papa to walk in the house, both of them wearing their good clothes, Grandma decorated with her jewelry (most of which was bought at flea markets and auctions), her glasses perched on top of her head. I expect to be kept waiting ten or fifteen minutes during the small talk before we start our walk up there.

My grandma has been dead for eight years now. It was probably several years before she died that I last went to an Apple and Pork with her and Papa (once I started working, I rarely got a weekend off to go). It’s a silly thing to expect that after all of these years, but I do.  I guess it’s just an ingrained expectation, like the ring and the apple doughnut and the lemon shake-up. Going with Grandma and Papa is all part of the Festival for me, even if they’re both gone now.

So, when I go alone, it’s all business. Grandma’s not around anymore. I don’t feel like looking.

Writing–The Story of Four Stories

English: view of Citroën Ami6 Headlight. The f...

I’ve got four short stories in various stages of revisions right now: “Whistle While You Work”, “Aftermath”, “Just Visiting”, and “Lady on the Stairs”. They were all written about the same time, but in pairs (“Whistle” and “Aftermath” together; “Visiting” and “Lady” together). They’re different stories, but it’s just interesting to see how different they are in terms of writing/revising them.

Of the four, “Lady” needs the most work. I was sure what it was when I started writing it, but when I got to the end, I figured it out. It’s going to take a few rewrites to get the tone just right and make sure I get across what I’m trying to say.

I knew what “Visiting” was when I started writing it, but it’s taken quite a bit of tweaking to get the right mood, more than I anticipated.

I knew, but I didn’t know what “Whistle” was about. I had the scene in my head, but I didn’t know the why of the whole thing until the very end. It started off pretty straight forward and then my brain gave me the twist. It was kind of like “Lady”, except I had a much better handle on what was going on when I started the story.

“Aftermath” is basically done. The story came out as it should be. It just needs a little tweaking.

People who aren’t writers often think that writing short stories is like working an assembly line. You’re doing basically the same thing every time. The process is the same. So therefore, the idea that one story might be easier or more difficult than another is baffling. You’re doing the same thing? Why is it so hard this time when it was so easy the last time? Or vice versa.

Sure, the process is the same. But every story is it’s own beast. Going back to the assembly line comparison, it would be like I’m putting on the headlights, but every car that comes down the line is different. So even though I’m doing the same job, it doesn’t get done exactly the same way because I’m dealing with a different vehicle ever time.

While I’m following the same basic writing process (first draft, rewrites, revisions, polishing), different stories require different amounts of each step.

Non-writers aren’t the only ones that need to be aware of this, though.

I need to remember that, too.