Writing–March Projects

cloverThe main project for March is to finish writing the first draft of The Timeless Man. It’s more than half-way done and boring as hell, but I can fix that later. I just need to get it done. This is a project that I want to have completely done by the end of the year and the way I’m struggling with the first draft, I might already be in trouble.

The other novella that I’m working on, remember it? The one that was so insistent on my brain last month? Well, it’s not as insistent now. I’ll still be working on it throughout the month, but more as a distraction from The Timeless Man, a break from the blahs I’m having about that first draft.

So, The Timeless Man is the biggest priority this month.

However, I’ve been trying to come up with story for a contest open to various genres and essays. I think I’ve actually hit on an essay idea that might work for it and I think I’m going to give it a go and see what I can make of it. I’ve only written one other and it was pretty much garbage, but I’d like give it a go so I can feel like I’m doing something towards this deadline.

Last month I read through A Tale of Two Lady Killers, but didn’t get around to doing any of the little revisions that need to be done. I also realized that if I want to self-publish The World (Saving) Series, as I’ve been thinking about doing, then I’m going to make some changes to the manuscript. Maybe this month I’ll get around to doing those two things.

But like I said, first draft’s first.

Writing–Sophomore Slump?

Rainbow paperI’ve spent the month working on the next Ivy Russell novella, The Timeless Man. It’s been sort of a slow-go due to a bit of a crazy work schedule. Most days I can only get a page or two done, though I try to get more than that in on the weekends and the days I’m only working one job.

But the day jobs aren’t the only thing slowing me up.

So far I’ve spent the entire first draft (which isn’t yet finished) comparing The Timeless Man to Cheaters and Chupacabras. It’s an unfair comparison because I’m comparing a finished project with a first draft. That’s like comparing a gold medal skier to a guy who just put on skis for the first time. It’s not right.

But I’m doing it anyway.

Every time I pull up the first draft to work on it and start typing, in my head I’m asking myself, “Does it have the same tone as the first one? Is it as much fun? Are the characters consistent? Is it enough like the first one?”

The only valid question is about the characters. They should be consistent at their core from novella to novella, and since I have two more novellas in the idea stage, that’s pretty important. It’s something I should definitely keep in mind for the first draft, but I don’t have to be a nag about it.

The rest of it, I can’t ask those questions now. I’m not even sure if I should ask those questions at all. Since this is going to be a series of novellas, I realize there should be a certain feel to the stories that is similar between novellas, but that’s really something I shouldn’t be thinking about in the first draft stage.

I’m hoping I can file those questions for later. I can look at them again when I get to revising.

Right now, I just need to be writing.

I won’t be able to answer them if I don’t get this first draft done.

Writing–Redoing Rejected

RejectedNow that I’ve released my second self-published anthology, I guess I should point out that my first self-published anthology is no longer for sale (so if you managed to be one of the six people that bought it, congratulations, you got yourself a collector’s item now).

I made the executive decision to pull Rejected. I actually did it late last year. I didn’t think anyone would notice.

It was my first go in self-publishing and I’m still proud of it. It helped me get over my self-publishing fears and take the plunge, and I’m glad for that. And it felt good to get those stories off my board and out to be read. It was a real accomplishment on several levels.

But.

It definitely shows that it was my first shot at not only putting together an anthology, but also doing a self-published project. I’m not a pro at this now or anything, but I feel like I’ve improved. And I want that anthology to reflect it.

You see, I still love the stories and I want them to be read, but they deserve better presentation.

I plan on redoing the anthology. Maybe not as a redux of Rejected, exactly (which makes the title of this post somewhat misleading), but definitely as something better, maybe with a few new stories thrown in. I’ve been thinking about it for a while now. By taking it off the market, I’ve kind of taken that first step.

If I don’t eventually follow through, I’m gonna look like a dick.

And the stories deserve better than a trip to oblivion because I’m a dick.

That’s what started this in the first place.

Writing–The Battle of the Ideas

Rainbow paperI spent some time last month thinking about and sketching out the next Ivy novella. I need an idea of where the road goes before I start driving it, you know. And I admit that it didn’t come as quickly as I’d have liked. I had the basic idea, the very basic story. But the certain details I was needing, the points on the road that I needed to stop and visit, weren’t as immediate and clear as I would have liked.

All well and good. No need to rush. No need to panic. Plenty of time to let the idea boil a bit longer on the back burner.

So while I was letting this bit simmer, I got a sudden rush of an idea that needed to be written now. Here are the characters, here is the story, here is the dilly-yo, so let’s get to it.

Such is one of my biggest annoyances as a writer.

You’ve got your schedule. You are going to work on this. Everything is all nice and neat. And then BAM! Here’s this new, insistent, sparkly idea that looks so much better than the idea you’re working on, that you need to work on, that you should be working on, and wouldn’t you rather work on it?

Like a siren leading my deadlines and plans to the rocks.

Sometimes, when this happens, all I have to do is sketch it out a bit and the sparkly idea falls apart and I can move on with my original project without any guilt.

But sometimes, the sparkly idea doesn’t burst into a cloud of glitter. Sometimes it’s more than just pretty. There’s some real substance there. I can’t just ignore it. I’ve tried and it always ends up badly.

I don’t know what other writers do about this problem, but if I feel compelled to work on it, then I work on it. It’s my second project and it gets my attention as soon as I’m done with the primary project, the one with a deadline and schedule, is finished for the day.

It works out better for me that way.

Working on the second project doesn’t distract me from working on the first project and probably actually helps my focus on the first project because I want to get it done so I can move on to the second project.

And at the end of all things, I end up with the first drafts of not one, but two novellas (or short stories or novels or any combination of those), which gives me more to revise and polish, and more choices at the end of it all. It’s actually a good thing for me in the long run, these surprise ideas that end up doing battle in my head.

It’s still annoying, though.

Writing–February Projects

purpleflowersHaving done a whole bunch of revisions, both hard and easy, this month I’m looking to write something new.

It’s time to get the new Ivy novella down on paper. That is for sure. I’ve got it all sketched out. Okay, I’ve got it as sketched out as I need it to be. Good enough, time to go.

I also got an idea for another, unrelated novella that has been rather persistent and so I think I’m going to explore it as well. I’ve sketched it a bit. I think I can write it. I think I’m going to.

And finally, I got slapped with a short story idea that won’t take me but a couple of days to write, so I think I’m going to do that as well. I’ve actually had the idea for a while, but I couldn’t figure out just how to work it until recently. Now that I know, I want to get a draft done.

So, I’m looking forward to a lot of writing this month.

But, since Spirited in Spite didn’t take that much work to revise, I started reading A Tale of Two Lady Killers in preparation to revise it to completion, too, and I’m realizing that it’s not going to need a whole lot of work either. So it’s entirely possible that I might do some of the nitpicky revisions on it this month, too.

Short month doesn’t meant I’m short on work.

Writing–The Hard Revisions

Rainbow paperI’m in the process of revising Hatchets and Hearts and it’s been a pretty hard slog. I knew it would be. I knew when I was writing it that it wasn’t working the way that I wanted it to and so I knew when I finished it and tucked it away that I was looking at some serious rewrites/revisions.

Hard revisions are the worst.

I usually like revising because there’s something about stripping down a story and putting it back together to make it better that I really dig. But sometimes there are revisions I dread. Those I call hard revisions.

I guess they’re hard because they take more effort than usual. I don’t mind rewriting/revising extensively. It has to be done and most of the time I’m right there in it. But there are some stories that whatever revising I have to do is just plain work. Maybe I don’t like the story all that well at the moment or I’m not keen on the revisions I’m doing because I’m not convinced that they’re the right thing to do but something has to be done to get this show on the road.

That’s where I’m at with Hatchets and Hearts. The story isn’t what I want it to be and I’m not sure these revisions/rewrites are going to get it to where I want it to be and it makes me feel very meh and blah and uninspired. It makes me have to force myself to work on it, to do the bare minimum every day so it will get done. And then I chide myself for not putting out more effort to get more done so the whole thing gets done faster, but I just don’t have the energy for it, ya know?

And the hardest part is coming because I’m changing the ending and it’s going to be really hard because I don’t WANT to do this to the character, but I have to because the way I’m doing things, that’s how it has to go. It’s going to brutal and I’m dreading it and I think that’s part of my foot-dragging.

The thing is I’ll finish these revisions because I’ve become very good about finishing things and I’ll put this aside to settle for a bit. And when I come back to it, the next round of revisions are more likely to be easier because the slogging I did this time will pay off. There will be something better for me to work with so I can get the story closer to where I want it to be.

And that’s why I never whine too much about the hard revisions. I know it’ll be worth it.

Writing–Notebook Power!

Rainbow paperThere’s something about writing in a notebook that makes me feel powerful.

Okay, I realize that sounds absolutely ridiculous, but it’s true. There’s just something about it that really gets to me.

It makes me feel productive in a way that for whatever reason typing on my laptop doesn’t. Putting ink on paper makes me feel like I’m actually doing something.

It makes me feel like I’m not half-assing it. That I’m being all committed and serious and important about my writing.

I think part of it is perception. When people see my typing on a laptop, I could be writing, I could be tweeting, I could be updating Facebook, I could be doing a lot of things that have nothing to do with actually writing. When people see me writing in a notebook, they KNOW I’m writing. That’s what a notebook is for, after all.

I use my notebooks for different things, ideas, outlining, first drafts. But it really doesn’t matter what I’m doing in the notebook. Just the act of writing whatever it is makes me feel more accomplished than doing the same thing on my laptop. In fact, there are certain things that just belong in my notebook and the idea of doing them on my laptop is ridiculous to me.

For example, I’m outlining the new Ivy novella that I’m calling The Timeless Man. The way I’m going about working it could easily (and probably more practically) be accomplished on my laptop, but that approach feels so wrong to me that it’s like you just suggested I chisel everything out on stone. This sort of thing needs to be scribbled down in my notebook.

In my notebook lies my power.

I can’t imagine that I’m explaining this well at all and most people reading this will think I’m some kind of nut (thank goodness I’m a writer; that sort of crazy gets excused).

But I’m sure there are a few people that will read this and know exactly what I’m talking about.

Notebook power!

Writing–Revising Spirited in Spite

Rainbow paperSo as I may have mentioned in my previous projects posts that one of my plans for the year was to revise Spirited in Spite to doneness and that I was going to start this month.

Here’s a little back story on Spirited in case I never mentioned it (which is entirely possible since I don’t talk about my projects with any sort of regularity):

It started out as one of my earliest NaNo losers under the title The Spinning Room.  I can’t remember exactly how the loss took place. I think I ended up not finishing it during the month, but getting it done sometime afterwards. The original idea was for something straight horror, but at some point during the first draft, I realized I couldn’t keep my face straight that long. I think that’s part of what made it so hard to write during NaNo; I was doing it wrong.

When I decided to revise it with a lighter tone, it went a lot easier. I put together a new draft and revised it once more at some point and then left it alone to do other things.

Apparently, I re-read it sometime last year, but I don’t remember doing that.

I started doing the revisions on the second. I was done within a week.  And that was going slow.

I had apparently done more revisions on this manuscript than I remembered doing. I certainly didn’t remember revising it down to novella length, but also didn’t remember revising the story to the point that it was so…finished. The revisions I ended up doing this round were of the nitpicky variety, partly because I was marveling at how little I had to do.

Now, this doesn’t mean I’m done. There are minor things that I thought about changing, but didn’t change because I’m not sure about those changes yet. I’m going to let it all rest for a little while and come back to it again.

But I’m no longer thinking that it’s going to take me a better part of a year to get this manuscript done.

Looks like A Tale of Two Lady Killers is going to get its shot, too.

Writing–January Projects

Sneeuw-Weegje

Finally, we get around to my first projects post of the new year.

I’ve got most of the heavy lifting rewrites done on “She’s Not Here Anymore” and it’s officially a short story now. I’m going to let it rest for now. It could probably use another round of picky revisions, if not two. But not this month. It can wait.

This month I’m going to start on one of my big year goals and start revising Spirited in Spite, which I thought was still a novel-length manuscript, but it looks like the previous revisions I did cut it down to novella-length. Now I get to decide if I want to expand it back to being a novel or just go with novella, which is kind of becoming my thing. And so my big goal takes on a new dimension.

I think I’m also going to start sketching out the next Ivy Russell novella. I’ve already got the idea for it, but it’s gonna need a little work, some fleshing out and outlining. I may even start writing it if I’m feeling good about it. You never know.

I might also start doing some work on the Hatchets and Hearts novella if I’m feeling productive. It needs some hefty revisions and I’d probably be better off getting them out of the way as soon as possible.

I had an easy time of it in December. Time to get back to work.