I’ve just wrapped up the first round of revisions/rewrites on The End of the (Werewolf) Curse and I’m feeling pretty pleased with myself. I think I might need only one more round of light revisions, and then I can polish it up. I stress might. Like, I said. Right now I’m feeling pretty pleased.
Part of that is because I am pretty satisfied with the work I’ve done on the novel and how swell it’s all gone so far.
The other part is me comparing the work on this novel to the work I did on (Vampires) Made in America.
For those of you playing the home game, you know that both of these novels, as well as another NaNo first draft called To Tell the (Conjurer’s) Truth, is all part of my Outskirts universe that began with the short story “My Winter with Stanley”. So comparing the revision process of the two novels makes sense.
I wrote the first draft of (Vampires) Made in America for NaNo in 2011 and back then it was called American Vampires. While the basic story remained intact throughout several revisions, the context of the story changed dramatically. We’re talking major rewrites. I think I rewrote it at least twice before I could even get to the point of doing revisions.
Contrast that with The End of the (Werewolf) Curse. I wrote it for NaNo in 2015. I did some light rewriting to probably the last third of the book, along with some revisions throughout. That’s it.
The biggest difference between the two were the first drafts. When I wrote (Vampires) Made in America, I was still learning how to write a first draft effectively (though I’d already learned quite a bit by that point), but outline for the book was probably the best I’d done at the time. When I wrote The End of the (Werewolf) Curse, I knew what I was doing. I had the outline and I knew how to write what I was writing. The years of practice in between had paid off.
And because the first draft was better (though still garbage because first drafts are supposed to be), the revisions have been better.
Sometimes it’s hard for me to tell if I’m getting better as a writer. Comparing myself to other writers isn’t really good for my ego because I read so many who are much better than I am.
So to see that at least the actual technique of my work has improved, well, that’s something I can appreciate.
Even if I’m the only one.