No Words November

A light brown and light red pen lying on a sheet of lined notebook paper.I admit that the title is a bit of a lie. It’s not that I’m not going to write any words in November. I am participating in the November Poem-A-Day challenge and poems usually do require words. What I mean is that this year, this month, I’m not participating in a big word count endeavor.

2023 was my last official NaNo and last year, instead of participating officially, I used November to incarnate Stateline into a novel form. This will be my first November in a couple of decades that I’m not spending my days stressing about making word counts and trying to cross a finish line.

There’s a list of reasons why I decided to opt out this year. I think the number one reason, the main reason, the only reason that I really need is that this year, I’m all tapped out. I just don’t have the energy to sit down and write at least 1,700 words a day. I’m juggling too many things right now and having trouble keeping all of the balls in the air. I’ve taken on more at the library -namely the two new monthly programs that I started in October- which has required me to bring more of my work home until I get things into a rhythm. I’ve also got more podcast stuff going on this November than I have previous Novembers. And, of course, there’s my role as caregiver for my father, which has lessened in recent months because he’s been doing better (knock all of the wood), but still demands time and energy. (I’m actually writing this blogs post while waiting for him at his latest PET scan).

Last year, in the midst of my father’s rapidly worsening health, his hospitalizations and doctor appointments and ER visits, Carrie’s fall and her doctor appointments and ER visits, I managed to keep up with my daily word count. I managed to write my poem-a-day, too. It was a distraction, a little bit of normalcy in the midst of a swirling storm of chaos. Looking back, I realize that’s the only reason why I did it. Well, that and stubbornness, I suppose. Looking back, I can’t believe that I didn’t give myself a break.

This year, I’m giving myself that break, even if I am dealing with far less chaos and emotional turmoil.

Do I feel guilty about that? Oh yeah. Do I look at other people with busy lives and lists of obligations who still get their writing goals met and feel like an absolute failure? You better believe it. But this year, I’m giving myself permission to give less of a shit about it. Will I actually give less of a shit about it? Probably not. But I have permission.

Even if I did decide to add 50,000 words to my November, I’m not sure I have a story idea in my head that I’d want to spend the month and the words investing in right now. I’ve got one idea that I’ve been kicking around off and on for years now, but it’s still so uncertain of itself that I feel like I’d spend 30 days spewing words that ultimately wouldn’t do me any good. You could argue that writing 50,000 words of yuck could help me develop that story, and you’d have a good argument, but I’d just refer you back to the first point that I made. I don’t have the time or energy right now for that sort of endeavor.

Does that bum me out? Yes. I miss having the spark that would lead me to explore that idea. It reminds me of when writing was hard and I don’t want writing to be hard again. But honestly, it kind of is.

So, this November, I’m going to let writing be a little hard and I’m not going to worry about the number of words I write.

I’ll just let them rhyme.

Unofficial NaNo

This year, NaNoWriMo is going to look different for me.

Yes, I still intend to write 50,000 words during the month of November. However, I’m not officially participating in NaNoWriMo.

Earlier this year, the folks at NaNoWriMo issued a statement in support of generative AI, which resulted in something of a controversy, as well it should. First of all, the whole point of NaNo is for people to sit down and write a 50,000 word novel. That’s it. It doesn’t matter if you consider yourself a writer. It doesn’t matter if everything you write is absolute garbage (it’s a first draft, so there’s a real good chance of this, actually). The point is that you put your ass in the chair and you write the words. What is the point of having generative AI do that for you? You’re not writing shit. You might as well not even participate. You’d be putting in the same amount of effort. Generative AI goes against the whole point of the entire purpose of NaNo. Having the folks at NaNoWriMo support it is like fucking for chastity here.

But I suppose if you’ve got a couple of AI companies as your sponsors, you’re going to say nice things because money is always in your best interest. Never mind that it comes from people who want to put writers out of business.

The NaNo folks also tried to say that generative AI was like a disability aid for writers, which writers with disabilities quickly shut down. AI isn’t what those writers use or need to write their stories. And if I may be so bold, being unwilling to write that great idea isn’t a disability. The worst writers among us could write better drivel than what generative AI has proven to come up with. You can achieve that dull, mediocrity on your own.

Then there’s the whole thing about how generative AI is based on theft (mining the works of other people without credit or compensation or permission), it costs people jobs, and it destroys the environment. No supporting clarification statements are going to undo that knowledge.

In the end, I cannot in good faith continue to support this organization that was once beneficial and that now has been corrupted by the greed and avarice of late capitalism. It’s difficult to exercise morals in this hellscape, but fuck it, I’ll die on this particular hill.

After twenty NaNos, I really don’t need the crutch of their daily word count graph and the reward of their little gifties in exchange for a donation anymore. It doesn’t need to be November for me to write 50,000 in thirty days anymore. If I’m going to be honest, I don’t even need to write 50,000 words in 30 days anymore. I’ve mastered the art of completing first drafts in a wide range of time spans. NaNo was just something to look forward to every year, a month of unbridled writing for the sake of writing, a guaranteed time to work on and/or complete the draft of a project.

And now it’s not.

So, I’ll make my own.

2023 NaNo Winner!

For the 16th year in a row (out of 20 years with 17 total wins), I have crossed the 50,000 word threshold in 30 days officially making NaNo 2023 a winner. I hit the mark on the 28th and I used the last two days to finish up the first draft. Total words written in November will hit right around 53,000 and the total words for this first draft will be around 55,000 because I kept some of the original short story, but not all of it.

When I started working on the expansion of What Happened to the Man in the Cabin?, I thought I knew the story I was writing. By that I mean that I thought I knew what the story was truly about and where the ending was. And then I hit a point in the word accumulation when I realized that the story was actually really about something else and the ending wasn’t the ending. I had something of an outline written, but as I wrote, the story revealed more of itself and I ended up surprising myself, which always thrills me. It makes me feel like I actually know what I’m doing.

It also made the words difficult to come by about half-way through. I went from hitting my daily word count before heading off to my library shift to having to finish the day’s writing after I got home. I ended up gamifying my writing to get my words written in a timely fashion (I play a game that has ad breaks; every ad break, I’d write 500 words before I go back to my game).

It also didn’t help that I didn’t do a very good job of preparing my schedule for NaNo like I’d done in previous years. I failed to get as much podcasting stuff done before November and as a result, I ended up with a bit of a full schedule that made writing more of a chore than it should have been. That is not a mistake I wish to repeat and I endeavor to do better about that next year.

This year, though, is in the books. I have a decent first draft that I can work with to revise into something that could be pretty nifty. It’s so different from anything I’ve written before. Revising it will be interesting.

Meanwhile, my hope to keep up with That’s Punk while also doing NaNo did not work out. I made it about half-way through the month, but ended up failing due to other scheduling commitments. Thems the breaks. Hopefully, I’ll be finished with the first draft of that story by the next NaNo.

As for this NaNo, it was a little more challenging than I would have liked, but I’m not going to argue with the results.

I do love a winner.

NaNo 2023

Ah, yes. It’s that time of year again. The time when I drive myself to the brink of insanity by writing a 50,000 word novel in a month.

Okay, that’s pretty dramatic considering this will be my 19th NaNo and I long ago mastered the art of writing those 50,000 words in 30 days, though I do admit that sometimes it can be stressful.

Last year, I actually wrote a novel, a real change of pace from some of the NaNo shenanigans I’ve pulled in previous years. This year, I’m back to my shenanigans. Sort of. I’m still working on a novel, it’s just that I’m adding to an existing story rather than writing a novel from scratch.

My goal for this year is to add 50,000 words to the story What Happened to the Man in the Cabin?.

When I initially wrote what turned out to be a longer short story, I thought it had the potential to be a novella or maybe a novel, but I wasn’t sure I wanted to go through with adding words. I also had other projects going, so I didn’t really have the time, focus or energy to really explore that option. But, having thought about it for months and having come up with a reasonable expansion plan, I think NaNo is the time to do it.

This will be something of an adventure for me. The original story dealt with two different timelines -the present, where Newly Lowell is being interrogated by Sheriff Adam Joe about an incident that happened thirty years prior; and the past, the incident that took place when Newly and her brothers Thad and Quint were twelve. The expansion plan intends to shift the viewpoint of the past from Newly’s to a more general one, allowing for the past to be expanded more, and to add in the viewpoint of Sheriff Adam Joe, but from the recent past, starting when he finds the Lowell triplets’ father dead and knows they’ll be headed back to town, which will be his opportunity to get answers.

Ambitious? Absolutely. Am I good enough to pull it off? Probably not. But, I think the doing will be very educational and I might end up with something that I can work with in rewrites.

I will also still be working on That’s Punk while I do NaNo, which should make for a fun warm-up if I stick to doing at least 100 words a day on it like I have been. And I’ll be working on podcasting and other audio projects during the month because I failed to appropriately plan ahead this year, so that should be fun and stressful.

This year I plan to keep my daily word count to about 1,700 words a day, just above minimum, writing every day of the month. I think the lower word count will help to counteract the stress of doing something difficult during a busier schedule.

At least that’s what I’m telling myself.

We’ll see how I feel at the end of the month.

2022 NaNo Winner!

Number 19 officially went into the books on November 23rd and that’s when the story was finished, too. I pushed a little to get it finished before Thanksgiving, but for the most part, kept a constant 2,000 words a day word count. I tended to make the most productive progress doing 500 word sprints in between playing rounds of a puzzle game. It just seemed easier to write that way when I was giving my brain little breaks rather than trying to push straight through. It’s not the first time I’ve used this distraction/sprinting technique. I do whatever I need to do in order to make the words happen.

Thanks to me being less than smart with my scheduling, I ended up writing most often after work. Or at work, in some cases. I’m a dedicated employee. Anyway. That was different from previous years as my goal was always to get as much, if not all, of my writing before my shift. But since I had a few other projects going on, I had to rearrange my priorities. I will readily admit that this was one of the more stressful Novembers I’ve had in a while. I got through it, but I’m in no hurry to do something like that again.

The final first draft of Leave Well Enough Alone is something of a mess, naturally. Maybe it wouldn’t be if I’d done a slightly more solid outline. And by slightly more, I mean anything better than the vague game plan I went in with. But that’s not how I live my life.

I realized about two-thirds of the way into the first draft that I borked my timeline. Not long afterwards, I realized that I probably should have written the story differently. As I mentioned, I wrote alternating timelines. I think I might have been better off writing the 1976 timeline first in its entirety and then tailored the present day timeline to better fit it. Also, neither timeline turned out the way I thought it would, but that tends to happen when I don’t have a more robust and solid outline.

It was also about the time I realized I borked my timeline that I realized that Trix and Miggy should have had different jobs and objectives, but whatever. That’s what revisions and rewrites are for.

And when I get around to them, there will be a lot. Most likely starting with writing the 1976 timeline out in full so I know better how to make the present day timeline work.

But that’s future me’s problem.

Right now, present me is savoring yet another NaNo victory.

Page-A-Day and Sunday

As I mentioned, I’m currently writing a page-a-day novel as well as something I’ve come to think of as my Sunday novel. I’ve been doing them both for a few months now, long enough that I’m ready to talk a little bit about each project, but more importantly talk about how different the processes have been for me, particularly in light of working on a NaNo novel at the same time.

NaNo, of course, is NaNo. I’ve finished it in 12 days, I’ve finished it in 30 days, I’ve totally failed it. My goal is to write 50,000-60,000 words in a month, about 2,000 words a day. After years of this, I’ve found a happy medium between outlining and pantsing, giving myself a basic blueprint of the story with room to wild out and surprise myself. It’s been a winning formula for quite some time (when I’m not cheating, obviously). The resulting first drafts vary from needing a lot of rewrites to just needing a few rounds of revisions.

Blasting out that first draft as fast as possible has been my way of writing for a majority of my writing career and it’s how I’ve done most of my projects.

Defending The L is not my first page-a-day project. A few years ago, I decided to shake up my creativity by writing one page a day every day for a year because as the adage goes, if you write a page a day, by the end of the year, you have a 365 page novel. At the time, I was looking for some kind of creative productivity boost. I had a general idea of the story, a few scenes I knew I was writing towards, and I just sort of let it unfold, day by day, page by page.

My current page-a-day is a little different. I started writing Defending The L this way because I wanted to write this story, but didn’t have time to devote to it to do it NaNo-style, nor did I want to wait until NaNo. I also don’t have the goal of writing a page a day for a year, just until the story is done. As of this post, it’s right around NaNo length of about 50,000 words and into the third act of the story, which takes a bit of a horror turn.

Defending The L also has the dual purpose of being a bit of a catharsis piece. It’s set in a library, so I’ve been able to vent some of my frustrations with the job through the story.

Like the previous page-a-day (which still doesn’t have a title and I haven’t looked at since I wrote it) and much of my NaNo work, this one is going to need some revising, but more than likely not any heavy re-writing. Of course, I’m not finished yet, so fingers crossed.

My Sunday story, That’s Punk, is an entirely different beast and honestly, it’s a little scary.

First of all, there’s nothing horror or fantasy or otherwise genre about it. It’s straight contemporary fiction, which for me is way out of my comfort zone.

Second of all, instead of writing this first draft as fast as I possibly can and getting it all out in one hunk I can shape through rewrites and/or revising, I’ve only been able to work on this story on Sundays. And when I do work on it, I go back and re-read what I wrote the previous week, revising anything I’ve decided needed changing while it’s simmered in my brain since the last time I looked at it, and then I add new material. There’s also no goal before I call my day on That’s Punk done. No word or page counts. Once I do my rewind and revise, I decide how much I want to get done that day. Usually, it’s a scene, or maybe not even that. I stop where it feels good. I’ve been working on this story since the end of August and I’ve only got about thirty pages written.

It’s so weird on so many levels for me. I’m writing something I don’t normally write in a way I don’t normally write. And you know what? I think I like it. There’s something indulgent about being able to take my time with a story, revise it as I go, and keep my goals fluid. There’s something luxurious about having this dedicated time to work on something on a day with no other expectations. I’m not rushing to get anything done because I have to go to work or I have errands to run or dinner to make. I don’t do anything on Sundays by design. Writing this story on my lazy day has turned into a form of relaxation for me, as strange as that sounds.

November has been an interesting writing month for me for years thanks to NaNo and the challenge of writing a 50,000 word novel around daily life. But this November, writing three different novels, three different ways…it’s been eye-opening.

One thing about being a writer…I never get bored exploring and developing my craft.

NaNo 2022

I’ve decided that for this year’s NaNo I have enough of an idea that I can actually work on a novel this time and not have to cheat.

Maybe.

So, the idea I have is actually a combination of two ideas. The first is idea is about a character I’ve had kicking around in my head for a while named Royanna McKee who comes from a family of con artists and her attempts to break free from her family causes problems, particularly with her twin sisters, Claudine and Bernadette.

The other idea features a couple named Trix and Miggy Herrera who also have interesting families (particularly Trix) and as a couple they’re commissioned to write books about niche history topics. For example, Trix is supposed to be researching the history of a local courthouse, particularly the corruption related to its construction, when she comes across an article about a woman who went missing in 1976 and decides she’d rather research that.

Naturally, I thought those ideas could mesh together well in a timeline switching read, going back and forth from 1976 and 2022-ish.

Am I good enough writer to successfully pull that off? Probably not. But it’s NaNo, so it doesn’t matter. The only thing that matters is that I FINALLY came up with a title. Leave Well Enough Alone. It’s not great, but it’ll do.

The challenge of this NaNo (aside from the questionable outline I put together) is that while I will be NaNoing away, I will still be working on my page-a-day project, Defending The L (have I mentioned that here yet? I’m too lazy to go back and look) and what I think of as my Sunday project (which I did mention in this post) called That’s Punk. So, I will technically be working on three novels at once during November. But so long as the words are flowing, I’ll only be logging the words from the official NaNo project.

Unless it falls apart and I need to cheat.

This is my 19th NaNo. It’s far from the worst way I’ve bent the rules.

Besides, after this many years what do you expect?

50,000 words is 50,000 words.

NaNo 2021

Here we are once again. It’s NaNoWriMo time.

I wasn’t sure I was going to do NaNo this year. It seems that podcasting takes up most of my time these days, not that writing was coming easily anyway. I’ve written plenty about that, most recently in this post.

More than that -I didn’t really have anything I wanted to work on to the tune of 50,000 words in 30 days. Yes, I have ideas I could turn into first drafts, but nothing that compelled me.

And then I got an idea for a new Patreon project: The Found Diary of Christina Essex. Aside from the title and the basic premise -an unknown narrator reads a diary they found in the attic of their new house- I didn’t have much to start with, but I knew it would be good for a Patreon tier (more about this in a later post).

In order for me to have this new project ready for a January start date, it needs to be done soon -like now. Hello, NaNo project!

The one hitch in the giddyup is that this Patreon project is going to be an audio story. I can tell you right now, it probably won’t make 50,000 words. Not exactly ideal since that’s the goal of NaNo.

So, once again I’m going to cheat.

Much like the few years that I did two novellas instead of doing one whole novel, in this case I’m going to a novella and then other writing. Meaning, I’m not only going to count what I write on The Found Diary of Christina Essex, but I’m also going to count any other writing I do. Blog posts, short stories, flash fiction, whatever. I’m going to count it. The goal for this very special NaNo is for me to hit the NaNo goal of at least 1,667 words every day.

I am still struggling to find my writing joy. Will writing a significant amount of words for thirty days in a row help me reclaim it? I don’t know. But I felt a spark of magic when I wrote the last Patreon flash fiction bonus and I feel like it’s all right there, just teasingly out of reach. I know writing is work, but I want it to feel less like work. Because it didn’t always feel like the bane of my day. I used to look forward to exploring new ideas, even if it was just a blog post.

It’s sort of like being in love. I want to feel that way again. I want to feel that way always.

And who knows, maybe this will do it. And maybe I will hit 50,000 words on just the story.

Wouldn’t that be sweet?

NaNo 2020 Winner!

This year’s NaNo was interesting.

I went in with only a rough overall idea of what I was doing so I ended up outlining as I went. I did my usual pattern of 2,000 words on work days and 4,000 words on my days off, though I did end up spending one Sunday writing pretty much all day for a gain of over 7,000 words so I could hit 50,000 before I had to record podcasts later that week. It worked. I hit 50,000 words on November 18th.

However, I didn’t finish the first draft of The Supervillains Will Save You until November 29th. It’s the latest I’ve finished a first draft in a NaNo in quite some time. It’s also the most I’ve written for a NaNo first draft in quite a while, finishing up with 64,222 words.

This NaNo was stressful, to be sure. In addition to outlining as I went, which has its own kind of stress, my non-writing life had its own challenges as well.

I thought I’d be doing three podcasts this month, but ended up only doing two, which was a break in my favor. However, the library went back to curbside service in the middle of the month and the stress of that definitely put a cramp in my writing style. It eventually smoothed out and I was able to actually get some writing done at the library, which helped a lot.

In conclusion, I once again found a way to make it work and ended up with a first draft of something that I kind of like and will only need some minor work because of course I realized important things that should have been put into place early in the story when I’m half-way through with it.

Whatever. I’ll take the win.

November Writing Projects

In the last week of October I managed to come up with something to do for NaNoWriMo. I decided that my best bet was to go with the sequel to The Support Group Meets on Wednesday. I’m tentatively calling it The Supervillains Will Save You, which is not ideal, but what in my life is?

I was able to break down a basic plot outline surprisingly quickly and I’ve fleshed it out a bit so I have something a little more substantial to work with, but I think a lot of it is going to be a surprise to me as I go along. Which should be fun.

I have absolutely no idea how I’m going to pull 50,000 words out of my hat this year, not only because writing has been hard anyway, but also because the day job has been more demanding and I’m currently working on three podcasts.

You know what? It’s fine. I’m at my happiest when I’m driving myself crazy with stress. Makes me feel alive.

In other news, I do have something of an idea for that anthology I want to submit to, but I have to admit that my confidence took a hit reading the previous anthology for research. I’m not sure I’ve got the chops to come up with something that isn’t completely wasting their time. Especially given the struggle I’ve had lately with any and all writing.

But as I always say, one catastrophe at a time. Let me get through NaNo first.

And while I’m doing that, you can be listening to episode 17 of Book ’em, Danno, which just went live. It’ll be a great way to kill time while you wait for episode 18 to drop at the end of the month, fingers crossed. Like, subscribe, heart, share, comment, harass friends and family, put it on a billboard, any show of love is appreciated.

And while I’m doing that, you can be listening to episode 17 of Book ’em, Danno, which just went live. It’ll be a great way to kill time while you wait for episode 18 to drop at the end of the month, fingers crossed. Like, subscribe, heart, share, comment, harass friends and family, put it on a billboard, any show of love is appreciated.

We may be in the final months of the year and in between seasons of Murderville, but that doesn’t mean that there’s not something to look forward to. The season 5 promo will be available to patrons on November 11th, 3 whole weeks before non-patrons get a glimpse. So if you don’t want to wait until December to find out what’s going down in the last season of Murderville, then become a patron now. $1 an episode lets you read and $2 an episode gets you a sweet bonus every other month.