April Writing Projects

Last month I wrapped up the first round of revisions on The End of the (Werewolf) Curse and wrote the first draft of a short story called “The Support Group Meets on Wednesday”, as well as continued writing my one page a day for my experiment.

What I did not do was submit any short stories.

It’s the same ol’, same ol’. I look at what I have ready to submit and then I look at the markets that I find that are taking submissions and things don’t match up. At the very end of the month, I did find one story that kind of matched with one market, but I ended up re-writing the story to make it match better. So, I’ll submit it this month. And I’ll hopefully be able to submit another story or two to other places.

It also looks like I’ll be continuing my agent search with (Vampires) Made in America.

I’m not exactly sure, as I stare at my To Do List of Doom, what I want to work on this month. I think that’s a sign that I need to switch gears a bit.

Since April is National Poetry Month, I’m going to attempt to write a poem every day. I’ve done this before and I enjoyed myself. I have so many poem fragments around, I feel like this will be a good way to turn them into something while also shaking things up a bit.

I may also work on some non-fiction. I’ve got some possible projects that I’ve been speculating on and now might be the time to take a harder look at them.

Maybe I’ll work on a script since I have so many of them in various stages, too.

This month is my oyster, really.

Speaking of sea things…

Come to the Rocks is set to be released by NineStar Press on April 16th! Pre-order it and you get three days early. So order today! It’s like set it and forget it and then you get a surprise that will have your future self thanking your past self. Trust me.

Episode four of Murderville: The End Of goes live on April 10th. Become a patron for only $1 an episode. $2 patrons will get a bonus on April 24th. It’s never too late to get in on a killer good time.

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What a Difference a Book Makes

I’ve just wrapped up the first round of revisions/rewrites on The End of the (Werewolf) Curse and I’m feeling pretty pleased with myself. I think I might need only one more round of light revisions, and then I can polish it up. I stress might. Like, I said. Right now I’m feeling pretty pleased.

Part of that is because I am pretty satisfied with the work I’ve done on the novel and how swell it’s all gone so far.

The other part is me comparing the work on this novel to the work I did on (Vampires) Made in America.

For those of you playing the home game, you know that both of these novels, as well as another NaNo first draft called To Tell the (Conjurer’s) Truth, is all part of my Outskirts universe that began with the short story “My Winter with Stanley”. So comparing the revision process of the two novels makes sense.

I wrote the first draft of (Vampires) Made in America for NaNo in 2011 and back then it was called American Vampires. While the basic story remained intact throughout several revisions, the context of the story changed dramatically. We’re talking major rewrites. I think I rewrote it at least twice before I could even get to the point of doing revisions.

Contrast that with The End of the (Werewolf) Curse. I wrote it for NaNo in 2015. I did some light rewriting to probably the last third of the book, along with some revisions throughout. That’s it.

The biggest difference between the two were the first drafts. When I wrote (Vampires) Made in America, I was still learning how to write a first draft effectively (though I’d already learned quite a bit by that point), but outline for the book was probably the best I’d done at the time. When I wrote The End of the (Werewolf) Curse, I knew what I was doing. I had the outline and I knew how to write what I was writing. The years of practice in between had paid off.

And because the first draft was better (though still garbage because first drafts are supposed to be), the revisions have been better.

Sometimes it’s hard for me to tell if I’m getting better as a writer. Comparing myself to other writers isn’t really good for my ego because I read so many who are much better than I am.

So to see that at least the actual technique of my work has improved, well, that’s something I can appreciate.

Even if I’m the only one.

March Writing Projects

Last month I said I was only going to work on revising The End of the (Werewolf) Curse, but thought I might do something else, too, because I so rarely do just one thing.

Yeah, no. That was it.

And I didn’t even get it done.

Okay, I sort of knew that I wouldn’t get it done in February because I typically only revise one, maybe two chapters a day and there are more chapters in the first draft than days in the month. Throw in a couple of unwell days when I didn’t do as much as I’d like and a couple of tough spots to revise, and there was no chance of getting it done before March.

However, it shouldn’t be any trouble to get it wrapped up in the first week of March. The ending needs some real work and some of it could be a struggle, but I think I can get it done.

And after I do, I’m going to work on a short story that might likely become the first chapter of another novel. We’ll see. Story first.

I’m also going to be working on submitting some of the short stories that I have done that are just sitting there. I need to get back in that game a little bit.

If you’re curious, I’m keeping up with my experiment to write a page a day on a novel. It’s about sixty pages of nothing like I’m currently working on and I find it very refreshing to write a page not knowing exactly where it’s going to go and having only a vague idea of the story.

This experiment is going rather well.

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Upon Review: A Tale of Two First Drafts

I spent the last week of January reading over two first drafts: The End of the (Werewolf) Curse, which I wrote back in 2015 for NaNoWriMo, and The Fate of the Immortal’s Assistant, which I wrote this past November for NaNoWriMo. One turned out to be in better shape than the other, which kind of surprised me.

I remember when I finished writing The End of the (Werewolf) Curse that I wasn’t very happy with it. I thought it was going to need a lot of work and so I shoved it to the side to wait its turn, in no hurry to get to it. I expected to feel the same when I read it this last month. I went in expecting that it still needed some serious work.

Gleefully, I was wrong.

Maybe gleefully isn’t the right word, but after the rough time I’ve had with my first drafts lately, I felt pretty gleeful.

Anyway.

It will need work, of course. There are some minor things that need to be taken care of and I have to do my usual thing of adding in details because I’m the worst at description. But as far as heavy rewrites, which is what I was expecting, that’s not in my future with this story. I’m actually really pleased how well the first draft did turn out.

Ah, those were the days, when I remembered how to write.

Because The Fate of the Immortal’s Assistant was just as bad as I remembered it. Yes, not too much time has passed, but even a decade wouldn’t erase that memory or the accuracy of it. I could see the struggle I had during that writing process in the words. It’s going to to take major rewrites to fix this story. Major rewrites. Major.

However!

When I was reading the first draft, I could see exactly what needed to be done to fix the story. So while this story will take a lot of work, I have a very good idea of what that work is and that is somewhat of a comfort.

I’m still not looking forward to doing all of that heavy lifting, but at least when it’s time, I’ll know just how heavy that lift will be.

February Writing Projects

January was a thing, man.

I finally finished the first draft of The Coop Run. It took until the third week of January to get it done, but it’s done. After that, I spent the final week reading over the first drafts of The End of the (Werewolf) Curse and The Fate of the Immortal’s Assistant and made revision notes for both. One got more revision notes than the other. I’m not looking forward to dealing with that.

And on the final day of January, I submitted (Vampires) Made in America to an agent. Fingers crossed and all that. I’m just happy to get the practice doing the query/synopsis/bio thing. Okay, that’s not true. It’s hell, but I still need the practice.

This month I’m going to revise The End of the (Werewolf) Curse.

Yep. That’s it.

I’ve felt like I’ve been pulling my hair out and banging my head against a wall and several other cliches that have put me at the end of my cliched rope. I need a recovery month.

Okay, yes, I know. It’s me. This probably won’t be the only thing I do this month, but it’s the only thing  I’m definitely going to do this month.

Let’s call this a working break.

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January Writing Projects

Hello, 2018! I hope you’re prepared to do a lot of writing things because I know that I am, despite how I ended 2017.

Okay, so, yeah. The Coop Run didn’t get finished. But I do know that it’s going to be closer to 50,000 words since I passed the 30,000 word mark and it’s not done. So, that’s something. I did finish the final polish of (Vampires) Made in America, though. I wasn’t totally consumed by jolly fatigue.

It makes my plans for January pretty obvious. Finish the first draft of The Coop Run and submit (Vampires) Made in America to agents.

Those are the two main things, though obviously submitting (Vampires) is going to be something that happens throughout the year because I expect this to be more of a learning experience than anything.

I’m also going to be doing some reading. I’m going to read the first draft of The Fate of the Immortal’s Assistant and the first draft of The End of the (Werewolf) Curse and make some revision notes. I’m going to be working on both of these novels during the year, so I might as well start now.

I think that will be enough to keep me busy.

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That’s Three Done

Earlier this week I finished polishing (Vampires) Made in America. It is done. As done as I can get it. As done as I feel it needs to be to submit to agents. I don’t know that I’ll get an agent with it, but I do need the experience of submitting to agents and possibly making some connections. Gotta start somewhere.

(Vampires) Made in America started as a 2011 NaNo novel called American Vampires. That’s right. A little over six years ago, I wrote the first words of this book. It took me six years to call it done. Wild. But not unusual. At least for me. I wrote the first draft of The World (Saving) Series for NaNo 2010; it wasn’t finished until June of 2013 (it’ll never see daylight). I wrote the first draft of A Tale of Two Lady Killers for NaNo 2009 (I’m sensing a pattern here); it wasn’t finished until April of 2014.

I think for me part of the reason it takes me so long to complete a novel-length work is because of my loud brain. I can’t work on just one thing at once. I try to give myself time between first draft and first revision and then between revisions and then between final revision and polish to give the words time to settle. So, I find myself preoccupied with other, shorter projects during these breaks and the novel gets pushed down further and further down the priority list because “it can wait”.

I think the other reason is how overwhelming a task it seems to get a novel to the point of doneness. Thanks to NaNo writing the first draft of a novel is a breeze and also thanks to my experiences in revising, I’ve gotten better at writing first drafts that don’t require as many story overhauls as I used to (this past NaNo being a now rare exception). But still, compared to revising a short story or even a novella/novelette, a novel is a lot of work.

Another reason it’s so easy to push it down on the priority list. Putting off the pain.

I suppose with two more Outskirts novels, The End of the (Werewolf) Curse and To Tell the (Conjurer’s) Truth, waiting for their own rounds of revisions, I should probably not default to that so easily. If I want to show myself to be a worthwhile investment to an agent and/or publisher, it might be in my best interest to accustom myself to the practice of completely finishing a novel in a shorter amount of time, especially since the novels I write aren’t that long to begin with. After all, making a living by doing this is the whole point and improving only helps that.

I’ll start small. Try to get a novel totally done before it’s old enough to go to kindergarten.

It’s good to have goals.