Writing–Shelving It

Rainbow paperYou remember that untitled novella I was writing at the same time I was writing The Timeless Man? The one that was so insistent on being written that I decided to humor it and write it? Yeah, well, I didn’t finish it. I only wrote about seventeen pages, then made notes on what the rest of the first draft was about, and then shelved it.

I shelved the first draft of a short story I wrote earlier this year, too.

I’ve got plenty of stories on the shelf.

It’s not an easy decision for me to shelve a story. Usually, it’s a finished draft of something that I look at and go “no”. Rarely is the draft unfinished, but that happens on occasion. I don’t like to do it it, but it’s usually for the best.

When stories end up on the shelf, it’s usually because of how I feel about the story. There’s something about it that makes me realize the story isn’t meant to be worked on. It’s not to be done. I don’t hate the story. Worse than that. I don’t feel anything for it. Whatever burning need I had to get it out of my head and down on paper is long gone and I’m left with nothing but a sense of meh. That apathy is pretty much what dooms a story to the shelf. I can get past hating a story to get it done to completion. But if I have no feelings at all then I’m not going to force it. No good story comes from no feeling.

It’s not necessarily the end of the story, though. It’s on the shelf, not in the trash.

There’s always a chance that I might need that story later, that the initial feeling of urgency and NEED to write that story can return. And when it does, it’ll be right where I left it and I’ll be ready. It’s a win.

Sometimes being a pack rat can have its advantages.

Writing–Bestseller, Baby

Rainbow paperI am not what you’d call a bestseller in the strictest sense of the word. You wouldn’t even call me that in the very loosest sense of the word. If you add up all of the copies I’ve sold, it wouldn’t come even close to one hundred. It wouldn’t even break fifty.

I am definitely not a bestseller.

But, I feel like one.

See, I published Yearly at the beginning of February. I sold  twelve copies that month. Twelve! It took me months to see that many copies of Gone Missing. I haven’t even come close to that with anything else (Night of the Nothing Man has sold a grand total of three; Cheaters and Chupacabras has sold 8). So, to me, selling twelve of one thing in one month is huge.

And then last month, Yearly sold nineteen. Nineteen! Amazing!

It’s hard to explain to people familiar with the sales of Stephen King, Stephanie Meyer, Nicholas Sparks, Nora Roberts, and the like how successful selling less than twenty copies of something can feel. But when you’ve gone your career until this point selling mostly nothing, when selling four copies of all total of every thing you’ve published in one month feels huge, selling nineteen of ONE thing in one month feels like some kind of arrival.

Okay, maybe that sounds overly dramatic, but like I said, it’s hard to explain.

I’m not the best self-promoter. I don’t have a very strong word-of-mouth existence. I’m not exactly clamored for. I usually know everyone who buys my stuff. when I hit the point that I don’t know who bought it, when I hit the point that it’s possible that strangers might be buying my work, I can’t help but get excited. It makes me feel like a real writer. It makes me feel validated.

It makes me want to write more.

Writing–April Projects

Yellow flowersRevising. That’s all I’m going to do in April. Just revising. My To Do list is filled with revising.

My essay for a contest is going to be revised and polished this month. The deadline is next month and it needs to be done and ready to go with time to spare. It has top priority.

Also getting revised this month is Spirited in Spite. I actually don’t think it needs much in the way of revisions, but I’m going to comb through it one more time just to be safe.

After that, anything is up for grabs. I’ve got one short story, one novel, and four novellas that need revisions. I guess whatever I feel like working on will get worked on.

It’s going to be a while before I write anything new, I think, which is fine. I’ve found it’s sort of hard for me to think about writing a first draft of a new project when I have all these other drafts of these other projects hanging out patiently on my list.

So starting now, my focus is totally on eliminating what I can from this To Do List. That means revising. Revising, revising, revising. Then polishing.

Now watch me get another brilliant idea that I can’t pass up and I end up writing that instead.

Those Pesky Shoulds

ThinkingWhenever I get a little bit of free time, my mind is filled with things that I should be doing instead of not doing anything important or, laws forbid, relaxing.

I should work on that bag I started as a way to keep me occupied during afternoon kid minding.

I should do a few more lessons on Duolingo.

I should do more work on whatever writing project I’m doing even if I’ve already hit my daily To Do List demand.

This blog post is a should. I had some free time this afternoon. I did a few extra Duolingo lessons. Then I still had some time. So instead of enjoying the fact that I don’t have to make dinner this evening and resting up some before I go to work tonight, I’m writing this blog post. And after I’m done writing this, I’ll do my workout, and probably try to get a couple more chapters on A Tale of Two Lady Killers revised before I leave for floorset.

You see, so long as there are things I should be doing, then I’m always going to feel like a lazy bum if I’m not doing them when I have the time.

I already feel like a slacker, like I don’t work hard enough or have enough to do. I feel like I haven’t earned any downtime or free time or relaxation time. So I SHOULD be doing something productive. I should be working out or writing or sewing or working or SOMETHING.

Those shoulds are so pesky. They make me feel guilty every time I decide to take ten minutes to play a game or check Twitter. Because I SHOULD be doing something else. I’m wasting time.

I don’t relax. I waste time. At least that’s what the shoulds in my brain make me think. And so I go to bed feeling guilty often because I wasted time watching reruns of F Troop and The Rifleman instead of doing more exercises or writing more words or curing cancer or whatever else I should be doing.

It’s something I try to work on, but it isn’t easy for me. I envy people who can do nothing and not feel bad about it. I spent a day in bed with a really nasty headache last week and felt like a bum because I barely got one page written before I gave up on trying to be productive. Even a headache doesn’t quiet those shoulds in my brain.

Because I should have been doing something else.

For me, to not do anything is an act of rebellion because I don’t feel like I’ve earned it. Even when I complete my To  Do list for the day, I didn’t earn it. I’ll never earn it and I know it. There’s always one more thing I should be doing before I can relax.

Ooh, that reminds me! I need to wrap up this post.

There’s something else I should be doing.

Writing–March Projects

cloverThe main project for March is to finish writing the first draft of The Timeless Man. It’s more than half-way done and boring as hell, but I can fix that later. I just need to get it done. This is a project that I want to have completely done by the end of the year and the way I’m struggling with the first draft, I might already be in trouble.

The other novella that I’m working on, remember it? The one that was so insistent on my brain last month? Well, it’s not as insistent now. I’ll still be working on it throughout the month, but more as a distraction from The Timeless Man, a break from the blahs I’m having about that first draft.

So, The Timeless Man is the biggest priority this month.

However, I’ve been trying to come up with story for a contest open to various genres and essays. I think I’ve actually hit on an essay idea that might work for it and I think I’m going to give it a go and see what I can make of it. I’ve only written one other and it was pretty much garbage, but I’d like give it a go so I can feel like I’m doing something towards this deadline.

Last month I read through A Tale of Two Lady Killers, but didn’t get around to doing any of the little revisions that need to be done. I also realized that if I want to self-publish The World (Saving) Series, as I’ve been thinking about doing, then I’m going to make some changes to the manuscript. Maybe this month I’ll get around to doing those two things.

But like I said, first draft’s first.

Writing–Sophomore Slump?

Rainbow paperI’ve spent the month working on the next Ivy Russell novella, The Timeless Man. It’s been sort of a slow-go due to a bit of a crazy work schedule. Most days I can only get a page or two done, though I try to get more than that in on the weekends and the days I’m only working one job.

But the day jobs aren’t the only thing slowing me up.

So far I’ve spent the entire first draft (which isn’t yet finished) comparing The Timeless Man to Cheaters and Chupacabras. It’s an unfair comparison because I’m comparing a finished project with a first draft. That’s like comparing a gold medal skier to a guy who just put on skis for the first time. It’s not right.

But I’m doing it anyway.

Every time I pull up the first draft to work on it and start typing, in my head I’m asking myself, “Does it have the same tone as the first one? Is it as much fun? Are the characters consistent? Is it enough like the first one?”

The only valid question is about the characters. They should be consistent at their core from novella to novella, and since I have two more novellas in the idea stage, that’s pretty important. It’s something I should definitely keep in mind for the first draft, but I don’t have to be a nag about it.

The rest of it, I can’t ask those questions now. I’m not even sure if I should ask those questions at all. Since this is going to be a series of novellas, I realize there should be a certain feel to the stories that is similar between novellas, but that’s really something I shouldn’t be thinking about in the first draft stage.

I’m hoping I can file those questions for later. I can look at them again when I get to revising.

Right now, I just need to be writing.

I won’t be able to answer them if I don’t get this first draft done.

Writing–The Battle of the Ideas

Rainbow paperI spent some time last month thinking about and sketching out the next Ivy novella. I need an idea of where the road goes before I start driving it, you know. And I admit that it didn’t come as quickly as I’d have liked. I had the basic idea, the very basic story. But the certain details I was needing, the points on the road that I needed to stop and visit, weren’t as immediate and clear as I would have liked.

All well and good. No need to rush. No need to panic. Plenty of time to let the idea boil a bit longer on the back burner.

So while I was letting this bit simmer, I got a sudden rush of an idea that needed to be written now. Here are the characters, here is the story, here is the dilly-yo, so let’s get to it.

Such is one of my biggest annoyances as a writer.

You’ve got your schedule. You are going to work on this. Everything is all nice and neat. And then BAM! Here’s this new, insistent, sparkly idea that looks so much better than the idea you’re working on, that you need to work on, that you should be working on, and wouldn’t you rather work on it?

Like a siren leading my deadlines and plans to the rocks.

Sometimes, when this happens, all I have to do is sketch it out a bit and the sparkly idea falls apart and I can move on with my original project without any guilt.

But sometimes, the sparkly idea doesn’t burst into a cloud of glitter. Sometimes it’s more than just pretty. There’s some real substance there. I can’t just ignore it. I’ve tried and it always ends up badly.

I don’t know what other writers do about this problem, but if I feel compelled to work on it, then I work on it. It’s my second project and it gets my attention as soon as I’m done with the primary project, the one with a deadline and schedule, is finished for the day.

It works out better for me that way.

Working on the second project doesn’t distract me from working on the first project and probably actually helps my focus on the first project because I want to get it done so I can move on to the second project.

And at the end of all things, I end up with the first drafts of not one, but two novellas (or short stories or novels or any combination of those), which gives me more to revise and polish, and more choices at the end of it all. It’s actually a good thing for me in the long run, these surprise ideas that end up doing battle in my head.

It’s still annoying, though.

Writing–February Projects

purpleflowersHaving done a whole bunch of revisions, both hard and easy, this month I’m looking to write something new.

It’s time to get the new Ivy novella down on paper. That is for sure. I’ve got it all sketched out. Okay, I’ve got it as sketched out as I need it to be. Good enough, time to go.

I also got an idea for another, unrelated novella that has been rather persistent and so I think I’m going to explore it as well. I’ve sketched it a bit. I think I can write it. I think I’m going to.

And finally, I got slapped with a short story idea that won’t take me but a couple of days to write, so I think I’m going to do that as well. I’ve actually had the idea for a while, but I couldn’t figure out just how to work it until recently. Now that I know, I want to get a draft done.

So, I’m looking forward to a lot of writing this month.

But, since Spirited in Spite didn’t take that much work to revise, I started reading A Tale of Two Lady Killers in preparation to revise it to completion, too, and I’m realizing that it’s not going to need a whole lot of work either. So it’s entirely possible that I might do some of the nitpicky revisions on it this month, too.

Short month doesn’t meant I’m short on work.

Writing–The Hard Revisions

Rainbow paperI’m in the process of revising Hatchets and Hearts and it’s been a pretty hard slog. I knew it would be. I knew when I was writing it that it wasn’t working the way that I wanted it to and so I knew when I finished it and tucked it away that I was looking at some serious rewrites/revisions.

Hard revisions are the worst.

I usually like revising because there’s something about stripping down a story and putting it back together to make it better that I really dig. But sometimes there are revisions I dread. Those I call hard revisions.

I guess they’re hard because they take more effort than usual. I don’t mind rewriting/revising extensively. It has to be done and most of the time I’m right there in it. But there are some stories that whatever revising I have to do is just plain work. Maybe I don’t like the story all that well at the moment or I’m not keen on the revisions I’m doing because I’m not convinced that they’re the right thing to do but something has to be done to get this show on the road.

That’s where I’m at with Hatchets and Hearts. The story isn’t what I want it to be and I’m not sure these revisions/rewrites are going to get it to where I want it to be and it makes me feel very meh and blah and uninspired. It makes me have to force myself to work on it, to do the bare minimum every day so it will get done. And then I chide myself for not putting out more effort to get more done so the whole thing gets done faster, but I just don’t have the energy for it, ya know?

And the hardest part is coming because I’m changing the ending and it’s going to be really hard because I don’t WANT to do this to the character, but I have to because the way I’m doing things, that’s how it has to go. It’s going to brutal and I’m dreading it and I think that’s part of my foot-dragging.

The thing is I’ll finish these revisions because I’ve become very good about finishing things and I’ll put this aside to settle for a bit. And when I come back to it, the next round of revisions are more likely to be easier because the slogging I did this time will pay off. There will be something better for me to work with so I can get the story closer to where I want it to be.

And that’s why I never whine too much about the hard revisions. I know it’ll be worth it.

Writing–Revising Spirited in Spite

Rainbow paperSo as I may have mentioned in my previous projects posts that one of my plans for the year was to revise Spirited in Spite to doneness and that I was going to start this month.

Here’s a little back story on Spirited in case I never mentioned it (which is entirely possible since I don’t talk about my projects with any sort of regularity):

It started out as one of my earliest NaNo losers under the title The Spinning Room.  I can’t remember exactly how the loss took place. I think I ended up not finishing it during the month, but getting it done sometime afterwards. The original idea was for something straight horror, but at some point during the first draft, I realized I couldn’t keep my face straight that long. I think that’s part of what made it so hard to write during NaNo; I was doing it wrong.

When I decided to revise it with a lighter tone, it went a lot easier. I put together a new draft and revised it once more at some point and then left it alone to do other things.

Apparently, I re-read it sometime last year, but I don’t remember doing that.

I started doing the revisions on the second. I was done within a week.  And that was going slow.

I had apparently done more revisions on this manuscript than I remembered doing. I certainly didn’t remember revising it down to novella length, but also didn’t remember revising the story to the point that it was so…finished. The revisions I ended up doing this round were of the nitpicky variety, partly because I was marveling at how little I had to do.

Now, this doesn’t mean I’m done. There are minor things that I thought about changing, but didn’t change because I’m not sure about those changes yet. I’m going to let it all rest for a little while and come back to it again.

But I’m no longer thinking that it’s going to take me a better part of a year to get this manuscript done.

Looks like A Tale of Two Lady Killers is going to get its shot, too.