Writing–Now I Don’t Feel Like It

flame box elder penI don’t really feel like revising (Vampires) Made in America right now. Oh, I know I said I would and I know that I will, but I just don’t feeeeel like it.

Part of the problem is I have this kind of problem this time of year, with all of the holiday stuff going on and making Grinchmas and preparing for the middle niece’s birthday next week (I still haven’t gotten her present yet, oops, need to work on that) and then the day jobs and chores, I tend to feel a little tapped out in the energy department. I don’t really enjoy a lot of the writing work I end up doing in December because I feel like it’s just more work. While I normally enjoy doing revisions (even the crappy, hard ones I feel a certain thrill that comes with spinning straw into gold), it’s a struggle for me to like them in December.

I think the other part of the problem is that I don’t feel like I’m doing any good with these revisions so far. I know I need to add a section, possibly a chapter, and I have yet to see the perfect spot to put it. I feel like all I’ve been doing for the past couple of weeks is dialogue tweaking. I did a major overhaul of the first two chapters and after that, everything has just been speeding right along with minor little changes here and there and I feel like I’m slacking.

This in turn makes me feel like I don’t wanna.

The problem with me is that I’m acting like this is the big and final revision of this manuscript when it’s actually just the first. Yes, that added section needs to go in now. And that last third of the book will probably be seriously worked over (at least that’s what my notes say…actually my notes say “the last third of the book needs work, good luck with that”). There will be another revision or two (probably three) after this. Hell, I’m not even sure whether or not I’m going to change the location yet or not (not a huge change, just going from real city to fictional-city-that-might-resemble-a-real-one). So, yes, this isn’t the end all be all of this book no matter what oogy feelings my brain is giving me right now.

But my brain doesn’t listen to reason. It’s worse than my heart in some respects. And my brain says I’m not working hard enough, apparently missing the point that I’m not supposed to be working very hard this month. It’s a real drag. I’m doing my best to press on, knowing that I am actually doing work, laying the groundwork for the next revision, even if it doesn’t feel like. This is all just a fleeting bit of stupid and I will get through it.

Right now, though, I just don’t feeeeel like it.

Writing–December Projects

SnowflowerThe only thing I have on tap for December is revising (Vampires) Made in America. That’s it, that’s all, and there ain’t no more.

With the holiday gauntlet I run and the Grinchmas practices I observe, time and energy are in short supply in December. I’ve found that having one big project to work on during the month usually yields better results than trying to obliterate some huge To Do List. The lack of pressure lends itself nicely to me getting the thing done and then getting more things done. It tricks me into being more productive than I intended to be.

So far I haven’t caught on yet.

If I do get my revisions done quicker than anticipated (and that’s quite likely), I’ll probably pick another project to revise, most likely the Zak novella (still no title) or one of the other stories that I want to put into the People Are Terrible anthology.

I’m actually looking forward to revising (Vampires). When I first wrote it, I didn’t like it all. After re-reading it, I find that it’s actually a lot better than I thought it was. It’s got potential.

Revising it should be an interesting time.

Writing–October Projects

pumpkinsJust because I’m experiencing a writing crisis of sorts doesn’t mean the party stops. While I’m  seeking validation by submitting to agents, I also have a different plan on the board that I’m executing, one that is sort of independent of that whole writer-validation thing that I talked about doing last week. Basically, it’s Operation: Get Some of This Shit Off Your To Do List, Woman!

So, last month involved me doing a round of revisions on the Zak novella (no, it still doesn’t have a title), writing a couple of short stories (“The Seaweed Man” is a lot longer than I thought it’d be and I’ll need another week or so to finish it; I also ended up writing another short story called “People Are Terrible”), and getting the pre-order of Spirited in Spite set up. All of the was done even while I was having my “Why am I here?” troubles.

This month, since it is of course October, I will have NaNo prep, which will basically just be me going over my outlines for the next two Ivy Russell novellas to make sure I know what I’m doing. Yes, I’m doing two novellas again for this NaNo and I will talk more about them in another post.

Speaking of Ivy Russell, to help me get in tune with that world, I’m going to finish the rewrites on The Timeless Man, which means finally figuring out and writing the new ending. It will be smooth sailing on further revisions once that is done.

I also need to do another revision of Hatchets and Hearts. I’m changing the time period. I think that will be the final big change that will really tie the whole thing together. It seems like everything I wrote during a certain few months of last year/this year was nothing but a struggle. It will be a victory when I get that all sorted.

And so there won’t be any dull moments, I’ve got a couple of new short stories I could write if I need to: “The House Down the Road” and “Nadie Has a Dog”.

Slowly, but surely, I’m going to get this To Do List whipped.

Writing–September Projects

SeptemberFall is coming and for me that means a busy season. However, since I was (for once) smart enough to spend some time getting my ducks in their rows, I have a good idea of what I’m doing for the next three months, which is going to help tremendously.

This month I’m going to start revising the Zak Novella (yes, it still doesn’t have a title, shut up) that I wrote back in June or July, I can’t remember now and I’m too lazy to look. Point is that it has sat long enough and I’m ready to take a swipe at it.

The other big project for this month is designing the cover for Spirited in Spite and using the novella for a pre-order experiment. Now that Amazon offers it to us lowly self-publishers (Smashwords has for a while) and I’ve got more than a few titles floating around out there, I think this will be a good time for me to give this a try. There’ll be a whole informative post about it later (and probably another angsty post about it after that because I’m all too familiar with past data relating to me selling my work).

And in case I don’t have enough to do, I’m going to review and possibly revise/polish “Devil Temper”. It was a short story I wrote that I thought I might use for Yearly, but it didn’t end up really fitting in well. However, I think it might work out better for a new anthology that I’m working on.

I also want to start writing a new short story (that I’m eyeballing for a different anthology I’ve got in the works) called “The Seaweed Man”. I need more practice writing left-handed and I kind of want to write a little something new right now, so this will work out. It’ll be a nice brain-break from revising.

Because I’m doing more of that next month.

But that’s next month.

Writing–And, Lo, Here Is the Fix You’re Looking For

Rainbow paperI’m not going to lie to you. The revisions/rewrites on The Timeless Man have been a slog, a real downer. I like the story, but I don’t. I like the character of Arthur Meadows, I like what Ivy is doing for him, I like the Blackout Wednesday parallel I worked, but the story is damn boring. I realize that I don’t need a mythological creature trying to kill people to make a story interesting, but dammit, something needs to be happening. And I have struggled all month long with that.

Until, like a beam of light straight from the Heavens coming down, washing me over with its brilliance, I think I found a way to make this story interesting.

Of course, it couldn’t come at a better time (she said sarcastically). After all, I’ve only slogged through this first round of revisions/rewrites and I’m almost to the finish line and I was so looking forward to putting this masterpiece away for a little while before I tried tackling it again. And for me to put in this fix, I’ll have to go back to the middle of the story and write in the new stuff, the new scenes and characters, which means I’ll probably end up changing part of the last third of what I wrote and probably the ending as well. So, here, when I thought I was almost finished (at least for now)…I’m not.

I am excited about the idea and I think the changes will improve the story greatly. I think it might actually save the whole mess from being a snooze-fest. This is a great, great thing.

However, I’m not thrilled with the amount of backtracking this change will require.

This is what I’m talking about when I keep thinking the more I write, the more fluid and less time-consuming the process will end up being. I keep thinking the more I do this in general, the less I will end up doing THIS, i.e. rewrites because I should have thought of this in the damn first place.

Oh, well.

All part of the gig.

Writing–June Projects

roseAfter a month of doing a lot of revisions and polishing…I’m going to be doing more of that.

I’ve decided to go ahead and tackle The Timeless Man. I still haven’t worked out all of the kinks I think need to be worked out, but I’ve got several of them figured out and I might as well get them down on paper (or laptop computer files, as the case may be). It’s quite possible that the act of making those changes will lead to me figuring out the solutions to my other problems (or deciding that they’re not problems at all; that’s always possible).

I’m also going to prep (Vampire) Made in America for revising. This mostly involves re-reading the manuscript, putting everything together in one file, and making notes on what needs to be changed. I hated this manuscript when I finished it for a NaNo win a few years ago but after finishing The World (Saving) Series, it occurred to me what I could do to fix (Vampires). So I’m going into this reading with an idea of what needs to be done, which should make the read easier.

This should be enough to keep me good and busy for the month, but I’m aware of a growing itch to write something new. It’s been a while.

Also, it’s time to publish my latest masterpiece. It should happen in the next couple of weeks. Which will it be? Novel or novella?

I guess you’ll have to stay tuned.

Writing–April Projects

Yellow flowersRevising. That’s all I’m going to do in April. Just revising. My To Do list is filled with revising.

My essay for a contest is going to be revised and polished this month. The deadline is next month and it needs to be done and ready to go with time to spare. It has top priority.

Also getting revised this month is Spirited in Spite. I actually don’t think it needs much in the way of revisions, but I’m going to comb through it one more time just to be safe.

After that, anything is up for grabs. I’ve got one short story, one novel, and four novellas that need revisions. I guess whatever I feel like working on will get worked on.

It’s going to be a while before I write anything new, I think, which is fine. I’ve found it’s sort of hard for me to think about writing a first draft of a new project when I have all these other drafts of these other projects hanging out patiently on my list.

So starting now, my focus is totally on eliminating what I can from this To Do List. That means revising. Revising, revising, revising. Then polishing.

Now watch me get another brilliant idea that I can’t pass up and I end up writing that instead.

Writing–March Projects

cloverThe main project for March is to finish writing the first draft of The Timeless Man. It’s more than half-way done and boring as hell, but I can fix that later. I just need to get it done. This is a project that I want to have completely done by the end of the year and the way I’m struggling with the first draft, I might already be in trouble.

The other novella that I’m working on, remember it? The one that was so insistent on my brain last month? Well, it’s not as insistent now. I’ll still be working on it throughout the month, but more as a distraction from The Timeless Man, a break from the blahs I’m having about that first draft.

So, The Timeless Man is the biggest priority this month.

However, I’ve been trying to come up with story for a contest open to various genres and essays. I think I’ve actually hit on an essay idea that might work for it and I think I’m going to give it a go and see what I can make of it. I’ve only written one other and it was pretty much garbage, but I’d like give it a go so I can feel like I’m doing something towards this deadline.

Last month I read through A Tale of Two Lady Killers, but didn’t get around to doing any of the little revisions that need to be done. I also realized that if I want to self-publish The World (Saving) Series, as I’ve been thinking about doing, then I’m going to make some changes to the manuscript. Maybe this month I’ll get around to doing those two things.

But like I said, first draft’s first.

Writing–February Projects

purpleflowersHaving done a whole bunch of revisions, both hard and easy, this month I’m looking to write something new.

It’s time to get the new Ivy novella down on paper. That is for sure. I’ve got it all sketched out. Okay, I’ve got it as sketched out as I need it to be. Good enough, time to go.

I also got an idea for another, unrelated novella that has been rather persistent and so I think I’m going to explore it as well. I’ve sketched it a bit. I think I can write it. I think I’m going to.

And finally, I got slapped with a short story idea that won’t take me but a couple of days to write, so I think I’m going to do that as well. I’ve actually had the idea for a while, but I couldn’t figure out just how to work it until recently. Now that I know, I want to get a draft done.

So, I’m looking forward to a lot of writing this month.

But, since Spirited in Spite didn’t take that much work to revise, I started reading A Tale of Two Lady Killers in preparation to revise it to completion, too, and I’m realizing that it’s not going to need a whole lot of work either. So it’s entirely possible that I might do some of the nitpicky revisions on it this month, too.

Short month doesn’t meant I’m short on work.

Writing–The Hard Revisions

Rainbow paperI’m in the process of revising Hatchets and Hearts and it’s been a pretty hard slog. I knew it would be. I knew when I was writing it that it wasn’t working the way that I wanted it to and so I knew when I finished it and tucked it away that I was looking at some serious rewrites/revisions.

Hard revisions are the worst.

I usually like revising because there’s something about stripping down a story and putting it back together to make it better that I really dig. But sometimes there are revisions I dread. Those I call hard revisions.

I guess they’re hard because they take more effort than usual. I don’t mind rewriting/revising extensively. It has to be done and most of the time I’m right there in it. But there are some stories that whatever revising I have to do is just plain work. Maybe I don’t like the story all that well at the moment or I’m not keen on the revisions I’m doing because I’m not convinced that they’re the right thing to do but something has to be done to get this show on the road.

That’s where I’m at with Hatchets and Hearts. The story isn’t what I want it to be and I’m not sure these revisions/rewrites are going to get it to where I want it to be and it makes me feel very meh and blah and uninspired. It makes me have to force myself to work on it, to do the bare minimum every day so it will get done. And then I chide myself for not putting out more effort to get more done so the whole thing gets done faster, but I just don’t have the energy for it, ya know?

And the hardest part is coming because I’m changing the ending and it’s going to be really hard because I don’t WANT to do this to the character, but I have to because the way I’m doing things, that’s how it has to go. It’s going to brutal and I’m dreading it and I think that’s part of my foot-dragging.

The thing is I’ll finish these revisions because I’ve become very good about finishing things and I’ll put this aside to settle for a bit. And when I come back to it, the next round of revisions are more likely to be easier because the slogging I did this time will pay off. There will be something better for me to work with so I can get the story closer to where I want it to be.

And that’s why I never whine too much about the hard revisions. I know it’ll be worth it.